How To Publish A Book 101

The rise and rise of self-publishing has meant an influx of writers into the market, and many established authors with back-lists are also joining the fun.

There is a LOT of information out there on how to publish your book, but I still get emails every day asking me how to do it.

I also get emails from people who have paid $20,000+, have been utterly ripped off and are devastated with the results. This happened to me once, although with a lesser financial impact, and I am passionate about making sure authors don’t fall into these traps.

With big name publishers like Penguin/Random House and Simon & Schuster signing up with Author Solutions to further exploit this kind of vanity publishing, you guys need to know there is a better and cheaper way.

I have a whole page on Publishing options here, but I thought a round-up post was called for. There are options below for publishing ebooks and print books, with DIY options and easy, paid services, so there’s something for everyone.

Before you publish

Yes, you need a great book, and I believe you need to go through an editing process, and also get a professional cover design.

If you have existing contracts for your books, and /or have been published in the past, check you have the rights before you publish. If you’re a new author, you have the rights and you can do what you like. You can publish in any or all of the following ways. There are no rules and you can sell globally! [woohoo!]

How to publish an ebook – the DIY option

(1) Format your book in Scrivener to create a .mobi (for Kindle), ePub for Kobo and Smashwords (very soon) or Word, PDF or loads of other formats.

Scrivener is only $45 and the compile function is just one part of the amazing writing software, which many authors (including me) swear by.

* Scrivener for Dummies – interview with Gwen Hernandez

(2) Publish on the ebook stores

For the best royalty rates, you want to go direct to the retailers if you can and the process is easy. There’s plenty of help on each of these sites.

Publish on Kindle at KDP.Amazon.com

Publish on Kobo at Kobo Writing Life. You can also watch/listen to this interview from Mark Lefebvre, Kobo’s Director of Self-Publishing here.

Publish on Barnes & Noble Nook at PubIt (still only for US citizens)

Publish on iBookstore, Nook, or any of the other retailers through Smashwords (free but not so easy to use) or BookBaby (costs but is much more user-friendly). Here’s a useful post on Bookbaby vs Smashwords so you can evaluate the services.

How to publish an ebook – the paid services option

I know that some people don’t want to mess around with ebook files. I used to feel like that too, but seriously, if you’re publishing a lot, then try Scrivener. It will save you loads of money. But if you definitely want help, there are lots of services that can do this, so you should shop around, check reviews and testimonials and ask other authors what they think.

I recommend BookBaby who offer packages to format and distribute your book. I use them myself and I am an affiliate. Here’s a short video chat with Brian Felsen from BookBaby about what they offer authors.

How to publish a print book

Most independent authors make more profit from ebooks, so you should only consider print if you really want it for personal reasons, or if you have a live platform to sell it (e.g. speakers). Then you should consider print-on-demand as the best option as you don’t have to pay upfront printing/storage or shipping costs. Only do a print run if you have the distribution sorted out – too many authors lose money this way (I certainly did!)

If you want a DIY option, and the best financial deal, then LightningSource is probably the best bet. However, you need print ready files for your cover and interior and you have to know what you’re doing.

If you want an easier DIY option, with wizards and extra help, then go with CreateSpace.com, Amazon’s own self-publishing company. They also have an option to make the ebook as well. If you have your own print-ready files, it is free to publish. Here’s a comparison post between Createspace and LightningSource.

If you want to do print properly, soak up everything you can from TheBookDesigner.com – one of the very best blogs for self-publishers.

In terms of premium services, there are more companies offering these every day, some of them at astronomical prices, so please be very careful.

Check out Amazon’s Createspace Premium prices here. Then compare what they offer to anything else you check out, since you know if you go with Createspace that you will be able to sell on Amazon.

If you like the look of a company, then check Preditors and Editors publishing guide for red flags, because a professional online site may still mean a rip-off.

Please note that Author Solutions, which is the service Random/Penguin & Simon & Schuster have chosen is marked: Not recommended. A company that owns or operates vanity imprints AuthorHouse, DellArte, iUniverse, Trafford Publishing, West Bow, and Xlibris. Here’s an article about their dishonest marketing tactics on Writer Beware,

What happens next?

Obviously once the book is available at all online book retailers, it won’t fly off the shelves without some help.

Read this post for starters: Help! My book isn’t selling. 10 questions to answer honestly if you aren’t making enough sales.

Then check out this page for more marketing ideas.

Need more help?

self publish a book

I teamed up with NY Times bestselling author CJ Lyons, who has now sold over 1 million self-published (indie) books, to create a multimedia course that gives you all the detailed help you need to successfully self-publish an ebook and a print book.

It includes behind the scenes videos of creating files using Scrivener and how we publish to all the various stores, as well as top tips for self-publishing, the worst mistakes authors make, how to evaluate print-on-demand companies, secrets of book cover design with Joel Friedlander from TheBookDesigner.com, pricing, piracy, maximizing your sales pages at the book retailers – and much more.

Read more about the course here (it’s just $99)

Recommended Books

If you want to read a book on the topic, then I recommend the following:

Let’s get digital: How to self-publish and why you should – David Gaughran

Self Printed: The Sane Person’s Guide to Self-Publishing – Catherine Ryan Howard

APE: Author, Publisher, Entrepreneur – Guy Kawasaki

Scrivener for Dummies – Gwen Hernandez

Writing a novel with Scrivener – David Hewson

Want to join a community of active self-publishers who help each other out with information and advice? Check out the Alliance of Independent Authors. (I’m an active member and advisor). There’s also a great blog: How to successfully self-publish

Do you have any questions about publishing your book?

Please do leave questions or comments below. This is a community of LOTS of authors, new and experienced, so together we can likely answer everything! I’d also love people to recommend any services they have actually used and thought were good. (No posts from companies though – only authors!)

 

This is a reprint from Joanna Penn‘s The Creative Penn.

8 Ways to Get Reviews That Aren't Fake

This post, by , originally appeared on The Huffington Post Books blog.

We’ve always had a problem with “fake.” Whether it was a fake Kate Spade handbag or a knock-off clothing line, fake has always been a part of our culture. Most of this is made popular by the “don’t you want to have it, too?” mindset that often surrounds celebrities: “Get the dress Jennifer Aniston wore for only $200!” Most of us, however, can spot fake. Or, to help avoid litigation, many reputable companies offer knock-offs of celebrity Oscar gowns and what-not. Fake, however, is not limited to fashion anymore.

