I Like Self-Publishing Again

This post, by Henry Baum, originally appeared on The Self-Publishing Review on 9/13/12.

 

It’s odd that the recent firestorm about paid reviews and unscrupulous self-publishers has actually rekindled my love of self-publishing. Ever since Amanda Hocking, the vibe around self-publishing has been money, money, money. On the one hand, I was grateful for this because it put self-publishing on the map: money talks. On the other hand: this is the worst determination of value and pretty much what’s wrong with the world, and publishing in general. The reason that I fled traditional publishing (after having a series of agents and traditional contracts) was because of the overemphasis on marketing and past sales. Publishing was all about a numbers game.

 

 

My support for self-publishing has been about self-expression – every writer should have a chance to express themselves in print or ebook, no matter how flawed those books may sometimes be. The slippery slope of the traditional publishing industry suggests that many, many interesting and/or adventurous books are not getting published. That’s a loss to the culture at large. This is self-publishing’s value – intellectual freedom, not the freedom to be independently wealthy. Of course, it’d be great to have the latter, but the former is more important.

And so it’s somewhat vindicating to see the greed impulse in self-publishing sort of fall apart. It’s also eye-opening about all the successes that have happened. Frankly, it’s always been kind of mysterious why one book totally takes off and another one does not. This has been chalked up to the ephemeral “word of mouth,” but in some cases that word of mouth was fake. On many books with 100+ reviews, you’ll inevitably see, “This book is terrible. All those 5-star reviews must be family…” I always chalked it up to bitter reviewers, but it turns out some of them were right. I’d look at a book with a terrible cover, terrible synopsis and think, This is what people want to read? It was pretty depressing.  It turns out readers really didn’t want to read those books.

I’ve had my differences with JA Konrath for a long time. In the past, he crapped all over self-publishers because they didn’t have the approval of a publishing “professional.” Then he became a self-publishing convert, because evidently $ speaks louder than a publisher’s approval. It irked me that he would continually trump up his income. This can be useful to see how self-publishing is progressing and “legacy” publishing is archaic, but his impulse was to highlight all the money-makers to prove his point, rather than people who are writing good books, but might not be selling a lot. Those people don’t fit into JA Konrath’s narrative, even though they’re the writers who might need the attention more.

 

Read the rest of the post on The Self-Publishing Review.

Get Over Yourselves

This post, by J.A. Konrath, originally appeared on his A Newbie’s Guide to Publishing on 9/8/12.

Updated below.

I had a long talk with a friend last night, and we realized something obvious.

Amazon allows one star reviews. 

In other words, the existing system allows and encourages people to publicly trash books.

[Publetariat Editor’s note: strong language after the jump] 

Reread that sentence. Just about every book has one star reviews. So there are, quite literally, MILLIONS of one star reviews.

Every one of those millions of reviewers who trashed a book deliberately did it to harm that book’s sales. That’s the whole point of a one star review. Someone yelling to the world "Don’t buy this!"

This is why I don’t leave one star reviews. I think it is a shitty, mean thing to do.

But it’s allowed.

If it was wrong to trash a book, it wouldn’t be allowed. Like murder isn’t allowed. Our society doesn’t allow murder.

But society does allow people freedom of speech. And that includes the right for people to offer their opinions. Even anonymously. Even stupid opinions. Even biased opinions. Even opinions with agendas.

Recently, three authors were exposed using an existing system–one built upon the very principle of people voicing their opinions–to their advantage, and they’re branded immoral and beyond reproach.

Sorry, no.

Ellory did a shitty thing, and because he didn’t sign his name to his reviews he was also cowardly, but what he did wasn’t any different than what millions of other one star reviewers did and continue to do.

Ellory didn’t want people to buy his rivals’ books. He wanted them to buy his books. That was his agenda.

He’s allowed his agenda. And I’ll defend his right to do things like that, even if I wouldn’t do it.

If I have a bad meal at a restaurant, I’d warn my friends not to go there. I’m deliberately preventing that restaurant from making money. That is my agenda.

And if I warned my friends to avoid a restaurant I never ate at, I’d be doing the same thing, except I’d be a dick.

And if I owned a restaurant, and publicly denounced other restaurants, I’d also be a dick. (Or an advertiser using Pepsi Challenge rules.)

