Killing the “Pay First, Read Later” E-bookselling Model

em>This post, by Daniel Kalder, originally appeared on the Publishing Perspectives website.

Sometimes you encounter an idea that seems so obvious it’s amazing that nobody has thought of it before. That’s how Yoav Lorch feels about Total Boox, his intriguing new reading platform that is about to be unveiled this March. The idea is simple: instead of paying up front for a book you may never even look at, you download it for free and then only pay according to how much of the book you read.

“The idea came to me gradually. I was thinking about the potential of ebooks, and how to make books more interactive, the different types of books you could produce, but then the idea that you could pay as you read — well, that was far more interesting than everything else. So I did away with interactive books and all that. This seemed genuinely different.”

Lorch initially trained as an economist, but after a few years working in that field switched to become a successful children’s book author in Israel. Along the way he also wrote for TV, the theater and produced translations. In the 1990s, he became interested in new technology and founded two successful startups, PressPoint and Zlango. He is a man interested in ideas, and how to make them work:

“When it comes to ebooks, people talk about the technology a lot but they don’t spend much time looking at business models. And so the old business model of pay first read later — which makes sense when applied to physical books — has been smart and sneaky enough to creep into the world of ebooks. But it doesn’t belong there. It’s a business model which may seem to be part of the essence of books — but it isn’t.”

Advantages of “Pay as You Read”
 
Read the rest of the post on Publishing Perspectives.

Entrepreneurial Authors Wear Many Hats

This post, by S.R. Johannes, originally appeared on Indie ReCon on 2/19/13.

In the digital age, a new kind of author is emerging. The entrepreneurial author (EA).

I think this is where the term indie publishing comes into play and maybe what kind of distinguishes a self published author from what some call an independently published author or indie.


Entrepreneurial authors run their own publishing business – all aspects. The only difference between an entrepreneurial author and an actual independent press is that EAs only publish own works and contract out the work needed. Independent presses publish more than one author while handling all business aspects.

To be an entrepreneurial author – you will have to wear many hats: (these are not in any order of importance)

· Writer – Write the best book you can. But in this industry, the writer side has to understand that self-publishing is not a shortcut to writing; it’s a shortcut to publishing.

· Editor – Edit and re-edit your own work. Traditional authors have a stricter vetting process where many people look over the work from content to copyediting. EAs need to be even better at editing. That way, the EA can use an editorial budget wisely – for content editing and copyediting.

· Cover designer – Figure out your cover design as well as overall book design. Even if you can’t do it yourself, try to learn about covers, find out what looks good and what doesn’t – placement, fonts, colors, jacket copy – and know your book enough to figure out what concept you want. Whether you pay someone or not – you need to know how to define quality work.

· Formatter – Unless you want to pay someone to format, you will be expected to format across several different channels that may have different requirements, depending on what ebook format you need (epub, mobi, pdf, paperback etc). This requires an understanding of Word, Html, and more.

· Project manager – When you have experts doing things for you (covers, swag, web sites etc.), you have to manage a budget and a timeline to be sure it all comes together.

· Distribution
 

Read the rest of the post on Indie ReCon.

We Interrupt This Series On Marketing With A Timely Lesson On How NOT To Succeed…

This post, by Gayla Drummond, originally appeared on her Feral Intensity site on 2/15/13.

A writer dropped into the KDP forum today, linked to her two books, and said, “Take a look and your opinions are welcome!

She stated one was a “wonderful romance”, and the other was about basic training.

For the most part, we’re a pretty welcoming bunch over there (at the moment). The first response complimented her covers, but also pointed out that there were formatting issues with both books.

Her response?

“Come on people! You’re quick and ready to tear down a bad book, but you have nothing to say about good books?????”

For anyone who hasn’t interacted on public forums, that response is a signal to pop some corn and settle in for a drama llama show. It’s a clear indicator that the poster thinks his/her shit don’t stink.

She didn’t want anyone’s real opinion, she only wanted to be told how awesome she is, and the first responder replied saying as much. Her response?

“oh please…. what makes you an expert?”

Um. [scratches head] Why did she come to the forum and ask for opinions, again?

Another member pointed out that the KDP forum isn’t really the place to ask for criticism. Our fearless writer’s response?

“This is a general forum, is it not???? Many people here offer opinions and thoughts about content. Its not too difficult to read sample pages and enjoy the writing. If there are any Vets on here, [redacted] should be of special interest and well worth the money and time to read.”

Okay, she has confidence in her writing. There’s nothing wrong with having confidence in your work. I and many others have confidence in ours, or we wouldn’t put it out there. :)

However, it becomes clear as the discussion progresses that our first responder nailed it: Our new member doesn’t want to hear any criticism.

 

Read the rest of the post on Feral Intensity.

Why eBook Retailers Are Embracing Self-Published Authors

This post, by Mark Coker, originally appeared on The Huffington Post Books blog on 2/12/13.

If anyone doubts the speed at which the epicenter of book publishing is shifting from publishers to self-published authors, look no further than the Apple iBookstore.

Last week, Apple’s iBookstore launched Breakout Books in the U.S., a new book merchandising feature that showcases books from popular self-published authors, including several that have already achieved New York Times bestseller status. The New York Times covered the story last week, as did The Wall Street Journal.

Apple’s merchandising team hand-picked the titles, all of which have earned high ratings from Apple customers.

Disclosure: Many of the eBooks featured were distributed to Apple by my company, Smashwords.

Although the iBookstore has always carried and supported self-published eBooks, last week’s launch signified an escalated commitment on the part of Apple, whose iBookstore currently sells books in 50 countries. The iBookstore first piloted the Breakout Books feature in their Australian store in late November and has since implemented similar ongoing features in Canada and the U.K.