Now, fake and counterfeit has begun permeating the publishing industry. We’ve seen things like 35 Shades of Grey and other knock-off titles that seem to circumvent any legal challenges, but there’s a new challenge on the frontier, that of fake reviews. Do you believe reviews? A majority of us don’t, but more often than not we believed the consumer reviews. Not so much anymore, especially now when reviews can be bought, or in some cases, simply faked. The message seems to be: if you want to get noticed, you’d better be prepared to “fake it till you make it.” That’s a nice saying, in theory, but when you’re talking about polluting an Amazon page with a bunch of dummy reviews, that’s another story.

So, what’s an author to do? I’m sure as time wears on it will be tempting to buy into this but what happens when we do? We end up with a cluttered market packed with “I loved this!” and we’re left to wonder, did the person really love it and, even worse, did they even read it? We all want to be liked, or, rather, we want our work to be liked, but to what end?

Several years ago we were on a team retreat. At that time a savvy team member came to me and said, “We can’t put our stock in reviews, these folks are inundated with books to look over, we need to find other channels.” And so we did. Where we used to do review-centric programs (meaning that the success or failure of a marketing campaign depended on the number of reviews we got), we now offer campaigns that are balanced, and yes, we like to get reviews for our customers, but that’s not always the best way to grow your market. Here is perhaps a different set of ideas (and maybe a few you’ve heard before) about getting exposure and (if you’re lucky) getting reviews:

  1. Stay engaged: I see a lot of folks who aren’t engaged in the process or their reader. I’m not talking about running through your to-do list of marketing activities. I’m talking about staying engaged with your reader. Talking to them via your blog, Facebook, Twitter, Pinterest, LinkedIn, whatever. Your reader is your end user, you want reviews to get to them, but in the absence of reviews, guess what? Your outreach to your reader will have a far greater impact on your market and your sales.

 

Read the rest of the post, which includes 7 more tips for getting genuine reviews, on The Huffington Post Books blog.

50 Essential Science Fiction Books

This post, by Richard Davies, originally appeared on the Abe Books blog on 1/16/13.

This was a virtually impossible task. Put together a list of 50 must-read science fiction books and don’t make anyone angry. Science fiction is the most discussed and argued over genre in literature but it actually goes way beyond books and into film, TV, video games and even toys.

Here are the criteria I used. One book per author, so that was hard on the big three of science fiction – Robert Heinlein, Isaac Asimov and Arthur C Clarke, who each have multiple classic titles to their name. Attempt to show as many sub-genres of science fiction and plot themes as possible. Include early stories that influenced the genre as a whole and launched popular themes, even if those books appear a bit dated today.

I wanted to show the unbelievable breadth of this galactic-sized genre and, of course, I failed because this is just the tip of the spaceberg – there are probably 500 essential science fiction books, not 50.

The War of the Worlds is on the list, a famous example of invasion literature, but I could easily have used The Time Machine. For Ray Bradbury, there’s The Illustrated Man but I could have used Fahrenheit 451 or The Martian Chronicles.

Many people include alternate reality novels as science fiction but I didn’t feel comfortable having them on the list as there’s not much science in that sort of fiction.

The list includes hard and soft science fiction. Hard science fiction features great attention to detail in the quantitative sciences, while soft riffs on the social sciences. You’ll also find space opera with its heroes and heroines on distant planets; cyberpunk, loved by nerds in goggles everywhere; time travel – a simple concept that’s been around since Mark Twain’s day; military science fiction where soldiers drive the narrative; dystopian fiction where society has usually gone awry; superhuman stories where humans develop new or greater skills (and that usually means trouble) and the always cheery apocalyptic fiction sub-genre (where we could be battling to avoid the end of Earth or struggling to survive after a catastrophe). There are many recurrent powerful themes such as machine and human relationships, aliens and human relationships, biological and ecological matters, and paranormal activities.

 

Read the rest of the post, which lists Davies’ book picks, on the Abe Books blog.

newbooklaunch.com – Sock Puppeting 2.0

Just when you thought the fake reviews scandal ushered in by Locke-gate was over, along comes newbooklaunch.com to assist Locke-minded authors who are willing to pay for Amazon reviews.

On the site’s Book Reviewers Wanted page, someone named “Jerry” makes the following offer:

——————–

Book Reviewers Wanted

Buy A Book & Agree With Tags to Receive $2 Plus Cost Of Book

Post A Pre-Written Review & Receive $5 More!

Example:

Buy a $2.99 ebook & Agree with tags 3-5 days later we send you a review to post

You Receive: $9.99 Via Paypal $7 profit for a few minutes of work!

——————-

Notice how these people aren’t even being paid to write fake reviews, they’re only being asked to post reviews written by someone else under their own name and Amazon account. And many who respond to this offer will be blissfully unaware that this kind of activity is against Amazon’s policies and can get you banned from the site.

Still, with so many people hurting in this economy I’m sure the offer looks very attractive to potential “reviewers”. But what about the authors who are obviously paying “Jerry” to recruit these not-quite-sock-puppets to post pre-written (e.g. fake) reviews?

Their fraud hurts all of us by shaking consumer trust in Amazon book reviews, and by subjecting all of us to whatever measures Amazon elects to take to put a stop to it. Remember, after the last fake reviews scandal Amazon revised its review policies to bar authors from reviewing one another’s books, then it went a step further by retroactively removing book reviews written by authors.

If you are an author or publisher who only wants honest, legitimate reviews for your book(s) and would like to see this kind of fraud stopped, please report the newbooklaunch.com site to Amazon. Here’s how:

1. Login to your Amazon account

2. Click on the Help link in the upper right-hand corner of any page on the site

3. Click the yellow Contact Us button in the right-hand column.

From there, you’ll have to navigate a series of drop-downs to zero in on the issue you’re reporting; just keep selecting ‘Other’ until one of them includes a ‘Customer Reviews’ option. Select it, and you’ll be able to enter an email and send it to Amazon.

Be sure to include the URL for the page with the offer quoted above:

newbooklaunch.com/book-reviewer/

Publishing Coach And Author Emily Hill Talks About Kindlegate

This article, by AR Vasquez, originally appeared on Digital Journal on 1/21/13.

Seattle– With Amazon’s expansion into new markets such as India, Brazil, Japan and Canada, Amazon’s KDP reporting for Kindle book sales have encountered technical glitches causing many upset authors to post messages in the KDP community forum.