There are dicks on the Internet! Gasp! Circle the wagons, Pa!

As I said, I don’t leave one star reviews. I think trashing books is shitty. That’s my personal opinion.

But if you want to throw Ellory under the bus, you need to condemn the millions of others who give malicious one star reviews, and then condemn the system for allowing it.

If you want to throw Locke under the bus, you need to condemn the millions of others who give unsubstantiated five star reviews, and then condemn the system for allowing it.

If you want to throw Leather under the bus, you need to condemn the millions of others who use sock puppets and post anonymously, and then condemn the system for allowing it.

 

Read the rest of the post on A Newbie’s Guide to Publishing. Also see this rebuttal from Alan Baxter‘s The Word.

Start A Self-Publishing Business While You Maintain Your Regular Job

Anyone can write a few books and easily start a self-publishing business. The tough part is in creating a financially successful self-publishing business. The reality of publishing is that most authors and self-publishers make little or no money from self-publishing. You must understand that it is going to take a lot of time and effort on your part to get your publications to start making money.

That’s why, if you already have a paying job, the best way to start and maintain your new self-publishing business is to keep your paying job – and do both together. And, in most cases, it is easy enough to keep your regular job (for medical benefits, retirement savings, regular pay check, industry contacts), and also run your self-publishing business (for extra income, fame, credibility, retirement business and income, creative outlet) at the same time. In addition, staying employed while you build your self-publishing business is the best way to dip your toe into the entrepreneurial waters.

1. Keep your current job and think long and hard about what you would like to publish.
Do lots of research and soul searching about what subject matter you will be writing about. What will your specialty, or expertise, or niche be?

2. Keep your current job and write and publish a subject that you love.
You are going to be devoting many long hours to your writing, promoting, marketing, and sales, etc. You will not be able to go the distance if you do not have a passion for your subject (niche).

3. Keep your current job and get your family on-board with your plans – especially your spouse.
Your spouse, in most circumstances, should be your partner in your new venture. They have as much to gain, or lose, as you do. Therefore, they will be very motivated to help make it a success.

4. Keep your current job and get professional help for your business.
This means an accountant (for financial planning and taxes), and an attorney (for copyright, trademark, and business formation). These are not subjects that you should be trying to do on your own to save a few bucks.

5. Keep your current job and keep your new business lean (keep expenses down to a minimum).
Using the internet wisely gives you the ability to run an entire business from home – very inexpensively, efficiently, and with no employees.

6. Keep your current job and become an amazing employee at work.
You must continue to perform well at your job; lose it and you could lose everything.

7. Keep your current job and save your business’ profits – and reinvest them when necessary.
Use earnings to set up the business infrastructure (llc, copyrights, computers, etc.) that your business needs.

8. Keep your current job and create a time schedule for your writing, your business, and your personal time.
Make lists of things to do, to achieve, to accomplish – to keep yourself and your new business on track to success. And always make time for your family – without exception.

9. Keep your current job and do not complain about your challenging work schedule.
Co-workers don’t want to hear it – and it will hurt your at-work reputation. And never let your family hear you complaining – it will upset everyone. Once your self-publishing business has been running for a while, scheduling and time management is less of a problem.

10. Keep your current job and wait longer than you want to quit that job.
At the very least until your self-publishing can provide enough income to cover all of your living expenses. If you have a family, then double or triple the amount of income needed. If your job is what gives you credibility in the eyes of your readers, which will help you sell more copies, then you might want to keep that job.

This article was written by Joseph C. Kunz, Jr. and originally posted on KunzOnPublishing.com

 

Beyond the Bookcast: Winning Publishing Strategies

We’re happy to share this post and accompanying podcast from the Beyond the Bookcast group of the Copyright Clearance Center. In it, publishing expert Bruce Harris talks about the opportunity to approach a publishing project the same way producers approach film and TV projects: by assembling a team of talented freelancers on a per-project basis.

There’s no business like show business to serve as a model for book publishing, according to industry veteran Bruce Harris, who spoke earlier this summer at the Yale Publishing Course.