A retailer’s merchandising decisions are among the most important levers driving book discovery and sales. Whether you’re a traditionally published author or a self-published author, such placement can make your book stand out in a haystack of millions of other books competing for your reader’s attention.

Why are retailers such as the Apple iBookstore, Barnes & Noble, Sony, Kobo and Amazon giving self-published ebooks such merchandising love?

eBook Retailers and Readers Are Embracing Self-Published Authors

Over the last few years, I’ve written multiple posts here on The Huffington Post articulating the advantages of eBook self-publishing from the author perspective, such as the opportunity to bypass publishing gatekeepers; faster time to market; access to global distribution; higher royalties; and greater creative control. Many other industry watchers have covered the same.

Few in the publishing industry, however, have examined why retailers are stepping up their support for self-published books, and why readers are purchasing them. When we examine the myriad reasons, we see the playing field is likely to continue tilting to the advantage of self-published ebook authors.

Here, I’ll outline why retailers and readers are supporting self-published books, and what it means for authors:

 

Read the rest of the post on The Huffington Post Books blog.

Mailbag Monday With Answers to your Self-Publishing Questions

Well, that was an exciting ball game yesterday, wasn’t it? Today to help you cool back down, I’ve reached into the mailbag for some questions that have come in recently.

Since most self-publishers run into the same kinds of questions as they get further into the publishing process, I like to post these questions once in a while for the benefit of everyone.

Q: I’m ready to key my hand written story into a program that I can use to format, send excerpts from, massage, you know what I mean. Do you have a recommendation for me?

A: Most writers use Microsoft Word, but I’ve really been enjoying Scrivener lately, it’s a real writer’s tool. Scrivener gives you remarkable capabilities to organize your research and your writing in the same document, to easily rearrange parts of the document, many ways to view your content, and the ability export to ebook formats. It’s really state of the art.

Q: How do I determine the sell price of my book?

A: The best way to begin to get an idea about your pricing is to look at other, similar books that have been popular, like with Amazon’s “Top 100″ lists in your specific category, niche or genre.

Q: I thought if something was written and/or published that in itself would copyright it automatically. Is that not the case?

A: Copyright is created at the same time you create the work. The Copyright office registers copyrights, and that would be particularly important for someone publishing under a pseudonym, to establish who the actual copyright owner is. Q: I’ve been approached by a large on-line store who wants to carry our book. Hurrah!! They are NOT a bookstore, however, and I was unsure of what sort of discount to propose. A: If the retailer is outside the normal book distribution channels it’s common to give a bigger discount in exchange for payment on delivery with no returns. The most typical discount for this type of sale is 50% in my experience.

Q: Do e-Books need to have the bar code? I know they need a different ISBN but I am just doubtful about the bar code and could not find the answer anywhere. A: No, ebooks don’t need a barcode. Where would you print it?

Q: Is it possible to put the ISBN number on a book that has already been printed without the number? If yes, how do I go about it?

A: Yes, the way to do it is with self-adhesive labels. I believe you can buy these from barcodegraphics.com

Q: What’s the downside of not buying my own ISBN and using the free ones, provided by PoD companies or ebook distributors?

A: There are 2 potential issues with using a “free” ISBN. First, it will show the owner of the ISBNs (the PoD company or ebook distributor) as the publisher of record. Second, if you ever want to move your book to another vendor, you will need to use a different ISBN and deal with the metadata issues that that implies.

Q: Would you help me to choose (I think mostly between Garamond and TimesNewRoman) for inside fonts for a semi-technical book (about nutrition) I am about to self publish? I just want to use what is most common, nothing fancy…

A: If you are choosing between Times and Garamond, use Garamond. Times Roman was designed for newspapers, not books.

Q: I am about to self publish my first book and was wondering if I should incorporate a publishing company name, or just put it under my current corporate business name. Should I make up a publishing company name, use my business name, use my name, or not have one at all?

A: You can choose to use your current corporate name or create a new company, either will work. Many people who already have a company structure use that but create an “imprint” name for their publishing activities. So for instance you could brand your books with an imprint like “LiveMore Books” and keep all the business activity within your corporation. Any of these ways will work.

Q: I’m a new self-publisher and I don’t know whether to use CreateSpace or Lightning Source or Lulu or what. Can you advise?

A: I think the best place for authors to publish their own books right now is CreateSpace, were you can contract for other services if you need them but you don’t have to. You’ll get low prices and decent quality books, with lots of support and resources to help you. Lightning Source is more of a business-to-business company whose customers are publishers rather than authors.

Q: Guy Kawasaki in his “APE: How to Publish a Book” (which I read this week) suggests that the order of the parts of an e-book can deviate from the Chicago Manual of Style. Your thoughts?

A: Guy is correct when it comes to ebooks. Print books often have a long frontmatter section including blurbs, previous books, half-title and blank pages as well as copyright and contents. Since only about 10% of your book will be made available as a “sample” on eretailers’ sites, you want to make sure browsers can get to your content right away. You can move some of the traditional parts of the print book to the end of the book or even put them on a web page you link to from inside the book.

Have you run into any questions that are holding you back? Don’t know who to ask? Go ahead and ask in the comments [on the original post]and let’s see if we can help.

 

 

This is a reprint from Joel Friedlander‘s The Book Designer.

How EBook Readers Shop And The Importance Of Sampling

An author at a conference recently asked me for tips on publishing on the Kindle and then said that he didn’t actually read books on digital devices.