Digital Journal had an exclusive video interview with Emily Hill, an indie author and publishing coach and founder of Kindlegate.starts.com, to discuss her experience with the KDP Select Program, Kindlegate, NaNoWriMo 2012, her coaching business and her interest in the paranormal world.

In the interview, Ms. Hill reveals how she was surprised to see her best selling books suddenly have zero sales in October 2012. She had been selling her books consistently every month and was extensively marketing and promoting her fictional paranormal book series Ghost Chaser’s Daughter in preparation for the Hallowe’en season in the KDP Select Program.

The KDP Select program is Amazon’s incentive for authors to sell their ebooks exclusively on the Amazon site for 90 days. The exclusivity means that authors cannot sell or give away their ebooks on other platforms such as Kobo, Barnes and Noble, iTunes, Smashwords or even their own website. Another incentive in the program is the ability for authors to choose 5 days within the 90 days term to list their books for free on the Amazon site. Kindle books that are not enrolled in the KDP Select program limits authors’ ability to set the lowest selling price for their books to 99 cents. Other perks in the KDP Select program include higher royalties up to 70% for some Amazon networks around the world. Also, Kindle books in the program can be added to the Amazon Prime lending library which gives Amazon prime members the ability to borrow books for free with certain restrictions which pays authors a percentage from the KDP Select Global Fund.

When the KDP Select program was introduced in early 2012, many authors who joined experienced positive results. Some reported on their blogs their Kindle books were downloaded thousands of times during the free days promotions and watched in awe as their Kindle books rose up the best seller list rankings.

Read the rest of the article on Digital Journal.

Elephants In The Room

This post, by Brett Sandusky, originally appeared on his blog on 1/15/13.

It’s a new year, and time to purge ourselves of the old and bring in the new. For years now, long before I was even involved in publishing, the industry has latched onto the “New Year, New You” marketing motto as each new calendar begins, in the hopes of selling books to customers who have decided to make a change in their lives. This year, it is time for a “new you,” but for ourselves. It’s time we stopped beating around the bush and dealt with our issues head-on and with realistic expectations. This morning, I saw two articles juxtapositioned, the (paraphrased) headline of the first read: “Ebook retail prices continue to plummet,” the second, “Independent bookstores can increase revenue by selling ebooks.” This second article implied that indies could be saved by the enormous revenue opportunity to be had in selling ebooks … whose retail prices have been steadily declining and continue to do so.

Are we even having the same conversation anymore?

Needless to say, these think pieces lead me to converse with a few friends, some publicly, and other privately, about what is going on here, and I have compiled a short list of elephants. These issues are those that we as an industry must address, not shy away from, and talk about in the open to come to a resolution. We continue to spiral into a complicated mess of “WTH IS GOING ON HERE? WHO’S IN CHARGE?” rather than a rational, business-oriented industry. I refuse any longer to play into the notion that publishing is dead or dying. It’s been changing over many years, and continues to do so. Now is the time to address our changes; now is the time for, in corporate parlance, change management, something we’ve all known but too little of.

The Amazon Issue. If we are talking about elephants, Amazon is the woolly mammoth of the lot. It’s time we dealt with the Amazon issue that everyone refuses to talk about. Yes, Amazon is single handedly responsible for moving a (digital) metric ton of digital materials through to customers, and many users have Kindles or use a Kindle app to read digitally. Yes, the Amazon digital catalog is the largest, and thus offers the most opportunity both to us and to our customers.

However, we must acknowledge that Amazon’s practices have also contributed to the (imminent-seeming) depletion of physical bookstores. They have forced our retail prices down so low that only a company of their, ahem, girth, is able to bear the burden of really taking on major losses. Publishers simply do not have the financial fortitude to emulate Amazon in terms of financial practice.

 

Read the rest of the post on Brett Sandusky’s blog.

Are You An Author, Publisher And Entrepreneur? You Should Be. Interview With Guy Kawasaki

I’m excited to share with you today an interview with Guy Kawasaki, who is a NY Times bestselling author and entrepreneur, and who I have followed online for a number of years.

His most recent book is APE: Author, Publisher, Entrepreneur: How To Publish A Book.

guy kawasaki
You might think that there are already way too many books on this topic, but APE has a slightly different angle around ‘artisanal’ publishing and entrepreneurship, which I like a lot. It’s also significant that an author of Guy’s authority in the business book market is advocating self-publishing.

APE includes some good chapters on avoiding the self-published look and guerilla marketing, as well as building an enchanting personal brand. Here’s the interview with Guy along with some of my comments at the end.

You have had great success in the traditional publishing world with 10 books, including the NY Times bestseller ‘Enchantment’. Why did you decide to self-publish?

APE: Author publisher entrepreneur how to publish a book
I decided to self-publish because I wanted total control over the marketing and selling of my books—particularly in the ebook format. Traditional publishers cannot handle sales directly to customers, sponsorships, and site licenses. These kinds of deals that are not publisher to reseller to customer give traditional publishers aneurisms.

Have you stepped away from traditional publishing for good?

I haven’t stepped away from traditional publishing. All it would take is a huge advance—huge enough so that I don’t care about the marketing and selling of my books. You can’t buy me, but you can rent me.

Would you combine traditional with indie in a hybrid model which many authors are now favoring but NY publishing is resistant to?

what the plus
If a traditional publisher wanted to buy the printed rights and leave me with the ebook rights, I would do it. I actually have such a deal with McGraw-Hill for a book called What the Plus!

I love the term “artisanal” publishing. Can you explain what you mean by it?

My concept is that writers can control their craft from end to end. That is, they can control the content, cover, interior design, sales, and marketing just like an artisanal brewer, baker, or winemaker does.

How does this reframe the “stigma” of self-publishing?

It means that “self-publishing” or “vanity-publishing” does not translate to “My book wasn’t good enough for a traditional publisher, so I had to publish it myself.” One would never attach a stigma to an artisanal brewer, baker, or winemaker, so why should one attach a stigma to an artisanal publisher?

guy kawasaki quote

Many indie authors, myself included, use an ebook only model because financially, it is less of an outlay for a quality product. Print can be expensive to produce something that doesn’t look self-published.

But you present some compelling arguments that digital isn’t everything, so should we all be doing print?

This depends on the genre. The genre where ebooks are kicking butt is adult fiction. If I had an adult non-fiction book, I would publish it in printed and electronic format. If I had a photography book, I would publish it only in printed format. In ten years, I would print only a photography book.

Many authors/writers resist the term “entrepreneur.” Why do you think authors need to claim that term in order to be successful in this crowded market?