“When you’re doing a show, a group of talented people come together. They focus on a particular task. And they get very involved, and very intense about it. And then, after it’s done, they split up, and they form other groups to do different things,” Harris tells CCC’s Chris Kenneally

“In publishing today, there seems to be this thing about having a fixed group of people who constantly have to do work on very different kinds of books. And I think that now, with so much freelance talent available, you can form your own team. There a lot of people who are skilled at publicity, there are people who are skilled at marketing, there are people who are skilled at production. And so you can form your own team and say, what can I do?”

Indeed, that is just what Harris has done. As an independent producer, he has supervised publication of several books that have become national bestsellers. In June 2012 at BookExpo America, Harris previewed the October publication of Anomaly by Skip Brittenham and Brian Haberlin, “an oversized (10” x 15”) 370 page full-color painted hardcover graphic novel, a sprawling science-fiction saga about a corporate space mission that goes deeply awry.”

Bruce Harris began his publishing career at The Crown Publishing Group where he publishedThe Joy of Sex, Martha Stewart’s Entertaining, Douglas Adams Hitchhikers Guide to the Galaxy, Maurice Sendak’s Nutcracker and founded the Harmony Books imprint. He became President of Trade Sales and Marketing at Random House and supervised successful publishing strategies for books by Colin Powell, Tom Peters, and hundreds of other best-sellers. Later, he became Publisher-COO at Workman Books and designed campaigns for 1,000 Places To See Before You Die by Patricia Schultz, Younger Next Year by Chris Crowley and Henry S. Lodge and The French Laundry Cookbook by Thomas Keller and Deborah Jones.

 
Winning Publishing Strategies Podcast [10:55m]: Play in Popup | Download
 

The Yale Publishing Course (YPC) offers mid to senior-level publishing professionals from all over the world access to industry experts and a cutting-edge curriculum focusing on the most crucial areas in publishing. During the week-long programs in book and magazine & digital publishing, YPC participants learn new leadership skills and develop their global network and perspective. Follow YPC on Twitter #YPC2012 

 

The Case of the Disappearing Amazon Reviews

Peter Grabarchuk, the indie author of numerous Kindle puzzle books, has noticed that hundreds of the customer reviews for his books, including some from Amazon Top Reviewers like Grady Harp, have been pulled by Amazon. ‘Helpful’ clicks on the reviews that remain seem to be vanishing, as well. To share his experiences and cast a wide net seeking answers, Mr. Grabarchuk has opened a discussion group about the problem on Amazon. Here’s the post he made to open the group:

Dear Top Reviewers!

We believe you should be aware of the "interesting" practice Amazon does with reviews written by Top Reviewers for Top Rated Kindle books of indie publishers.

Sep 11, 2012 we’ve noticed that over 150 reviews from 30 reviewers were removed by Amazon from our Kindle books (>110 reviews), Kindle apps (>40 reviews) and paperback books (3 reviews). For example, today >20 reviews were removed from (Puzzlebook: 100 Puzzle Quizzes) and its rating dropped to 4.0. We are highly disappointed with such procedures and can not understand their nature.

For the last 12 months we’ve successfully developed and published 10 books and 4 apps for Kindle, all of them become Top Rated and some of them are bestsellers in the respective categories of Kindle store. During this time we’ve worked hard with over two hundred reviewers, many of which are Amazon Top reviewers.

Here is the list of reviewers (~30) whose reviews were removed: Alison Deluca, Book Him Danno, C. F. Hill, C. Wright, Carol, CCH, Chris Swanson, Connie M. Wright, D. Fowler, Drebbles, Grady Harp, Israel Drazin, J. Chambers, jjceo, John Galluzzo, K. Groh, K.P. Druckenmiller, Kate Policani, KatrinaAbrosa, Laurie Carlson, LaurieHere, Mark J. Fowler, Patty Magyar, Peter Faden, S. Deeth, Sheila Deeth, Stacie Wyatt, Tami Brady. Many of them are Amazon Top Reviewers… Unfortunately it seems to be not a full list since we see that reviews still disappear from our products… That’s really frustrating.

We affirm: no reviewer of our products has a financial interest in our product or a directly competing product. No reviewer of our products is an author, artist, publisher, or manufacturers of our products, or our family member.

We are working on new Kindle books and apps – please let us know what all this situation mean and how we should move forward?