I was kind of gob-smacked because how else are you going to know if there are problems until you start getting 1 star reviews?

When you publish a print book, don’t you buy it immediately to test the process and the quality? So why not do the same for ebooks?

If you’re going to digitally publish, I believe you should own an e-reader, even if just to test how your book looks. They aren’t expensive anymore so there is no excuse.

It’s also important to understand how ebook readers shop, because they are the high-volume readers, the ones who will make up the bulk of your digital sales.

How do ebook readers shop for books?

I read around 95% digitally, on a Kindle Paperwhite and through the Kindle app on my iPhone. I don’t own every device but I certainly test the .mobi format on Kindle and the ePub format on my desktop reader and my iPad and iPhone. I am also a voracious reader, getting through 3-5 books per week, more on holidays. Not having a TV helps!

This is how I shop:

a) I hear about a book on twitter, or I see one at a physical bookstore, or see a review somewhere, or find something I like in the Amazon store Top rankings for categories I like. I surf for fun in the Last 30 Days area.

b) If the book is available as an ebook, I download the sample right away and put it into a collection marked Samples. If the book isn’t available as an ebook, 99% of the time I won’t buy it unless it is an author I am committed to. I have other Collections on my Kindle marked ‘To Read’ which are books I have bought but haven’t started yet, “Reading” for ones I am reading now and “Make Notes On / Review” for those I want to revisit to write notes on or review on Amazon & Goodreads.

c) In between books I am currently reading, I go through my samples. If I make it to the end of the sample, I will usually buy the book because I am hooked. If I don’t, I delete the sample. No sale. I usually give a book 3 clicks of my Kindle before I delete it. Harsh, maybe, but life is too short to read books that don’t call to you.

So your marketing efforts, your book cover, your book description and reviews have helped your book get this far, but it is the sample that leads me to buy. I probably delete 60-75% of my samples so I have a harsh approach, but I don’t think I am an untypical example of a high volume ebook reader (although if you are one also, I’d love to know what you think in the comments!)

Make sure your sample makes the reader want to buy

Your book has to start with something that hooks the reader.

This isn’t new advice – if you want an agent, the first page has to hook them, and readers of print in bookstores may browse the first page, but because there are so many ebooks available, readers are increasingly unforgiving if a book doesn’t fit what they are looking for.

Here’s some tips:

  • Get into the meat as soon as possible. Put all the acknowledgements and extra stuff at the back, not within the sample. I was severely annoyed recently to download an Angela Carter anthology of short stories to find that the entire sample was an essay about her work and the stories didn’t come until later. I looked for a better version.
  • During the editing process, make sure you pay particular attention to what will hook the reader. If non-fiction, what is the problem you’re solving. If fiction, why would the reader read on? What have you caught their attention with? What loops have you opened mentally that they must close?
  • Make sure the formatting is excellent and easy to read throughout. I have deleted samples straight away when they start with coding errors. It denotes a lack of respect for the reader. This is why you need to test and curiously this has happened with more traditionally published books than indie. Seriously, one book was entirely formatted in Bold. Did no-one even check it? (Make sure this doesn’t happen to you!)
  • If non-fiction, DO include the table of contents. If fiction, your chapters don’t really add anything so aren’t so necessary.

What other suggestions do you have for improving samples? How do you shop for ebooks? Please leave your comments [on the original post page].

 

This is a reprint from Joanna Penn‘s The Creative Penn.

Discovery is Publishers’ Problem; Readers are Doing Just Fine

This post, by Guy LeCharles Gonzalez, originally appeared on his loudpoet site on 2/11/13.

The book publishing conference season is in full swing and “discovery” is the buzzword du jour, driven by the curious notion that, with the decline of physical bookstores, readers supposedly can’t easily find books online. There’s even new research that claims “frequent book buyers visit sites like Pinterest and Goodreads regularly, but those visits fail to drive actual book purchases.”

“We’re now seeing the transition we’ve been expecting. After five years, ebooks is a multi-billion dollar category for us and growing fast — up approximately 70 percent last year. In contrast, our physical book sales experienced the lowest December growth rate in our 17 years as a book seller, up just 5 percent.”

Jeff Bezos, via GigaOm

Unfortunately, in the spirit of “lies, damned lies, and statistics,” that research is skewed partly by its authors’ underlying agenda (“Physical retail works if you protect it.”), but more importantly, by its flawed methodology, specifically its dependence on what’s known as last-click attribution, wherein the final interaction that led to a sale is given 100% credit for the conversion, ignoring the realities of multiple touchpoints and myriad potential influencers.

The problem is that this assumes that people are waaaay less complicated than they really are. Very few people buy anything after one brand interaction. We’re comparison shoppers. We want the best deals. I don’t buy anything until I’m sure I’ve found the best item at the best price.

–”The Death of Last Click Attribution,” Kimm Lincoln

Never mind the folly of dismissing Goodreads, a social network dedicated to books with 13m+ members and steadily growing, or even Pinterest, where Random House has inexplicably attracted 1.5m followers, but the very idea that “something is really, chronically missing in online retail discovery” is arguably contradicted by Amazon’s 2012 results, suggesting that “online retail discovery” isn’t really a problem for readers.

It’s a problem for publishers.

METADATA: NOT THE UNICORN YOU’RE LOOKING FOR

 

Read the rest of the post on Guy LeCharles Gonzalez’ loudpoet.

Used Ebooks, the Ridiculous Idea that Could Also Destroy the Publishing Industry

This post, by Brian Merchant, originally appeared on Motherboard on 2/9/13.