“Entrepreneur” sure beats “impoverished.” The reality is that artisanal publishing means there are more books than ever to choose from. Thus, it’s even harder to garner attention and therefore sales. Entrepreneurship—making a hobby into a business—is necessary to succeed. Returning once more to the artisanal brewer, baker, and winemaker, who would not consider what they do entrepreneurial?

barry eisler quote

Why is an author brand important?

An author brand is the foundation of entrepreneurship. It means that the author stands for something and owns, or at least represents, a genre. Gillian Flynn’s brand is crime novels. JK Rowling—no explanation needed. John Grisham is legal thriller. Anne Lamott owns the writer’s writer and messy faith brands.

Where do people start in order to build one?

We are in the best time ever to build a brand because of the ubiquity of social media. Google+, Twitter, Facebook, and LinkedIn are all fast, free, and ubiquitous. I don’t mean only for non-fiction, technical authors to build a brand—any author can use social media to build a brand.

The goal is to build a following because you share valuable posts that are simpatico with your brand.

My recommendation is to start building a brand the same day you start writing a book. In a perfect world, you’d write two-three hours a day and work on your brand an hour a day. It takes at least a year to build a brand using social media.

guy kawasaki quote
Incidentally, even if you are published by a traditional publisher that purports to have a marketing platform, I would still beg you to create your own brand.

There is no downside to creating your own brand so that you are not dependent upon your publisher because someday your publisher might not be there for you.

The ebook and publishing revolution has been US-centric for a few years now, but with Kobo moving aggressively into global markets that Amazon doesn’t dominate yet, what do you see as the future of ebooks in the wider global market?

The future of ebooks is bright around the globe. It would shock me if it’s not the dominant way to read books in the next ten years everywhere in the world. Some very smart people at Amazon, Apple, Google, and Samsung are doing their best to make this true. It’s hard to imagine that they won’t succeed.

How did you manage to get 145 reviews on Amazon in six days of which 135 are five stars?

I am tempted to tell you that you have to read APE to find out but that would be chicken. Essentially, I crowdsourced editing, and I offered a review copy of the near-final manuscript to four million social-media followers. This enabled me to have 1,100 people who read APE before it went live on Amazon.

Approximately four hours before Amazon turned it on, I sent an email to 1,100 people to ask them to post a review for me. I woke up in the morning, and there were forty-four five-star reviews. What does it take to make this happen?

First and foremost, it takes a book that people like. I could have asked 1,100 people to post a review and woke up to forty-four one-star reviews too. But beyond this, you need to trust people. I’m sure I passed around my manuscript and so I might have lost some sales, but the alternative, fostered by not trusting people, would be a lack of reviews.

By the way, no traditional publisher would let its author do something like this.

Like I said, I want to control the sales and marketing of my books. That’s what artisanal publishers do.

APE: Author publisher entrepreneur how to publish a bookYou can find APE on Amazon.com here or check out the website at APETheBook.com

Some of my own thoughts on the book

When Seth Godin left traditional publishing I thought the balance was tipping, but now I really think self-publishing has hit the mainstream. When authors of Guy’s stature do it their own way, that is something worth paying attention to. It means the consciousness has shifted amongst the thought leaders, and that can only be a good thing.

APE is a good primer for the new self-publisher. It does contain a lot of the basic information you need, from writing and editing, through publishing in print and ebook formats to marketing ideas. If you want a book that contains an end-to-end process, it’s definitely worth the buy.

Guy advocates using MS Word for writing, but I absolutely recommend you use Scrivener. It will help you write the book but also outputs the formats you need to self-publish directly to Amazon, Kobo etc. It’s been a life-changer for me and means you don’t have to rely on anyone else for your formatting.

The book is US centric, so when you read it, remember that non-US citizens cannot publish direct on Nook PubIt, or use ACX (Audible’s audiobook marketplace) at the moment. Hopefully that will change!

What do you think about artisanal publishing? I love the term and what it implies, but please do let me know your thoughts in the comments [on the original post]. Or please do leave any questions for Guy as well [on the original post]. [Now go APE!]

 

This is a reprint from Joanna Penn‘s The Creative Penn.

How to Create an Endless Stream of Blog Post Ideas

When you become a blogger you move into the role of content creator and media publisher.

As a publisher, you need to establish a posting schedule and stick to it. After all, when you ask people to subscribe to your blog, most people like to know what’s coming up or what to expect.

And meeting that schedule will go a long way toward establishing trust with your readers.

Your next challenge is doing it on a regular basis.

Sure, when you’re a new blogger it seems pretty easy to create 2, 3 or 5 new articles a week. But what’s going to happen 6 months from now? Is the enthusiasm you have now going to carry you all that time?

6 months of articles at 3 per week is 78 articles you’ll have to come up with. It’s starting to sound like a lot of writing, isn’t it?

But if you’re like most of us, the most difficult part of sticking to that schedule isn’t doing the writing: It’s figuring out what to write about.

Trust me, there’s going to come a day when you realize you need an article to post to your blog tomorrow, and you feel like the bottom of an old streambed. Dry, dry, dry.

You stare at the screen, wondering how all those other bloggers seem to be able to crank out posts day after day. Every post seems to have a reason for its existence, an enthusiastic audience, and lots of meaty content.

All you’ve got is that blank screen.

Don’t despair, there is help.

How to Create Tons of Blog Post Ideas

On a recent flight I pulled out my iPad and started a mind map about a topic I’ve been wanting to blog about.

I love using mind maps when I’m at the conceptual stage of writing an article. There’s nothing that helps me organize my ideas as quickly and efficiently as well as a mind map, and I highly recommend you check them out.

This article was written from a mind map developed in iThoughts HD, my favorite iPad mind mapping program.

The subject was this:

How do you know when your new blog is ready?

This thought had stuck in my mind when I was working on the Hub & Outpost Method of Social Media Marketing webinar. It seems to me that the best hub to use when you venture out into social media is a blog.

But you don’t want to be sending people to a blog that’s not ready for visitors, do you?

 

I put that question at the center of my mind map. Next I just started to free associate about the things you need to have on your blog to get started.

I created a branch on the mind map for each item that occurred to me that you would need for a blog to be “ready for visitors.” Most of them are common sense, like what plugins you need, having subscriptions available, and collecting email names with an opt-in form..

blog ideas

You can do the same thing without a mind map, by the way. Just use an outline instead.