Sep 11, 2012 we’ve sent this message to Jeff Bezos, KDP Support (Kindle books) and KDK Support (Kindle apps).

Sep 12, 2012 – 250 reviews were removed: 200 from our Kindle books and 50 from our Kindle apps.

Sep 12, 2012 we and some reviewers have received the following reply from KDP Support: 

———————-
While we appreciate your time and comments, we limit customer participation to one review per product and reserve the right to remove reviews that include any of the following:
* Reviews written for any form of compensation other than a free copy of the product. This includes reviews that are a part of a paid publicity package
* Solicitations for helpful votes
If this continues we will also remove all your reviewing privileges from your account.
———————-

and

———————-
We do not allow reviews on behalf of a person or company with a financial interest in the product or a directly competing product. This includes authors, artists, publishers, manufacturers, third-party merchants selling the product, or anyone who receives any form of compensation other than a free copy of the product.
———————-

So, for today (Sep 12, 2012) already 250 reviews were removed from our products: were removed reviews of people who get ebook as Gifts; were removed reviews which were bought after reviewer redeemed $0.99 or $2.99 gift card to purchase book/app; and even were removed reviews of people who simply bought app/book without gift cards.

In total around 30 Top Reviewers were affected with over 500 positive votes disappear.

Each time reviewer agree to play and review our Kindle app – we send him/her $2.99 Amazon Gift card so that he/she redeems it and purchases app. (Unfortunately there is no possibility to gift Kindle app directly via "Give as a Gift" option). In case of ebooks – we send whether $0.99 Amazon Gift Card or directly Kindle book as Gift via "Give as a Gift" option. In both cases reviewer gets books/app to play and review after. 99% of all reviews on our products has "Amazon Verified Purchase" which confirms this. Thus, each reviewer gets FREE COPY OF THE PRODUCT, which is clearly allowed by Guidelines.

What we or reviewers have violated? How can we provide free copy of our product (Kindle book or app) in other way than we did? Why reviews which were made after redeemed Amazon Gift Card were removed?

Please share your thoughts and comments – we believe this practice should be changed. Maybe it’s just technical issue, but it seems to be something more complex and not correct in connection to indie publishers.

Peter Grabarchuk
The Grabarchuk Family

————————————————————

View the full thread, and weigh in yourself if you have anything to add, at the Amazon discussion thread, here.

 

Readers Are The Victims of Bad Author Behavior

This post, by Chuck Wendig, originally appeared on his terribleminds site on 9/10/12.

 

We’re all familiar with the recent spate of bad behavior by authors, right? Writers paying for false five-star reviews. Authors creating fake sock-puppet accounts (or “dick-puppets” as Blackmoore calls ‘em) which they then use to pump up their own work, denigrate the work of others, and act as fake mouthpieces online. Then you have the response, where authors see that bad behavior and respond with their own, leaving one-star reviews as some kind of “Internet country justice.” We’re all clued in, I’m sure, by now.

 

 

My initial reaction to all of this was that it’s a bit inside baseball. It’s authors being dicky and tap-dancing on dubious ethical ground and waggling their penmonkey genitals about in an unpleasant display.

Except then I was online at Amazon (which already is notoriously assy in terms of filter and discoverability) and I was reading reviews and was suddenly struck by the horrifying notion –

I don’t know if these are real.

Suddenly I’m reading reviews with the same level of doubt and suspicion I reserve for reality television (we all realize that ‘House Hunters’ is a big lie, right?). It’s the same vibe I get when I go looking for reviews of restaurants. Locally we had a restaurant where the owner was caught leaving good reviews for himself, bad ones for his competition, and was also getting on forums as a sock-puppet and shouting down folks who said his food had dropped in quality (as it used to be great and isn’t anymore). Shitty behavior, right?

I read reviews for a toaster, my cynical mind flares up like a hot rash: “I’m sure the positive reviews are all left by employees of Big Toaster, and all the negative ones are left by proponents of some Anti-Toaster Coalition.” Casts all reviews in these areas as suspect. Which makes them beyond useless.

Now I’m feeling that way about books.

 

Maybe I should’ve been all along. Maybe I was naive.

It doesn’t change the fact that this isn’t good for anybody.

 

 

Read the rest of the post on terribleminds.