Amazon has a patent to sell used ebooks. When I first scanned the headline, I thought it must be some Onion-esque gag, and I’m sure I wasn’t alone. Used e-books? As in, rumpled up, dog-eared pdfs? Faded black-and-white kindle cover art, Calibri notes typed in the margins that you can’t erase?

Barely-amusing image aside, used ebooks are for real. Or at least have a very real potential to become real. See, Amazon just cleared a patent for technology that would allow it to create an online marketplace for used ebooks–essentially, if you own an ebook, you would theoretically be able to put it up for sale on a secondary market.

The approved patent describes the process:

Digital objects including e-books, audio, video, computer applications, etc., purchased from an original vendor by a user are stored in a user’s personalized data store … When the user no longer desires to retain the right to access the now-used digital content, the user may move the used digital content to another user’s personalized data store when permissible and the used digital content is deleted from the originating user’s personalized data store.

Used ebook shoppers could buy your digital copy, directly from you, and Amazon would facilitate the transfer of files–and it would pocket a fee.

It’s a fascinating concept, really, but it could ultimately be devastating to the publishing industry and, potentially, to authors. First, the elephant-sized absurdity in the room: a “used ebook” is identical to a new one. It is a precise digital reproduction. The file does not age, it cannot be damaged, it cannot be altered–therefore, it is worth no less than any other copy, and the only premium purchasers of “new” ebooks would be paying for would be the right to read it first.

And that’s where we start running into problems. Nobody, besides die-hard fans of a given author on a big release date, would ever care enough to pay extra for digital dibs. Used ebooks would eliminate nearly all the incentive to buy “new” ebooks. And Amazon could be banking on that, even though at first blush it might appear to undercut its own business.

Bill Rosenblatt, a copyright expert and witness in numerous digital content patent cases, argues that the online retail giant may be angling to push publishers out for good with such a move. He explained his case to Wired:

Read the rest of the post on Motherboard.

Let Your Writing Lead You Where It May

Many of those who are reading this are facing the harsh reality that author royalties may never be enough to support yourself and your household, or at least the only slightly less harsh reality that while you’re waiting for lightning to strike, you’ve got bills to pay.

I am living proof that writing can be a great career skill and a surprising stepping stone; you can make a living with your writing, but not necessarily in the way you imagined, and not necessarily by doing nothing but writing. Still, writing in a professional context is no less legitimate than writing in an artistic context, and it can be very fulfilling while also providing you with some financial security, as I’ve learned firsthand.

I am one of those rare, incredibly fortunate individuals who has a dream job, and I have writing to thank for it. I get paid to consume all kinds of digital entertainment content (e.g., ebooks, audiobooks, apps, movies, TV shows, music) on various devices and write about it. I write reviews, tips and tricks, how-tos, and editorial commentary. I work from home, and have the flexibility of setting my own schedule. I am acutely aware of how lucky I am in this, and just as certain that I never could’ve arrived at this point in my career without having accumulated the skills and experiences gained through all the career paths I’ve traveled in the past. It’s been a long and circuitous route, but the one constant through everything has been writing.

I started out as an English major, but only because it was a favorite and easy subject for me, someone who’s always been a prolific writer and voracious, compulsive reader. There was just one problem: I never aspired to a career in education, academics or journalism. Of course I dreamt of becoming a published author someday, but it seemed more like a pipe dream than a practical career choice. When I decided I needed to change to something more paying-the-bills -friendly, I switched to an Animal Science/Veterinary major because I’ve always loved animals and science.

While doing a mandatory research project I realized I enjoyed analyzing data, working on my research paper, and using technology to facilitate better, faster and more accurate results more than I enjoyed providing healthcare to animals. From there it was a hop, skip and a jump to a career in software development, where my unique combo plate of communication and tech skills always kept me in demand. I may never have been the most brilliant software engineer or database admin in any of the companies I worked for over the years, but it was my writing and communication abilities that always tipped the scales in my favor. A particular strength I had was the ability to translate highly technical content and concepts into plain English. I did a great deal of technical writing and software documentation during that time, and wrote numerous project plans and proposals as well. This kept my writing skills sharp and it kept me happy, because I never had to give up completely on my first love: writing.

Little did I suspect those tech and writing skills would form an ideal platform for me to circle back around into my long-dormant dream of authorship, but that’s exactly what happened. Back in ’07, when Amazon launched its first Amazon Breakthrough Novel Award contest, ‘self-publishing’ was still a dirty word. Among most aspiring authors and publishing wonks, the bias against self-publishers was no less passionate nor baffling than the completely unjustified reverence heaped on mainstream publishing. I came into that milieu as an outsider with a tech/business perspective, and all I could see was that self-publishing simply made more sense for many would-be authors and existing authors, and that this was the direct result of two recent, disruptive technologies: ebooks and Print On Demand. It was really my innate drive to make sense of the nonsensical and disprove fallacies that drove me to champion indie authorship, and eventually, to found Publetariat.

In 2010, I had divorce and unemployment foisted upon me simultaneously. After I’d been floundering on my own a while, one of my online colleagues in indie authorship and ebooks reached out to me, and once again it was on account of my unique skillset. From my work advancing the cause of indie authorship, I’d learned all about the publishing business and self-publishing in particular. My work in software engineering had provided me with web development and site administration skills. My work in founding and maintaining Publetariat had schooled me in content development, SEO and social media. I’d also published books of my own, both mainstream and indie, both in print and e formats, so I could relate to the author’s perspective. On top of this my sincere passion for tech and digital media had never flagged. So my colleague, who was looking to expand his simple, Kindle-focused blog into a full-fledged site, offered me a unique opportunity to put all my skills and interests to good use in helping him take his business to the next level.

