Quick Links: How to Write 10,000 Words in a Day, and Why You Should Give It a Shot (at least once)

Quick links, bringing you great articles on writing from all over the web.

What is the most words you have written in day? Have you ever done 10K? I have a couple of times during NaNoWriMo, when life almost got in the way of completing my 50K words. It is not something I think I could do often, but I understand why at Kill Zone thinks you should try it at least once.

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How to Write 10,000 Words in a Day, and Why You Should Give It a Shot (at least once)

And this is what my hair looked like when I was done….

The most words I’ve ever written on a fiction manuscript in a fourteen hour period is 11,214. I was on a solo writing retreat in a secret location (okay, it was at an AirBnB apartment in St. Louis), laboring over the final push for The Abandoned Heart. My deadline loomed, and I was finding myself way too distracted at home to get the book drafted in time. All told, over the three and a half days of my retreat, I wrote over 26,000 words—certainly more words than I’d ever written before on a first draft in any similar time period.

Part of why I was successful was that I knew I was paying for the time away from home, and I didn’t want to disappoint myself or anyone else. It cost me about $400 for the apartment rental, plus another $125 for gas (St. Louis is two hours away), groceries, and a couple of restaurant meals. My family paid, too, in that they had to pick up the slack at home. The circumstances were definitely extraordinary. But it wasn’t my first time at the Big Daily Word Count Rodeo.

I was lured into my first 10K day a few years back by my thriller writer friend, J.T. Ellison. She was looking for a partner in crime—someone to check in with, someone to be accountable to—and she knows I’m game for all sorts of shenanigans. We’ve climbed the 10K summit many times now, and we even have tee shirts to celebrate our achievement.

If you peruse the Internet, you will find several examples of people talking about tackling the big 10K. But the methods all boil down to a few key elements.

Let’s talk about the whys first.

Quick Links: Pros & Cons: Referencing the Real World in Our Story

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The wonderful Jamie Gold goes over the potential and pitfalls of using real world references in your story. A must read if you have ever considered doing this!

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Pros & Cons: Referencing the Real World in Our Story

by Jami Gold

I’ve often mentioned that I appreciate questions from readers (even though I can’t answer them all, especially with my health issues this year). Every question gives me ideas for potential blog posts, and today I’d like to thank Lee Green for the idea for this post (and Julie Sade for encouraging me to write it). *smile*I’ve run into the issue Lee mentions within my work as well, so I’m glad her question forced me to think deeper about the pros and cons. As with many things, we might answer one way at first glance but later discover a different angle that changes our opinion.

Lee asked:

“In a WIP, is it OK to have the lead female reading and maybe referring to a book written by a real life current author and naming that author, title of book and maybe a sentence from the book?”

That is a fantastic question that got my brain spinning in multiple directions. On the surface, it’s a question about copyright (and maybe the right to publicity), but deeper down, it’s a question about the relatability of our story and character. Let’s take a closer look…

Quick Links: Top Five Ways to Have an Awful Book Cover

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I see a lot of book covers during my day job and I can tell with one look who created their own book cover. It makes a huge difference in getting your potential audience to look at your book. So when I found this post by at Indies Unlimited I knew I found a kindred spirit. My personal pet peeve is #3 because very long titles make it very difficult to create sponsorship posts that look nice.  What are your hints for good book covers?

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Top Five Ways to Have an Awful Book Cover

by K.S. Brooks

I’m constantly looking at book covers as part of my “job” here at Indies Unlimited. On top of that, I run into authors posting their covers in groups all the time, asking for input. So I see a LOT of covers. And most of them all have the same issues.

What I find most ironic is that the same people keep posting book covers with the same problems. I don’t get that. Please allow me to make something perfectly clear. And I’m not just making this up to be difficult or bossy or right. I’m speaking from experience. I used to provide my own cover art to my small Indie publisher – and because of that, I’ve taken some lumps. But I’ve also learned some important things about book covers. I share this knowledge freely, to help my fellow Indie authors. Book covers are important. We all want to make a good first impression. Book sales count on it.