Both outlining and mind mapping lend themselves to developing hierarchies of information, or “branches” of items as you develop the details of your idea.

For instance, under “Plugins” I started to list the different plugins you really want to have on your WordPress blog when you get started.

Under “Customization” I listed the different ways you could do this quickly and at little to no expense.

And under “Opt-in” I added a sub-list of 2 items: “picking an email provider” and “offering a freebie”.

blog post ideas

Just putting in words like this isn’t like writing at all, it’s a completely different activity, and kind of fun. After all, all you’re doing is making a list. How hard can that be, right?

By the time I was through I had 9 items like this, each with their own sub-list of items. The whole thing took about 20 minutes.

Now for the good part

What I had was the outline of a useful article that would help any new blogger organize themselves. In fact, it seemed like an article that would be bookmarked for later use, something all bloggers hope for.

But take another step with me. There’s more to this article outline than just a great blog article. Since I had 9 items each with its own sub-list, the next step was apparent.

I treated each top level item, like “Opt-in,” as the subject of its own new blog post. Each topic in the sub-list under that topic would become a subhead in the new blog post.

I changed color to salmon and started writing just the headlines of these new blog posts. It was surprisingly easy.

For instance, under “picking an email provider,” I wrote the article headline, “Why Every Blog Needs an Email List.”

Under “Offering a freebie,” I wrote “How to Create an ‘Ethical Bribe.’”

blog post ideas

Now I have 9 blog posts, and the most difficult part—picking good subjects and deciding what topics to deal with in the article—is already done.

Do you see where this is going? With a small amount of thoughtful planning, you can create a system of article generation that will keep you in blog post ideas forever. Yep, it really works.

(Attentive readers may have already realized that the blog post from Monday, How to Create Foundation Posts for your Blog, came directly from this mind map. And you also know that the remainder of topics contained in this one mind map will continue to produce blog posts for weeks to come.)

So the next time you get stuck for a topic, don’t despair. And don’t settle for just one article, either. Get out your mind mapping program or even just a pad and a pen and start outlining.

You’ll be glad you did.

 

This is a reprint from Joel Friedlander‘s The Book Designer.

Forward

This post, by Steven Ramirez, originally appeared on his Glass Highway site and is reprinted here in its entirety with his permission.

No, this isn’t about last year’s campaign slogan which by the way was a huge #FAIL for me since the geniuses who dreamed it up thought it would be better to be grammatically correct and add the period. Forward, then stop? Hey, here we go! Wait, there’s a period. Aww… Anyway. This is about actually moving forward in 2013 as an author. That means assessing the past year, figuring out what worked and what didn’t, and setting new achievable goals.

Looking Back In 2012 I had seventeen titles on Amazon and sixteen on Barnes & Noble. Now I have nine and eight respectively. Wait a minute, what? Yes, you read that right—I have fewer titles now. Why? Because on reflection I didn’t feel that everything I put out there was my best work. Kind of hard to admit, I know. Especially when I really enjoyed writing those other stories and couldn’t wait to share them with the world. Anyone else out there done that? Please leave a comment.

At the beginning of last year I had few than five hundred Twitter followers. Now I have more than two thousand, so yay me. I must be doing something right. To be clear, Twitter is a work-in-progress. The key for me is to give more than I take. That means consistently providing useful information while occasionally promoting my own work.

Last July I launched this blog. Though I don’t have tons of subscribers and my bounce rate is high, I still feel it is worthwhile—especially since I share it with guest bloggers, which I love doing. In fact, I hope to do more of that this year. If you are an author—or screenwriter—and you would like to share something, please leave a comment.

By mid-last year I had completed the first draft of my new zombie novel. Now I’m in revisions, and am targeting publication in the summer.

Highs and Lows Overall I would say that I achieved my goals in terms of building my platform. I’m no social media superstar but I do interact with quite a few folks around the world via Twitter, Facebook and LinkedIn. The encouragement has been amazing. It’s one of the things that keep me going.

Earlier I said I finished a first draft of my new novel. That’s actually not true. Currently I have no actual ending, though there are definite ideas knocking around in my head. So, while not a low, I would have liked to say I finished the whole thing once through.

2012 Goals that Still Matter I know you’ve all heard this before but creating unrealistic goals is a big, fat waste of time. Here are things I believe I can do. But first here are some things I laid out last July when I launched the blog.

Write better. Okay, this is a never-ending process. I’m confident that Stephen King still strives to write better each day. I do believe that I am a better writer now than when I began. By this time next year, I hope to say that again.

Master the publishing process. It was stupid of me to say this, although to be fair I did not put a time limit on it. First of all, I have yet to publish a novel. Most of my titles are short stories and one is a short middle grade novel. Publishing a real novel is another thing entirely. I’ll get back to you on this one.

Master digital marketing. Again, no time limit. Am I better than I was a year ago? Absolutely. But there is so much more to learn—especially around gathering and interpreting metrics. What I really need is a data person. Good luck to me. Have you seen what social media consultants charge to crunch the numbers?

Help others whenever I can. This one is easy because it’s what I love to do. I may not be the world’s greatest author/publisher/marketer but I am always happy to help those who are just starting out. In fact, that’s one of the value propositions for this blog. Ask me anything in the comments, and I will do my best to get you a solid answer. Really.

2013 Goals Publish my novel as an eBook in 2013. I really wanted to say Summer but, again, let’s make this realistic and achievable. There are many steps associated with publishing a novel—it’s a big job. First, I must “assemble my team.” Then I need to create a marketing campaign and begin marketing the book six months prior to publication. I haven’t decided whether to also publish a print version. I may delay that. I would love to hear the pros and cons of doing this in the comments.

Grow my author platform. This is an ongoing activity. It involves attracting more follows in social media and popping up as a commenter and guest blogger wherever I can. As far as Twitter is concerned, I’d like to double the number of followers. Hey, maybe that’s one of those unrealistic goals.

For those of you who are on a similar journey, what do you think? What’s missing from this list? In the meantime, here’s to an unbelievably awesome 2013. Forward!

 

7 Things Joining KDP Select Can And Can't Do For You

I have no problem with authors deciding not to put (or keep) their books in KDP Select because there are a number of good reasons not to sell an ebook exclusively through Amazon. What does bother me is when people put a book into KDP Select with unrealistic expectations, or don’t do their homework about how KDP Select works, or blame Amazon when their books don’t sell, and then announce that KDP Select is not a good strategy to follow for independent authors.