 

Are You Making These 7 Book Marketing Mistakes?

by Toni Tesori (@Duolit)

Toni is one half of the team at Duolit, a self-publishing blog and author services company (the other half is Shannon, Toni’s BFF). I’ve been impressed by the way Toni and Shannon have set out to help indie authors market their books, and I asked her for tips that would help you, too. Here’s her response.


When you make the decision to self-publish, you join a crowded marketplace: the number of indie books has more than quadrupuled since 2006! 

With thousands of new authors taking the self-pub plunge every year, it’s becoming drastically more difficult to distinguish yourself from the pack and find success.

This is reflected in the (rather depressing) statistic that 8 out of 10 books sell fewer than 100 copies. Doesn’t that make you sick to your stomach?

Every day, I hear from indie authors sadly confirming this statistic; frustrated and disheartened after selling just a handful of books to family and friends!

To be honest, it’s not their fault: the root of this selling problem lies with the DIY nature of self-publishing itself.

Learn as You Go

Unless you have a money tree, to travel the indie author highway you must quickly become a jack of all trades.

And you know the phrase “jack of all trades, master of none?” Well, that’s particularly true for the marketing part of the publishing process. Indie authors are forced to figure out selling as they go, often picking up tactics from other authors, (wrongly) assuming those tactics are effective.

As a result, we see the same book marketing mistakes repeated over and over again.

Do me a favor: decide right now to help reverse that 80% failure rate. You’ve put too much effort into publishing your book to let it flop!

7 Common Book Marketing Mistakes (and How to Fix Them) Mistake #1: Having unreasonable expectations.

I’d love to say otherwise, but book marketing is much more an art than a science. The variables involved (quality, genre, target market, etc.) are endless, and there’s no whiz-bang silver bullet for success.

Many authors, however, come into self-publishing convinced they’re going to retire the day after their book is released (after making a quick pit stop on Oprah’s couch, of course).

If that fantasy has crossed your mind, don’t let me deter you: that type of self-publishing success is possible! To achieve it, however, be realistic about the time and effort you must put in to get there.

Like it or not, when you self-publish, you’re running a business!

Think back to your childhood lemonade stand days. I don’t know about you, but I had a hard time selling that delicious cool drink, even in the heat of summer. And those customers only had to hand over 25-cents to an adorable (I hope) child!

Just because you’ve gotten older doesn’t mean selling is any easier. Remember,you have more than 300,000 others publishing their work at the same time as you!

Mistake #2: Rushing to release.

I totally understand how easy it is to make this mistake.

After you put the finishing touches on your book, you’re exhausted…but pumped. You’ve spent weeks, months, or years of your life writing this masterpiece and want nothing more than to share it with the world.

When you rush your book’s release, however, you’re shortchanging the immensity of your accomplishment!

You did something millions only achieve in their dreams: you authored a book. Don’t release it with a whimper. This is your personal moon landing, build up to that massive moment. It’s a big effing deal!

Basically: take a breath and give yourself ample time to plan an epic book release. Set a launch date three to six months down the road. It may seem like a long time, but you’ll still release your work faster than you ever could with traditional publishing!

Mistake #3: Being a “Survivor”

Remember when Survivor premiered? Millions tuned in each week, shocked to witness the lengths folks would go to in hopes of winning the million dollar prize. Backstabbing, bad-mouthing and all-around nastiness were the name of the game.

What’s shocking to me is how many indies possess this Survivor mentality today, seeing their fellow indies strictly as competition.

The scenario here, however, is totally different: there’s not only one big prize for which we’re all competing. Readers don’t read just one book, or even just one author. There’s room in the book-selling world for everyone!

You’ve been there; you know how hard it is to market your own book.Forming an indie alliance can mean doubling your audience in a flash!

When searching for a partner:

  • Only approach authors whose work you truly adore; for your alliance to work, it must be genuine.
  • Don’t feel pressured to stick to your own genre; many YA fans enjoy “chicklit” and quite a few sci-fi fans enjoy fantasy.

Mistake #4: Selling to everyone

It’s only natural to want (or assume) that everyone will enjoy your book. While that may be true, marketing to everyone is not only impossible, but also ineffective.

Finding your target market gives you a powerful tool: a group to center all of your marketing decisions around.