As his business grew and sprouted new sites, I transitioned into being administrator and Editor in Chief for his Kindle Fire site. This has been a great fit for me, since I still get to use bits and pieces of all my various skills and can finally put my lifelong love of entertainment content of all kinds (books, movies, TV shows, web, music, games) to work: the Kindle Fire is essentially a delivery system for all those things, so it’s part of my job to stay involved with them and write about them.

And this brings me to my latest career morph. I still run Publetariat, and I’m still Site Admin and Editor in Chief for Kindle Fire on Kindle Nation Daily. But a few days ago I launched a new site that drills down even further from what I’m doing on those other sites to focus on digital media and tech in a way that’s not limited to the Kindle Fire. The new site is Digital Media Mom, and its mission in life is to help non-geeks navigate the sometimes complex and confusing world of digital media. It’s about educating consumers so they can feel confident their digital device and media purchases are solving problems and saving money for them, and it’s also about having fun and talking some trash about entertainment media and content. It’s a lot of fun for me, and I hope it will be helpful and entertaining for consumers.

So while there’s no easy or guaranteed path to a dream job like mine, I hope my experiences demonstrate three things. First, that writing can be a valuable career skill in virtually ANY field. Second, that being a fulltime author is not the only dream job available to people who can write. Finally, that very often, the only way to get a dream job is to create it yourself. If you’re passionate about something many other people are passionate about, and you can communicate about it in a way that appeals to those other people, you can fill a niche. If you have skills or knowledge that can help others solve their problems or reach their goals, and again, you can communicate well, you can fill a niche. And many of the job skills you’re accumulating now, while working at jobs you may not particularly enjoy, may prove to be instrumental when the opportunity to write your own ticket comes along.

 

This is a reprint from April L. Hamilton’s Indie Author Blog. Visit April’s new site, Digital Media Mom, for tech information and tips in plain English, honest reviews, digital media bargains and freebies, commentary, and fun from the pockets where entertainment media and pop culture intersect.

Jezebel Blogger Totally Misses The Point Of Bell Jar Cover Redesign

Publetariat Editor’s Note: strong language

Over on Jezebel, blogger Tracie Egan Morrissey has got her knickers in a twist over the cover design for the 50th Anniversary re-issue of Syliva Plath’s The Bell Jar. Tracie rants:

If Sylvia Plath hadn’t already killed herself, she probably would’ve if she saw the new cover of her only novel The Bell Jar. For a book all about a woman’s clinical depression that’s exacerbated by the suffocating gender stereotypes of which she’s expected to adhere and the limited life choices she has as a woman, it’s pretty fucking stupid to feature a low-rent retro wannabe pinup applying makeup. (Also, it’s ugly and the colors suck.)

Way to completely miss the subtlety of a very cleverly and thoughtfully -designed book cover, Tracie.

As we all know, book covers are supposed to convey something about the content of the book, whether in terms of plot, setting, tone or character. And they must evoke something about one or more of those things using the visual shorthand of imagery—typically, symbolic imagery. Still with me there, Tracie?

Let’s start with the publisher’s description of the book:

When Esther Greenwood wins an internship on a New York fashion magazine in 1953, she is elated, believing she will finally realise her dream to become a writer. But in between the cocktail parties and piles of manuscripts, Esther’s life begins to slide out of control. She finds herself spiralling into depression and eventually a suicide attempt, as she grapples with difficult relationships and a society which refuses to take women’s aspirations seriously.

The Bell Jar, Sylvia Plath’s only novel, was originally published in 1963 under the pseudonym Victoria Lucas. The novel is partially based on Plath’s own life and has become a modern classic. The Bell Jar has been celebrated for its darkly funny and razor sharp portrait of 1950s society and has sold millions of copies worldwide.

Now, looking back at that cover…is this really just a glam shot of a young, attractive woman tarting herself up, signifying nothing more than ‘girls just wanna have fun and look pretty doing it’? I don’t think so.

First, the background color is a dark red. Not only is it an iconic and representative color for the time period of the novel, but taken on its own, completely out of any context, it’s a symbolically negative color that evokes obstacles, conflict and high energy. Red means stop. “Seeing red” means anger. Red is the color used all over the world on warning signs. Red is also the color of blood, and therefore the color most associated with violence. So the background color should clue the viewer in right away on a gut level: this is not a happy book, you have been warned.

Next, look at the model’s pose and facial expression. She is not smiling, and if anything, the corners of her mouth are downturned. She’s touching up her make-up, but she doesn’t look too happy about that. Actually, her reflection in the mirror shows an expression with downturned mouth that looks more like disgust than anything else. And since the woman is looking at herself, wouldn’t this mean she’s disgusted with herself, and/or with this female obligation to be pretty at all times and at all costs?

And how about that compact? Notice how it completely dominates the image? How it’s front and center, shown in its entirety, while our heroine is only partially visible and off to the side? What message does this convey about the industrial beauty complex versus an individual woman? Also notice – the compact’s red color is being cast downward, partially enveloping the woman’s hand and arm. What does that say about this woman’s relationship with beauty standards and rituals? Could it be that she feels she’s being obscured or overshadowed by them?

Finally, how about the font? Notice how the lines are uneven and spidery, that none of the lines of text are level, and how the text very subtly angles increasingly downward with each line.