It is my hope that this post will help educate authors about what KDP Select can and can’t do, thereby creating more realistic expectations and better decisions about whether or not KDP Select is right for their books.

However, before reading the rest of this post, I do recommend that every author read the KDP SELECT FAQ page first so that they have a basic understanding of how the program works.

Four Things KDP Select CAN NOT DO for you:

1. If there is some reason why people are not buying your book when they run across it (too few reviews, negative reviews, badly designed cover, ineffective product description, badly written or formatted free excerpt, wrong price–too low or too high), then simply being in KDP Select will not change this, and people will not start to buy or borrow your book just because it has the Amazon Prime designation.

2. If people can’t find your book when browsing in the Amazon Kindle Store because the book isn’t in the right categories, or doesn’t have the right key words or tags associated with it, simply being in KDP Select will not make it easier for people to find the book, and they will not start to buy or borrow this book. (There is no special promotion by Amazon of all KDP Select books).

3. If your book has demonstrated its salability, is in the right categories, has the right keywords and tags, but the book has not sold enough in the last 30 days to put it in the top 100 of the popularity lists for its categories (or in the last 24 hours to put it in the bestseller list of those categories), then simply being in KDP Select won’t change its discoverability, and people will be unlikely to find the book, and they will not start to buy or borrow this book.

4. If you do a free promotion of your book using the KDP Select free days, this will not automatically ensure that it gets a lot of downloads, and, even if it gets a lot of downloads, this will not always result in an increase in sales or borrows of the book.

For example, if your book fits in category one above (there are problems with the book itself in terms of why people don’t buy it), doing a free promotion won’t necessarily cause a lot of people to download it. I routinely look at the free lists of the categories I am interested in, and I routinely take a pass on free books that don’t appeal to me for a variety of reasons. In this case a book that already has problems probably won’t get enough downloads to cause a rise in visibility afterwards. And, even if a number of people decide to take a chance on a book, just because it is free, when the book goes off free it will face the same problems it had in selling that it had before the promotion.

Or, if the book is only listed in one category, and that is one of the larger categories (say it is only listed in contemporary fiction-where there are 109,000 books and where not every free book makes it to the top 100 free books in that category), then the free promotion may not gain enough attention for the book to make it visible after the promotion is over. Again, this means the promotion will not result in increased sales or downloads.

Or, if you do nothing to publicize your book’s free promotion, even if it is in the right categories and has demonstrated its ability to sell well when people find it, there is no assurance that enough people will download it (under the new algorithms) to result in increased visibility when the sales are over. This again means the promotion will not result more sales and borrows.

In fact, a failed promotion (one that generates few downloads) may hurt your book’s sales since the book will not be selling at all for the days of the promotion, lowering your average sales for those days. In this case your book will be worse off in visibility than before the promotion.

Three Things KDP Select CAN DO for you:

1. If your book is already selling well enough so that it is visible on one of the browsing category popularity lists or bestseller lists, then people who are looking for books to borrow through Amazon Prime can now borrow it. Since borrows translate as sales, KDP Select can help you maintain your visibility and add to your earnings for the book. A number of authors have mentioned that they can’t imagine that readers would bother borrowing a book unless it was a highly priced book, but this does not seem to be the case.

At $3.99, my two historical mysteries, Maids of Misfortune and Uneasy Spirits, have been borrowed 4108 times through Amazon Prime in the last year and made me $8,161 (just short of $2 per book). These borrows have also helped keep my books visible between promotions.

2. If you do a promotion where you get enough downloads to put you on the top 100 of a popularity category list, being in KDP Select will result in at least some increase in sales and borrows after the promotion.

However, to ensure you get enough downloads, you need to make sure your book is ready (cover, description, categories, etc) and that you have done adequate marketing of the promotion. (see my Simple Steps to a Successful KDP Select Free Promotion.)

This has become particularly important because of the increase in the number of free books that are available in any given day, and the change in the algorithm for translating downloads to sales that has limited the impact of all promotions. Presently, if you don’t break through into the top 100 Kindle free book list with your free promotion, your promotion will be unlikely to bump your book up high enough afterwards to effect subsequent sales (unless your book was already doing well, and the promotion is designed to maintain that visibility.) Using sites like the Author Marketing Club, having your book picked up by a site like Pixel of Ink, or doing a paid promotion, for example through BookBub, is increasingly necessary to achieve that level of success. Here is a recent post at BookBuzzr on 7 Resources to Help with KDP Free Days Promotions.

If your promotion is successful (you break into the 100 Free Kindle books list), and the book is saleable, and you have your book in categories where you have a fighting chance of being visible after the promotion is over, KDP Select will increase your sales and borrows.

For example, the two weeks before my recent December 28-30 KDP Select promotion, Maids of Misfortune sold an average of 25 books a day, and Uneasy Spirits sold an average of 9.8 books a day. The first 10 days of January, after the promotion, Maids of Misfortune sold an average of 43 books a day, and Uneasy Spirits sold an average of 40 books a day. In addition, in those first 10 days of January 907 people borrowed one of these books.

3. If your book has already had positive reviews and you have a successful KDP Select promotion, you will increase your total number of reviews, which will improve the chances that people will buy the book when they see it.

Although you may garner a number of negative reviews (people who wouldn’t normally buy your type of book may give it a try if free, find it is not to their taste, and a number of them seem to enjoy telling everyone why they didn’t like it.), the increased number of positive reviews ultimately improves the overall credibility of the book.

For example, before doing my first KDP Select promotion last December, when the book had been selling for 2 years, I had 38 reviews for Maids of Misfortune, with an average 4.3 stars. A year later, after numerous free promotions, I have 191 reviews with an average of 4.2 stars. The slight slippage in stars is more than out-weighed by the positive impression of having those many positive reviews gives of the book. Probably even more importantly, Uneasy Spirits, my sequel, which had only been out 3 months before the first promotion (and only had about 8 reviews), now has 88 reviews with an average of 4.3 stars. I would never have gotten this number of reviews in just over a year without the KDP Select promotions I have done.

In summary, if your book is not selling well on Amazon (it is not at least visible on one of the one browsing categories) don’t sign that book up for KDP Select if you are not planning on putting in the work to do a successful free promotion. You will be disappointed, and you will be going exclusive to Amazon in exchange for no discernible benefits.