As an example, let’s check out how having a target market helps you answer common book marketing quandaries:

  • Q: Where do I find new readers? A: Where does your target market hang out?
  • Q: What do I include in my newsletter? A: What would your target be interested in reading?
  • Q: How do I encourage readers to purchase my book? A: What makes your target decide to purchase books?

Okay, so sometimes the answer to a question is a question, but reframing it from your target market’s perspective often allows you to answer your own question.

If you want to go all out, you can even give your target market a face. That’s right, picture one of your target market members and give him a name, background info, personality traits—just like a book character. When you get stuck, ask him what he’d like to hear/read from you!

Mistake #5: Neglecting your fans.

A huge benefit of self-publishing is the ability to form relationships with your readers on an individual basis.

Growing up, I adored Ann M. Martin (author of the Babysitters Club series—don’t judge). The closest I could ever get to her, however, was the “About the Author” page in the back of each book. I could never dream of communicating with her directly!

Nowadays, thanks to the internet and social media, readers can do just that. And that connection is a powerful selling tool!

To communicate with your readers, create an email list. Encourage folks to sign up by offering an exclusive excerpt, short story or other freebie.

One note of caution: your emails must be (1) consistent and (2) useful. Our inboxes are super-cluttered, so you must condition readers to expect your emails and give them a reason to open those updates.

When your readers take the time to email you back, respond to each one thoughtfully and genuinely. Don’t take for granted the opportunity to build real relationships with people who love your work. In yo’ face, Ann Martin!

Mistake #6: Unintentional spamming.

While social media has allowed readers greater access to their favorite authors, keeping up with social networks can quickly become a drain on your precious marketing time.

Luckily, there’s plenty of apps to help out, so you begin to implement some automation. First you simply send every new Twitter follower a welcome message, but soon you’re scheduling a week’s worth of tweets and Facebook updates in advance.

I’m not going to argue that automation has its place, but at what cost? Too much automation dilutes the effectiveness of your social media efforts; you may even (unintentionally) turn off fans by seeming like a spammer!

You know that whole thoughtful and genuine thing I mentioned in regards to communicating with your fans? It applies to social media as well.

Believe me: your followers can tell when you’ve over-automated and will respond appropriately (that is, by not responding at all or by unfollowing you).

There’s nothing wrong with scheduling some updates in advance, but make an effort to check your networks and personally respond to a few replies and mentions every day. You don’t need to set aside too much time for this; 15 minutes will do it. It’s better to have fewer updates (that are truly entertaining and personal) than a continual stream of spammy content.

Mistake #7: Undervaluing the importance of professional editing and design.

Like it or not, pro editing and design affect the perceived value of your work (and, thus, your sales).

I understand how painful it can be to depart with your hard-earned cash, but (just like that lemonade stand) your book is a business, and these professional services are an investment in that business.

Learn from successful business-y folks: they know when to spend some money to make a lot more!

This is another great reason to avoid rushing to release your book—holding off gives you more time to save up for these services.

If you’re already released your book but didn’t invest in editing or design the first time around, plan a second edition launch 3-6 months down the road and start saving now!

What Will You Improve?

If you’ve made any of the mistakes above, don’t feel bad! Like I said at the start, with all the work indie authors do themselves, there’s simply no way to perfect your book marketing in one shot. You must continually experiment, refining your approach once you find out what works for you.

To wrap up, I just want to say that I’m a huge cheerleader for indie authors. Your resourcefulness and dedication to the success of your book is the inspiration for everything we do over at Duolit. Give your marketing efforts a bit of time and patience, and I know you’ll achieve success!

I’m curious, though: did any of the above mistakes resonate with you?What can you do today to begin patching things up? If you’re mistake-free (rock on!), have you noticed any oopsies from your fellow indies? Let’s chat in the comments!

Toni TesoriToni Tesori is one half of Duolit, two gals who help passionate fiction authors sell more books by building their crazy-dedicated fanbase. If you’re ready to become a book marketing whiz, check out their FREE 4-week training course. A new session starts later this month!

 


This is a reprint of a guest post from Joel Friedlander‘s The Book Designer.

The New World of Publishing: What Should Indie Publishers Be Called?

This post, by Dean Wesley Smith, originally appeared on his site on 9/8/12.