But I’ve noticed that a lot of people don’t want to listen to my advice, but, silly me, I keep giving it in hopes that I can help someone, maybe… someday. What would happen if I started advising them to do the exact OPPOSITE of what should be done? Do you think maybe THEN they’d do the opposite just out of spite and end up with a decent cover? How about we give it a try? With that in mind, here are my top five tips for better book covers.

Quick Links: 10 Things I Know About You and Your Books

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Jenny Hansen knows 10 things about you, and I have to admit she pretty much nailed me.  After reading Tolkien as a child, I spent many a day searching for Ents in the forest behind my house. Head on over to Writers In The Storm and see how many items fit you.

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10 Things I Know About You and Your Books

From our earliest moments, most writers are avid readers. We devour books – for story, for Craft, for new worlds and new ideas.

We have To Be Read piles (TBR for short) that are taller than small children. Our favorite authors and characters become our friends.

I don’t know if we become students of the written word because we love to read or if we read because we were born to love the written word. All that chicken and egg Zen is well beyond me.

I just flat out love books and every writer I know does too. You might even describe us as “obsessed with the printed word.” It takes a lot of love to go through what we must do to yank our stories from our hearts onto the page.

If you are a writer, there are things that I know about you and your books:

1. I know you get uncomfortable when you are “bookless.”
If you are stuck somewhere without a book, you will begin reading any words available – shampoo bottles, food labels, billboard signs. Whatever. Books and magazines are preferred, but in a pinch, any words will smooth your soul. (Do you keep a bag of books in your car trunk like I do?)

Quick Link: Podcast – Marketing Your Book All the Way to the Bestseller Lists, with Jay Baer

Quick links, bringing you great articles on writing from all over the web.


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Marketing Your Book All the Way to the Bestseller Lists, with Jay Baer

In this podcast episode, Chris Ducker sits down with Jay Baer to learn exactly how to become a New York Times bestselling author! Get your notebooks ready!

Book marketing is a topic that has come up a lot for me lately. As many of you know, I’ve just wrapped a book, that has been traditionally published a while back.

Earlier this year, I interviewed Farnoosh Brock about her book on juicing, and her grassroots approach to marketing it – which worked very well for her. This time you will hear a different approach – a mix of old and new techniques, with some long-term brand building as the backbone.

In this interview, I talk with Jay Baer about his well-planned book marketing campaign, and we delve deep into how to become a New York Times bestselling author.

This is some very useful stuff, so get your notepads ready!

In this 50 minute episode, Jay and I discuss:

  • Why using unorthodox book marketing techniques can work in your favor.
  • How you can build awareness long before your book is released.
  • The criteria for hitting the NYT bestseller list.
  • How to utilize your community to make your book go viral.
  • Why hiring a publicist is still a good idea in the new business economy.
  • How to use re-targeting to your advantage.

Quick Links – How to use Pinterest for Branding and Marketing

Quick links, bringing you great articles on writing from all over the web.

Do you Pinterest? While not quite as popular as Facebook, Pinterest can be a great platform to add to your social media marketing plan, plus it is great fun! Over at Bad Redhead Media  where Melissa Flickinger has all the info on Pinterest and some great tips on how to really make it work for you. Do you have any great tips for managing social media?

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How to use Pinterest for Branding and Marketing by @melissaflicks

By Melissa Flickinger

Recently on #BookMarketingChat, we had the pleasure of discussing Pinterest with the brilliant Kate Tilton. Pinterest is an easy option for authors looking to extend their platform, build their brand, and connect with readers. Here are a few tips we chatted about to help you get started:

What type of boards and pins should I include? (I hear this question A LOT!)

  • The first thing I suggest is getting your list of keywords that you created for your author brand. Create boards based on those and add relatable pins.
  • Create a board for your blog posts, guest posts, featured articles and add pins that link back to your website.

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Quick Link: 7 Ways to Find Beta Readers and Reviewers for Your book

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Beta readers are a great tool for success. They provide a fresh set of eyes to look over your manuscript and hopefully provide great feedback, so you can polish your story before putting it in front of agents or customers. But where to find them? The wonderful Shelly Hitz has got your back with a great post and podcast to tell you where to find these literary angels.