Now consider the pre-existing cover designs for this book, in paperback, hardcover and Kindle formats:

Do any of these covers say anything at all about the content of the book? The first one clues you in that it’s about a woman, but that’s it. The second (the 25th anniversary re-issue cover, BTW) looks more like the cover of a romance novel than a semi-autobiographical account of feminist rage and depression. I guess the rain on the third one symbolizes depression, but that’s all it says. Maybe if you saw all three of them together, you’d get some idea of the content. But as standalones, they don’t hold a birthday candle to the 50th anniversary redesign.

Apparently Tracie would’ve preferred a more literal, hit-you-over-the-head cover, perhaps showing a hot mess of a woman slashing her wrists. But wouldn’t an image like that 1) be a spoiler 2) be a tough sell and 3) overpower the book’s feminist message?

 

2/7/13 Updated to add: Now THIS is a crime against lit – Anne of Green Gables made over into a blonde farm tart on the cover of a self-pub edition snagged from public domain content http://ht.ly/hvSam

 
This is a reprint from April L. Hamilton’s new site, The Digital Media Mom.

10 Basic Steps To Setting-Up Your Blog

Introduction
It is absolutely essential that you get your blog up and running as quickly as possible. As soon as you realize what specific topic, or niche, that you want to write about – start writing. This will help you build up a body of work that shows the world that you are an expert in your niche. If you already have expertise in a particular topic, and already have a body of work that you have already written, you need to break that work down into a format that is blog friendly.

I am still amazed at the number of my business associates and clients that are still avoiding blogging as a way to promote their business. None of the steps to setting-up a blog are difficult or costly. There is a learning curve to it. And it will take several months to fully learn all aspects of blogging and how to do it successfully. But the benefits that you and your business will gain can be enormous.

Here are ten of the essential basic steps that you must follow in order to set-up your blog and quickly get it running.

1. Open A WordPress Blog
Do not waste your time on any of the other blogging websites. This one is by far considered the best and most user friendly that is available. It is very simple to use, and has many free add-ons available. Most bloggers use this site, so there is plenty of help and advice available on the internet. WordPress.org is self-hosted. WordPress.com is hosted (this means that your url will have the WordPress name attached to your URL).

2. Write Your Profile And Add A Face Photograph
You must put a lot of thought into creating your profile. Use your LinkedIn profile to help you write this. Give some specific information about yourself, but do not exaggerate. Do not oversell yourself by being boastful or arrogant. Write several sentences giving the essential, but relevant, information that a reader might need to determine that you have the relevant experience to be writing about your blog’s topic. Include a nice photograph of your face.

3. Write Your Blog Posts
Your blog posts can be written about anything that you want to write about. Some post will be like a formal essay. Some will be a two sentence quick tip. But always remember, that each post must support your niche. Any information that you post on your blog must benefit your readers – your followers.

4. Keep Your Posts Short
If you are going to write a longer post, you should make it at least 400 words, but not more than 1,000 words. Each one should be about one specific topic. If your article is long than this, you should try to break it down into two posts. EzineArticles has written some great free ebooks about this that you should read. EzineArticles has written some great free ebooks about this that you should read before writing your first blog posting.

5. Add One Image To Each Post
Add a small image to each post to keep them visually appealing. This image will also be used when another blog, or blog listing service, displays your article. The image’s topic doesn’t necessarily need to be directly related to the post’s topic. But it should probably be visually attractive, or eye-catching.

6. Use Bullet Points
It is essential that you keep all of your posts easy to follow, and easy to read. No matter how serious a topic is, you must take the reader by the hand, and guide them through your article. Not only is this common courtesy, but essential if you expect your readers to continue to read your postings. By having a blog you are putting yourself out into the world, and telling people that you want to share information with them, and hopefully help them. Show them how much you care about them by truly helping them understand what you are writing about.

7. Add Header Tags And Bold Text To Each Important Heading
This will tell the search engines what is important in your article. When a search engines crawls your site, it will give a higher priority to the headings and bolded text of each section of your article. This is very easy to do when you use WordPress. It will simply be a matter of highlighting each paragraph’s header text, and then clicking on the header button and bold button.

8. Add Google AdSense Advertisements
This is very easy to do, and an easy way to make a few extra bucks from your blog. Don’t expect to make much money from this. It is simply a hands-off way to help off-set any expenses that are involved in maintaining your blog.

9. Promote Your Blog
You must always be open to finding new ways to promote your blog. This can be as simple as listing your blog with a “blog listing service”. Or using your “Amazon Author Page” as a way to connect with your readers. So far I have found twenty-five legitimate places to promote my blog. And this does not include the websites where I have added comments (only do this on websites and blogs that allow a link back to your blog).

10. Improve Your Blog
This is a never-ending process. You must constantly strive to make your blog look and sound like you know what you are talking about. This also includes making any corrections to your past postings. Your readers will be scrutinizing every word that you write. Be quick to admit that you made a mistake about something that you wrote about, tell them why you made that mistake, and fix it right away. The readers want to trust you, and learn from you. Make sure that you give them plenty of reasons to do this.

This article was written by Joseph C. Kunz, Jr. and originally posted on KunzOnPublishing.com

 

Will Book Publishers Become Irrelevant?

(updated) I was interviewed today on NPR’s All Things Considered by the amazing Audie Cornish. We talked about how the rise of ebook self-publishing will transform publishing for the benefit of writers and readers.

I shared how when we launched Smashwords five years ago, self-publishing was seen as the option of last resort, and today it has becoming the option of first choice for many writers.

But what about publishers? Where do they fit in the future landscape? I expressed my view that in publishers’ attempt to acquire books that they think have the greatest commercial potential, they are excluding many of the potential breakout bestsellers. These authors will find their way to market via ebook self-publishing platforms, and once they learn they can do it better, faster, more profitably and more enjoyably on their own, it’ll be tougher and more expensive for publishers to win them back. For this reason, I said, “over the next few years, traditional publishers are going to become more and more irrelevant.”