On the other hand, if your book has the potential to sell, it is in marketable categories, and you work hard on putting together an effective promotion, KDP Select can earn you more money in sales and borrows after the promotion, maintain a level of discoverability that will permit your book to continue to make money, and help your book accumulate a healthy number of reviews. How many sales and borrows you make a month (in comparison to what your sales are out side of Amazon), and how willing you are to continue to do promotions when those sales begin to dwindle (as they will almost inevitably), will then determine whether or not you want to keep your book in Amazon’s KDP Select.

I hope this helped clarify a little what to expect from KDP Select and what not to expect so that any decision you make as an indie author will improve the likelihood that readers will find and buy your books.

This is a cross-posting from M. Louisa Locke‘s blog.

Are You Alienating Facebook Friends with Your Political Posts?

This post, by , originally appeared on the Fox 4 News site on 10/11/12, during the lead-up to the election. As political issues such as gun control and the economy continue to dominate the national consciousness, it’s still a very timely piece and one that authors concerned about platform-building should find particularly interesting.

KANSAS CITY, Mo. — (CNN) Steve Reeder says it’s no secret among his Facebook friends: He’s a Republican.

But after he began posting news articles and political cartoons on his page that reflect his support for GOP presidential nominee Mitt Romney, his friend count began falling off. Today, it’s down by several dozen.

“One day, they are there. The next day, they just disappear,” said Reeder, 53, of Roswell, Georgia. “Most (people) don’t say anything to me about it. So I just say ‘good riddance.’”

It’s a story that’s been playing out on Facebook and Twitter with growing frequency among friends, family members, colleagues and acquaintances as an already contentious presidential campaign between Romney and President Barack Obama enters its final, frenzied weeks. Your close friends may share your political views, but that eccentric uncle, former co-worker or high school classmate may not.

Nearly one-fifth of people admit to blocking, unfriending or hiding someone on social media over political postings, according to a recent survey by the Pew Research Center’s Internet & American Life Project. The biggest gripes: The offending person posted too often about politics, disagreed with others’ updates, or bothered mutual friends with partisan political postings.

“In the real world, we navigate these issues all the time. We know not to bring up politics around certain friends or family members. We try to avoid people who are constantly looking for an argument or trying to sell us on their pet ideas,” said Aaron Smith, a Pew research associate.

“Since blocking, unfriending, hiding people is the closest social analogue to those real-world examples, it’s not necessarily surprising to see people taking these steps in the virtual space.”

Muting the rhetoric

It’s the hateful tone of the political conversation that is particularly disturbing to Luis Stevens, who has temporarily muted the Twitter voices of roughly 150 people and blocked more than 400 others until after the November 6 election.

More than one person has threatened to show up on Stevens’ doorstep after he disagreed with them on Twitter. A few more have called him names. And at least one stepped across a political “red line,” endorsing a pundit that Stevens finds offensive.

“This is a pretty mercurial campaign on both sides. People on both sides tend to get heated pretty fast,” said Stevens, 37, of Ruidoso, New Mexico. As a result, he said, “there are way too many people on Twitter who are a little scary.”

Stevens tweets under the pseudonym @pettybooshwah. He doesn’t post pictures of himself, nor does he release details about his whereabouts.

But he’s not shying away from political debate.

“When you don’t follow people with the opposing viewpoint, Facebook and Twitter can become an echo chamber where everybody agrees,” Stevens said.

‘Facebook is not a democracy’
 

Read the rest of the post on Fox 4 News.

Why Authors Tweet

This article, by Anne Trubek, originally appeared on The New York Times Sunday Book Review on 1/6/13.

Since the 19th century, the common conception of “the author” has gone something like this: A young man, in his garret, writes furiously, crumpling up papers and throwing them on the floor, losing track of time, heedless of the public, obsessed with his own imagination. He is aloof, elusive, a man whom you know only by his writing and the portrait in his book.

Writers themselves have sustained this myth, asking readers to keep their distance from authors, who should remain enigmatic. W. B. Yeats remarked that the poet “is never the bundle of accident and incoherence that sits down to breakfast.” T. S. Eliot further argued that “the progress of an artist is . . . a continual extinction of personality”; forget about getting to know the figure behind the words: “Honest criticism and sensitive appreciation is directed not upon the poet but upon the poetry.” On his Facebook page, created by his publisher, Jeffrey Eugenides recently expressed similar sentiments. In “A Note From Jeffrey Eugenides to Readers,” he described his joy at meeting them, but concluded by saying he doesn’t know when or if he’ll post on the page again: “It’s better, I think, for readers not to communicate too directly with an author because the author is, strangely enough, beside the point.”

But readers are not heeding Eugenides’s advice, nor are many writers. Why? For one thing, publishers are pushing authors to hobnob with readers on Twitter and Facebook in the hope they will sell more copies. But there’s another reason: Many authors have little use for the pretension of hermetic distance and never accepted a historically specific idea of what it means to be a writer. With the digital age come new conceptions of authorship. And for both authors and readers, these changes may be unexpectedly salutary.

Salman Rushdie told me he enjoys Twitter because “it allows one to be playful, to get a sense of what is on a lot of people’s minds at any given moment.” He has written more than a thousand tweets — “OK: Philistinism (destroying bks bec you don’t care abt bks) is not fascism (destroying bks bec. you DO care). But both destroy books” — and more than 150,000 people follow them.
 

Read the rest of the article on The New York Times Sunday Book Review.

Penguin Random House Merger Begins A New Chapter For Publishing

This article, by Stephen Page, originally appeared on the Guardian UK Books Blog on 1/7/13.

Richard Ford’s brilliant new novel Canada opens audaciously: “First, I’ll tell you about the robbery our parents committed. Then about the murders, which happened later”. An account of the dramas in publishing last year might begin in similar vein: “First, I’ll tell you about Agency pricing and the Department of Justice. Then about the mergers that happened later.”

2012 was a fascinating year in publishing, a year of accelerated change, culminating in the Penguin Random merger. 2013 has kicked off with Pearson (Penguin’s owner) investing in the Nook e-reader. Whatever one might think about the wisdom of these strategies, both these events are bold moves in the war for the heart of the reader, and indicate dramatic change.

For some time the market for writing has been in demonstrable good health in the UK, with a large audience buying a great number of books. From the rise of Waterstones in the 1980s, through the mass-market explosion of the 90s, and more recently the arrival of writing for the web and the ebook with the new self-publishing model, UK readers have been a substantial, various audience with an appetite for books and reading. The hunger has been for writing from around the world, but it is especially well-served by a highly productive community of writers in Britain and Ireland, many of whom are read across the globe. Reading and writing are strong in the UK, not in crisis.