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7 Ways to Find Beta Readers and Reviewers for Your book

by Shelly Hitz

When you are publishing a new book, creating a Beta Group can be a great idea. But where do you find beta readers and reviewers for your book?

In today’s training, I’m going to share with you 7 ways to find beta readers and reviewers for your book.

Why We Need to Find Beta Readers and Reviewers?

Recently I was sharing how I’m using a beta group for this project, and it’s really been super helpful for me. You can find it here: 3 Ways to Use a Beta Group.

After I posted this on my YouTube channel I received a question.

“These are great tips and tricks, thank you so much for sharing, but I have a question. How do you find beta readers?”

My previous training was all about three ways beta readers can help you when you’re publishing your book, but it didn’t cover how to get the beta readers.

So, I thought in this training I would answer her question and share with you seven ways to find beta readers and reviewers for your book.

First I’m going to tell you what I did. I simply asked those that are already following me on Facebook if they wanted to be part of my beta group. I set a page where they could sign up to an email list.

Quick Links: The 5 Most Common Mistakes Writers Make When Seeking Book Reviews

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Reviews are very important for all authors, but especially for indie authors. Good reviews help legitimize your writing and encourage other readers to check out your book. But getting reviews are very difficult.  At Live Write Thrive, Gisela Hausmann gives out tips to avoid stepping on your own toes when trying to get reviews.

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The 5 Most Common Mistakes Writers Make When Seeking Book Reviews

Today’s guest post is by top Amazon reviewer Gisela Hausmann. This content originally ran on the Huffington Post, and it is reprinted here with her permission.

The day before yesterday, I received an email asking me to review an indie author’s book. Somewhat ironically, this request email stated, “As you liked (title of book), you might also love my newest book, (title), because it’s in the same category as the book you already reviewed . . .”

I remembered the book I supposedly “liked.” I didn’t like it at all; I had awarded it with a negative review.

Obviously, this indie author made a mistake; most likely, because he rushed trying to find as many top reviewers as possible to whom he could offer his book “in return for an objective and unbiased review.”

Desperately Seeking Reviews

Seeking reviews from Amazon top reviewers is a common practice among indie authors. Since only about one percent of readers review the books they read, indie authors, who don’t have a huge marketing budget, try to build up the number of reviews their books receive by asking top reviewers like me to read and review their books.

Quick Links: Breathe! The Copyeditor Has Your Back

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One of the most important things you can do as an indie author is hire professionals to help you. According to author and freelance editor, Dario Ciriello one of the best choices is a good copyeditor. Read Dairo’s post at Janice Hardy’s Fiction University and see if you agree. 

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Breathe! The Copyeditor Has Your Back

By Dario Ciriello

Part of the Indie Author Series

One of the things a good copyeditor will do, beyond dealing with infelicities of grammar, syntax, style, composition, and general meaning, is cover your back. And I mean totally cover it.

In my experience, what most indie authors require is actually a combination of line, copy, and general editing1, not least because the cost of the several editing passes a big publishing house would do (general/developmental edit, line edit, copyedit) can add up to several thousand dollars, a prohibitive cost for the vast majority of indies.

When editing a manuscript for an indie client, the copyeditor is in a watchful mode, consciously noting and monitoring a broad swath of detail and information. The characters’ physical characteristics, the revealed details of their backstories, geographical locations, dates and times events take place, even character names—all these are prone to inconsistency and slippage over the course of a long work and revisions, and it’s the copyeditor’s job to spot these errors and fix them. But that’s just the beginning.

A copyeditor takes little for granted. If, say, I find a reference to a company called Datavision in the text, my first instinct is to wonder if it might not be styled DataVision, or Data Vision, and I’ll google it right away to see if a correction is needed. If I’m working on a science fiction novel and the author states that the universe is 13.8 billion years old, I’ll check that this figure is current and correct—science and tech are especially tricky, since our knowledge is increasing at such a rate that “facts” are constantly changing.