At the end of the interview, they interview Michael Pietch, the current top Editor of Little Brown, and the incoming CEO of its parent company, big 6 publisher Hachette.
He takes issue with my comment about the future relevancy of publishers. He says:

I think Smashwords is an amazing opportunity for people who want to publish themselves. I love the diversity of the publication that is possible now, but I object strenuously to the notion that publishers are irrelevant because publishers are doing things now that are extraordinarily complex [and] exciting. The ways that publishers can work to connect readers with writers now are the kinds of things that publishers have dreamt of doing since Gutenberg first put down a line a type.

It’s a cool comment, and I don’t disagree with him.

It’s tough to capture my complex thoughts about publishers in a five minute interview. I don’t want to see publishers suffer as the industry evolves over the next few years. I think the world is a better place with publishers, especially if publishers can do for authors what they can’t do for themselves.

Will publishers become irrelevant? No, I don’t think so, and I hope not. In the future I see, indie authors and publishers will co-exist and co-mingle along the publishing spectrum. Four years ago, here on the blog, I wrote a piece titled, Why Book Publishing is Like Venture Capital. It’s starts with a summary of how VCs aren’t as necessary for some Silicon Valley startups as they once were, and it ends with a word game you can play with your word processor. If you’re writer, the game is fun. If you’re a Big 6 publisher, not so much, because the transition will be difficult.

Publishers once controlled the printing press, the access to retail distribution, the knowledge of professional publishing, the access to professional editors, and the marketing capacity to give their books merchandising advantage in stores. These advantages are dissolving. The playing field is leveling, readers are propelling indie ebook authors to the top of the charts, and the field is tilting to the indie author’s advantage.

If you like interview above, please share it with your friends, embed it on your blog or on Facebook, and share your views about the future of publishing.

FEB 5 UPDATE: The next day on All Things Considered, Mr. Pietch shared his perspective on the future of publishing, and why he thinks publishers will remain relevant. It’s a great interview. I like that Hachette is putting a former editor in charge. Editors are the heart and soul of good publishers.

 

This is a reprint from the Smashwords blog.

Indie eBook Marketing: When You Get to the Fork in the Road, You Must Take It.

This post, by James Moushon, originally appeared on The Self-Publishing Review.

So you just created your first book and you’re done with the editing. You have someone lined up to help you with the formatting and to help you upload the ebook to the online retailers.

You’re an indie author and you’re going to self-publish. The ebook will be available for anyone in the world to buy. Look out Patterson and Hocking. Your Romance novel is in a hot genre. It won’t be long until you’re helping find someone to play your lead character in Hollywood. It’s the author’s dream.

One of the first things you realize is that you’re not alone. There are hundreds of authors in your same position with that ‘must read love story’ and they are all fighting for the reader’s attention.

The next thing you realize, you didn’t start marketing soon enough and there is no one to hold your hand while you do it. You will find out quickly that trying to sell your novel is a full time job.

Marketing

The first big decision: Do you go the social media route or do you hit the pavement?

Do you try to build a large social network or do you rely on the online retailers, word of mouth and a website to do the selling for you.

There are a lot of questions and the answers aren’t easy to come by.

The Paper Route

If you are from the old school and you’re trying to adjust to online marketing, going Indie presents some problems. Your sales will rely directly on your marketing approach and you find out quickly it is going to be a long journey.

There are a dwindling number of book stores and there are no publishers helping you will drive. The covers and the blurbs are up to you or someone you engage to write them.

Your book may get great reviews but your challenge is to get someone to read them and then buy your book.

There is no shelf space limit to worry about. In fact, the problem is just the opposite. The shelf space is limitless and so is the number of authors, all trying to find a way to attract readers to their book.

The Need for Speed – Online Marketing

You are how competing in the online world and the Internet Super Highway speeds up the whole process. Readers can buy your book 24/7, if they can find it.

This approach is what I call the Conventional Online Method. You self-publish your book and post it at an online retailer’s site. In turn, they provide the reader/prospective buyer with information, so they can make a buying decision. That may include reviews, star-ratings, book descriptions, your author profile and a bestseller tag, if you’re lucky.

This is, in itself, a passive approach to marketing. You need to use more of the Internet to make your presence felt and to sell your books. There are many things you can do at this point to draw attention to yourself, as an author.

You can create an author’s blogs and have an Internet site with contact information. You can conduct giveaways and promotions or participate in book tours. You can provide your readers with free content and samples of your work.

There are a lot of things you can do online to promote your book.

The web is a vast arena for the Indie author. If you look hard enough you will find book trailers (live movie trailers), videos, pictures and other promotional material marketing books.

So you are all set up. Now how do you get readers to look at your book and buy it?

Now the Fork – Enter Social Media

 

Read the rest of the post on The Self-Publishing Review.

Getting Started With Microsoft Word Styles for Book Layout

Okay, so you’re sitting at your keyboard pounding away, working on your latest work in progress. You get to the end of a section, hit [Enter] a couple of times and then type the subhead for the next section of text.

You’re an experienced word processor—hey, you’re a writer, right?—so you grab your mouse, select the text of the subhead and start formatting it. Maybe you want your subheads to be Helvetica Bold, 12 point, all caps. (I’m not recommending that, by the way, just using it as an example.)