The revolution is happening in the pipeline between writers and their readers. The merger of Penguin and Random House currently taking place will create a large and powerful international publishing business that has at its disposal the most powerful and well-known consumer books brand in the world: Penguin. The move should not be misread as a retreat or a simple attempt to drill out cost but as a direct move towards the consumer and against the technology businesses that have become powerful in the market. It will be followed by further aggregation of the largest publishers – talks have been reported between HarperCollins and Simon and Schuster.

So what does this mean for reading, writing and publishing? It is certainly a dramatic opening chord in a new movement, a movement that will be high tempo and full of development of familiar subjects in new ways.

 

Read the rest of the article on the Guardian UK Books Blog.

Done Is Better Than Perfect

This post, by L.J. Sellers, originally appeared on the Crime Fiction Collective blog and is reprinted here in its entirety with that site’s permission.

I recently read this Facebook post, which had dozens of Likes:

A little advice, writers. Don’t think you have to put a whole lot of words on paper every day. What I find is a few words today will encourage more tomorrow. The point is for those few to be brilliant.


I respectfully disagree… that is, if you want to make a living as novelist, or least sell moderately well. If you’re writing just for your own pleasure, you can do whatever you want. But striving for a few brilliant words every day will not produce a finished novel, let alone a body of work.

I realize many writers have full-time jobs and kids at home to take care of. I did too, for most of my writing career. But I found that setting aside blocks of time in which I could write whole scenes for chapters worked better for me than trying to write a little something every day.

And brilliance? Why even think about it? Most readers aren’t looking for brilliance; they just want a good story with interesting characters. So laboring over every word and every sentence is too paralyzing. If you want to produce something for people to read, then you have to finish the story.

Done is always better than perfect.

I’m not implying that I don’t care about quality or craftsmanship. I definitely do. In the second, third, and fourth drafts, I polish my prose as much as I can. But I don’t worry about producing beautiful turns of phrase or poetic descriptions. As Elmore Leonard says, “If it sounds like writing, I rewrite it.”

In my prose, I strive for clarity, readability, and rhythm. In my word count, I strive for consistent daily production while I write the first draft. Getting the whole story down in a short period of time is my goal—because it works. The longer it takes to write the first draft, the more I struggle with keeping the whole story in my head and making the timing work out.

I’ve known people who spent five or ten years writing the same novel and never finishing it. That must be purposeful. They must not want to finish because finishing means letting someone read it. And that’s scary. I understand.

But I want people to read my stories, and I don’t care if no one ever calls my writing brilliant.

The woman who wrote the post may have thought she was being encouraging to authors. But telling writers to strive for a few brilliant words every day is bad advice on both levels… unless she was trying to thin out the market competition.

What do you think of that advice? What works to keep you motivated?

 

End Of Year Reflection: Celebrate What You Have Achieved And Understand What Didn’t Quite Make It

We are all on the writer’s journey, and each year marks another way-point.
I think it’s important to stop and reflect on the goals we set for the year, celebrating what we achieved and also being accountable for what didn’t quite happen.

I also love being honest with you here, as [The Creative Penn] site keeps me accountable. I hope it also helps you. Here’s my goal-setting post from Jan 2012 [and my updates for each goal].

Fiction

  • Write 2 novels and a novella. I did publish Exodus (ARKANE Book 3) and I have 28,000 words of a new book which I started during NaNoWriMo. I also have 2 novellas under another pen-name. But I didn’t quite make my fiction goals and this is something I need to fix next year.

exodus

  • Sell 50,000 copies of my fiction books by September. I tipped over 50,000 copies a little later than Sept but I made it by December, so that’s not too bad.

J.F.Penn with Lee Child Thriller authors

^ J.F.Penn with Lee Child at Thrillerfest

Go on a writing course/ invest in expanding my fiction skills. I did the Guardian Fiction weekend but primarily I went to Thrillerfest in July 2012, so that was definitely the best investment in my skills. Plus I met some amazing authors!

The Creative Penn, my business

  • Change the site focus to more on the business and less on free (since I pay my bills with this site now). I have focused on more copywriting skills. I did rewrite the Author 2.0 Blueprint. I changed the Home page to reflect what is on offer. I will be doing more of this in 2013.

  • The other course was “Turn Your Ideas Into Cash”, a course on how to create multimedia courses (very meta!) which I did as a joint venture with Women Unlimited, a site for entrepreneurs. If you write non-fiction and want to expand beyond the book, you might be interested in joining this when we next open the doors. You can register your interest here.
  • Go on a silent retreat. Hmm, didn’t manage this. But I have taken up archery which is a kind of meditation :)

Other Celebrations

  • I signed with a NY literary agent. This wasn’t a goal and I still change my mind every day as to whether I want a publishing deal or not, but I definitely want to sell foreign rights, so this is a start, and I would like to explore the hybrid option of having some books with traditional publishing and others as indie. Here’s the reasons why I signed.

  • Non-fiction: I re-wrote and re-released “How to love your job or find a new one”, the book I used to change my own life. I love this book and I hope it helps loads more people. I will have a print version out in the next few months to make it even more accessible.
  • Health. Writing is a sedentary life and I have 13 years of being a miserable cubicle worker/sugar junkie behind me. I’m also heading towards 38. Something had to change this year!

Joanna Penn
I had a specific weight-loss goal and I didn’t quite make it but I did lose 10% of my body weight, which I celebrated by eating lots of chocolate :) I will take the rest off in 2013 as I am finally on a sustainable diet. This isn’t a weight-loss blog but if you’re interested in this type of life change, I put this down to:

(a) Weightwatchers app on the iPhone which acts as a food diary so you accurately understand portion size. This changed how much I ate every meal. Any type of food diary works.

(b) Tim Ferriss’ slow carb diet recommendation of eating protein for breakfast. I have 2 boiled eggs most days and it’s amazing how you don’t get hungry when you start the day with protein. Read this article for more, or get The Four Hour Body

(c) Going Gluten-Free and not replacing the wheat stuff at all e.g. no bread – read ‘Wheat Belly’ if you need convincing.

OK, your turn :)

Quite a number of you shared your goals at the beginning of the year, so I’d love to hear how they have gone.

Or please do share what you’ve achieved as well as what you haven’t in the comments below.

Let’s celebrate and also kick each other in the butts with encouragement to achieve more in 2013! I’ll be back in a few days with my goals for 2013.

 

This is a reprint from Joanna Penn‘s The Creative Penn.