Quick Links: Why Do Some Writers Choose to Go ‘Indie’?

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At Writer Unboxed, indie author explores the different reason people choose to go indie. Head on over and check it out and see if anything resonates with you. Are you an indie author? Why did you choose to do so?

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Why Do Some Writers Choose to Go ‘Indie’?

After October’s inaugural, myth-busting post “What Does it Mean to Be an ‘Indie’?”, the comments section exploded with proud indie authors stepping forward and sharing their experiences. At first, I was surprised by the number of comments that rolled in—I knew I wasn’t the only indie hanging around these parts, but I had no idea there were so many kindred spirits out there. As I read their comments and stories, I spent some time visiting their links, where I discovered beautiful author websites, exquisite book covers, and an incredible range of work—from nonfiction to thriller to gay romance and everything in between. It was the ultimate demonstration of what it means to be an indie author. And it made me curious about what inspires some writers to choose this path.

For me, independent publishing felt like a natural next step in my career. I’d spent a decade working in marketing, advertising, and sales and was looking for something more entrepreneurial. When my first novel, Empty Arms, was complete, the indie movement was just beginning to pick up steam, and the idea of starting my own publishing company seemed like an exciting opportunity to merge my passion for writing with my professional experience. While the favorable royalty splits and payment terms were appealing and the disadvantages seemed like a fun challenge to tackle, what I wanted most as a writer and business owner was autonomy. I decided not to seek representation or pursue a traditional book deal, in favor of independence.

But what about other indie authors? How did they end up on this path? I decided to find out. I reached out to a handful of indie authors and asked them how their publishing journeys came to be. Not surprisingly, they were happy to share their stories. Here’s what I learned:

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Quick Links: Your Never Ending Writing Improvement Program

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When I was a software engineer for corporate America, we followed a concept that was called Lean. It was based on Japanese work principles of continuing to look for ways to improve.  Over at Writer’s Helping Writers, author and writing coach Jim Bell shares a similar concept called kaizen to help writers to continue to do their best.

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Your Never Ending Writing Improvement Program

In Japan, after World War II, the concept of kaizen was introduced into their industrial culture. It resulted in a huge boom in technology and manufacturing that rebuilt Japan and made her prosperous.

It’s a simple idea. It means ongoing quality, and systems set up to test quality all the time. And, every day, striving to do something better.

Why should a writer do any less?

You are responsible for designing your own writing improvement program. One that never ends.

To do that, you have to look at both yourself and your fiction. And you have to take the “critical success factors” of each and figure out ways to make them better.

But most writers don’t think in a kaizen type of manner. We are artists, after all! We want to frolic in the tulip fields of the imagination! We don’t want to get weighed down with things like, yikes, strategic planning! We could have gone to engineering school if we wanted to do that kind of thing.

Come on there, Bunkie. It’s not that difficult.

Quick Link: Reading Reviews: It’s Complicated

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Hey all you published authors out there, how do you handle reviews? Today’s post comes from at Kill Zone and deals with the issues of book reviews, while adding a humorous twist. You could also share your best tips on how to deal with reviews with the rest of us below.

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Reading Reviews: It’s Complicated

There are as many approaches to dealing with reviews as there are writers, ranging from the diehards who don’t read their reviews, ever, to the snowflakes among us who turn into sad, quivering puddles at the sight of the dreaded single star. (As a former snowflake, I resemble that remark.)

Book reviews fall into several categories:

–Good (Loved it!!!! Five Stars!!!)

–Bad (“Horrible!! wish I hadn’t read it.”)

–Meh (or what I like to call damned by faint praise)

–Irrelevant Content

–All About the Reviewer

–Actionable

The Good Review

Everyone loves a good review (except your enemies). It feeds the ego of the little kid inside of us who trudged home from school clutching a hand-loomed potholder, desperate to hear that it was the BEST POTHOLDER IN THE WORLD! We’re adults now, of course. We are mature professionals who understand that a job well done is still just a job, and while we humbly tell ourselves that there are probablydefinitelycertainly things we could have done better, somebody thinks it’s the BEST POTHOLDER BOOK IN THE WORLD!