You quickly select Helvetica from your font menu, change the size, change the alignment from fully justified—which you’re using for the text—to flush left (left-aligned), which is what you’re using for your subheads. Maybe, if you’re nitpicky, you also add a little space above and below the subhead, either by using the [Enter] key or going into the Paragraph formatting palette and setting values in the “Spacing Before/After” boxes.

The Problem with Formatting

That was a lot of work to format a subhead, don’t you think? We walked through about 6 steps to get the formatting right. And you’ll have to repeat these steps every time you come to a subhead in your manuscript.

Some people realize this is a lot of repetitive work and invent shortcuts like copying the last subhead, which copies all the formatting with it, then pasting it where you want the new subhead, and then deleting the old text and replacing it with the new text. That saves time, doesn’t it?

But the fact is that all these methods are bad choices.

Over the course of a long book, can you really be sure you’ve input exactly the same formatting values every time? Did you remember to add that “Space/After” every time? Maybe you should check, since there’s no other way to be certain.

Wait, didn’t you try a couple of subheads in the Verdana font? Did you remember to go back and change those? What about if someone mentions that your 12-point Helvetica bold subheads would look a lot better in 11 point? What are you going to do then?

The Answer to the Formatting Problem

No professional typesetter or designer would face these same problems. Would you like to know why?

It’s because professionals are getting paid for their work. The longer it takes to do a particular task, the less money they will derive from a project with a flat fee. Therefore, they will use the tools built into professional-level software to automate and standardize this process as much as possible. And that’s what you should be thinking about also, if you plan to do your own book interior in Microsoft Word.

Microsoft Word and most other robust word processors now contain a few of the same tools found in high-end layout programs. These are the tools that will make your life easier and your work more efficient. The one you really want to learn right now is Styles.

A style in Word is simply a way to capture all the formatting for a particular piece of text so it can be named, edited, and used for all other similar pieces of text.

For instance, in my example, we could do all that formatting once, then capture it as a Style and call it “Subhead.”

When you get to the next subhead in your manuscript, instead of reaching for the mouse and starting to format it, you just assign the “Subhead” style to it. Bingo, your text is completely formatted in one simple step.

If you learn to do this, the time you spend working on your manuscript will be a lot more enjoyable and contain a lot less of the routine, mind-numbing repetitive work it takes to do these tasks manually.

But using styles has three other crucial benefits:

  1. All the similar pieces of text—like all the subheads—will be formatted exactly the same way, because they are all assigned with the same Style. There is much less margin for error, so you can be sure your book’s formatting is professional and consistent.
  2. You can change the definition of your “Subhead” style—for instance, from 12 point to 11 point—and all the pieces of text with the “Subhead” style will change instantly and uniformly.
  3. Your path to eBook conversion will be greatly simplified, because your eBook files need to have all text assigned to a style, and the styles will enforce consistency on the final eBook files.

One of the great things about using word processing software to prepare our manuscripts is its ability to harness the power of our computers to easily and quickly produce manuscripts and books that are consistent.

And knowing that you don’t have to go back and check hundreds of subheads to make sure they are all perfectly consistent? Well, that’s priceless.

The World Up Until Now

Of course, trying to create a book in Microsoft Word is no easy task. I’m pretty sure it would drive me crazy, but that’s because I’ve never had to do it.

I’ve been spoiled by great tools like InDesign.

But I know there are a lot of authors out there who confront this problem, and I have a message for you.

The world is about to change.

In a couple of weeks I’ll have a solution for your problem that I think you’ll really enjoy. It will take away the pain and frustration of trying to get something that looks like a book out of your word processor.

And in order to use it, you’re going to need to know these styles. So take a few minutes to study your word processor’s styles. It will repay you many times over.

 

Originally published in a slightly different form at CreateSpace as Start Styling! Word Processing Styles & Why You Need Them

 

This is a reprint from Joel Friedlander‘s The Book Designer.

What’s the Difference Between Book Wholesalers and Distributors?

Book distributors are companies that promote and sell books to retailers and libraries, typically through sales reps and/or printed catalogs. Distributors usually purchase books at a steep discount (65% to 70%), warehouse the books, and ship them to book wholesalers, libraries, bookstores and other retailers.

Distributors handle books that are published independently (not through a “self-publishing company”) and have strong sales potential. Members of the Independent Book Publishers Association (IBPA) are eligible for special deals with Partners Publishers Group and Small Press United.

Quality Books and Unique Books are specialty distributors that sell nonfiction books (and some children’s titles) to libraries on consignment.

Book wholesalers process orders and ship books. Being listed with a major wholesaler will make it easy for bookstores (including Amazon) and libraries to buy your books, but you are responsible for generating demand. Ingram and Baker & Taylor are the largest and most important book wholesalers in the U.S. They typically buy books at a 55% discount and they offer paid advertising opportunities to publishers.

If you publish through a subsidy publisher or “self-publishing company” your publisher will probably get your books listed with Ingram and/or Baker & Taylor.
If you publish through CreateSpace, sign up for the “expanded distribution” program to get your book listed with Ingram and/or Baker & Taylor. (You have to use a CreateSpace ISBN to get into Baker & Taylor). Details are here. You can learn how much money you will earn through various sales channels here.

Another way to get your book listed in the Ingram database is to print it through Lightning Source, which is the largest print-on-demand printer in the U.S. and is owned by Ingram. See this article for details about using Lightning Source and determining your wholesale discount.

If you published independently and don’t have a way to get listed with a wholesaler, you can pay to get into Ingram and Baker & Taylor through the programs offered by IBPA, but you’ll need to determine if the fees are worth the potential benefit.

 

This is a reprint from Dana Lynn Smith‘s The Savvy Book Marketer.