Quick Link: 5 Ways to Combat Author Anxiety

Quick links, bringing you great articles on writing from all over the web.

Have you ever had author anxiety? I know I do, probably daily!  So if you have ever suffered, author Brynn Kelly has the cure! Head on over to Writer’s Digest to find out how.  

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5 Ways to Combat Author Anxiety

I discovered this on the eve of publication of my debut novel, DECEPTION ISLAND, when I was silly enough to Google my shiny new title. Up popped a Netgalley reviewer live-tweeting as she read it. Only she was hating it—pulling it apart chapter by chapter.

I’d had loads of great reviews—in Publishers Weekly, Booklist, Library Journal, RT Book Reviews, on dozens of blogs—but this one hobby reviewer withered my fragile confidence. It was the intimacy of it. I could see what she looked like, I could see what page she was reading, I could certainly see exactly what she thought of the story. And I couldn’t stop refreshing. Because I’m an idiot.

I’ve been a journalist for two decades and I’ve published a bunch of nonfiction books, so public criticism is nothing new. Why, then, did this rattle me?

I did what any 21st century dweller does when faced with a 21st century dilemma. I Googled. And I discovered I wasn’t alone. Not only is Author Anxiety a Thing, but it’s such a Thing that, yes, it deserves initial caps. I set out to find a remedy before this vile feeling paralyzed me from writing another fictional word. In the interests of author solidarity, I’m sharing five of my best cures.

Quick Link: Clause by Clause: Options

Quick links, bringing you great articles on writing from all over the web.

We have another great post on contracts from

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Clause by Clause: Options

Hi everyone! This is the first installment of a new series I’m going to be writing here at Pub Crawl: Clause by Clause. As our resident contracts expert, I’m going to do my best to demystify this part of the publishing process for you, one clause at a time. Today I’m talking about Option Clauses.What is an Option Clause?
In publishing, an Option Clause gives the Publisher the first look–dibs, if you will–on the next book an Author writes.

That’s it. Really.

Rewards
Why is it important to a Publisher to get the option on your next book? And what are the advantages for you, the Author? Publishers want to form successful business partnerships. They choose to publish authors they believe in, ones they think will bring a good return on investment, and whose books they like and want to champion. If they find an Author who does all of the above, of course they want to continue to work together. Publishers–like agents–can have a vision for your career and often want to be a part of building it. Allowing them the first look at your next work is a courtesy, an acknowledgement of all the time and money and effort they’ve already put in on your behalf, and it gives them the opportunity to persuade you to stay and take the next step in your career with them.

“Wait, persuade me?”  you might ask. “You mean, if the Publisher has the option on my next book and makes an offer I don’t have to take it? I can still walk away?”

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Quick Link: Need More Time to Write? Plan a DIY Writing Retreat

Quick links, bringing you great articles on writing from all over the web.

So with the busy holiday season I had to post this article because doesn’t a writing retreat sound like heaven right now? Where should we go? I will bring the wine! Head over to The Write Life to read ‘s article and we can all dream together!

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Need More Time to Write? Plan a DIY Writing Retreat

Can we have spa at our retreat too?

Finding uninterrupted time to focus on your craft is tough. That’s why attending a writing retreat or residency is often a highlight of a writer’s year.

Writing retreats and residencies alike can be a fantastically rewarding experiences, but not everyone has the time or money to commit to one.

But if right now isn’t the right time to head away for a writing retreat or residency, that doesn’t mean you can’t still enjoy uninterrupted time on your work.

You can create your own DIY writing retreat without even having to leave home.

Is a DIY writing retreat right for you?

Before planning your own DIY retreat, make sure it’s right for you. Decide what you’d like to gain from the experience and evaluate if you can get that experience from a DIY retreat or if another option would be better.

If you’re yearning for some uninterrupted time to work on a project or time to do some deep thinking about your next career steps, a DIY retreat could be perfect for you.

But if the primary reason you want to go on a writing retreat or residency is to meet other writers and creative types, a DIY writing retreat will likely not offer the results you’re looking for.