We have indie publishers, self publishers, specialty-press publishers, small-press publishers, and so on and so on. Are there any differences and does anyone care?

Well, it seems some people care. Those people with far too much time on their hands, in my opinion. But alas, I have been asked questions about the differences now for some time and I figured it was about time to lay out my opinion on the subject.

So here is how I break it down….

(I will not defend this because, honestly, I have too much actual work to do. And I honestly don’t care. But for the sake of future articles, let me be clear how I see each term. Then you all can agree or disagree.)

Self-Publishers.

Writers who are publishing their own work and have not started a press, don’t have a press name, and when they publish a book, it says only their author name as the publisher.

I have zero issue with authors publishing this way as long as they never hope to grow a larger business. This way is for occasional writers wanting to get something into print. Nothing wrong with it at all.

In fact, this article is self-published. So for this blog and other articles on this web site, I am a self-published author.

Indie Publishers

Indie publishers are writers or fans or whatever who have started a press name that publishes either their own work or someone else’s work. Indie publishers run their press like a business. They often don’t even have their own checking account under the business name, although most do.

Again, nothing wrong with that.

Indie presses usually have more than one author name under their press, have a press web site, and act like a business with their writing. In my columns called “Think Like a Publisher” I try to help writers set up their own presses and act like a business.

Specialty Press Publishers 

 

Read the rest of the post on Dean Wesley Smith’s site.

Selling Yourself to the Book Industry

My bookstore’s writers group has asked me to tell them what is needed to present themselves to agents and publishers. What I came up with for an answer was a sample of short bios and elevator synopsis for a fiction and a nonfiction book and a press release. Bios are like good resumes. They are written from the perspective of the agent’s or publisher’s needs, not the author’s.

Here are two samples:

Bio for Senior Citizens’ Self Defense (Nonfiction sample)

Bob Spear, a 67-year-old retired martial artist, holds an 8th Degree Black Belt in the Korean art of Hapkido. An American pioneer in this battlefield defense system, Bob was the first American to obtain a 3rd Degree Black Belt and Instructor’s Certification in Korea. He has trained over 11,000 students throughout the world and eight people are known to have been saved from death or serious injury by his instructions, videos, and books. Now a physically handicapped elder, he understands the concerns of older people and how there are still things they can do to protect themselves.

Bob is well known with a Twitter following of 3,907, a FaceBook following of several hundred, and a Book Trends Blog with 14,080 hits.

Bio for Quad Delta (Fiction sample)

Bob Spear, a Leavenworth, KS resident since 1981, is a retired Military Intelligence professional of twenty-five years. He has written 17 books, five of which are a series of mysteries set in Leavenworth, Kansas. He is Internationally known as a self defense author. Owner of a bookstore located in downtown Leavenworth, he has a keen interest in the underground complex beneath the downtown which provides the setting for his first mystery, Quad Delta.

Bob is well known with a Twitter following of 3,907, a FaceBook following of several hundred, and a Book Trends Blog with 14,080 hits.

Note: Note how the bios are written differently to support the books’ themes. Also, each mentions your platform size in social media.

Imagine walking onto an elevator and finding an agent riding with you. What do you do if he asks, “What’s your book about?” You are getting off at the 10th floor, so that’s how long you have to tell him. These are short explanations that you should have memorized.

Elevator Synopsis for Senior Citizens’ Self Defense (Nonfiction sample)

With a rising crime rate set against an expanding senior citizens’ population, what is an elder to do when suddenly faced with a violent confrontation? This DVD/Training Manual explains the dangers of the streets and the simplest, most effective ways to counter these threats which can be done by anyone, even the handicapped.

Elevator Synopsis for Quad Delta (Fiction sample)

A PTSD -suffering retired Military Intelligence Lieutenant Colonel, Enos Hobson, is dragged into the private investigation world when an old military friend asks him to save his mother and their family fortune from a diabolical Satan worshiping cult that hides its unholy chapel underneath the streets of Leavenworth, KS.

Finally, here is a sample press release. Remember to put the most important things up front.

Sample Press Release for Senior Citizens’ Self Defense

“Old Folks Can Be Deadly”

Local author and self defense trainer Bob Spear says the elderly can defend themselves. With a rising crime rate set against an expanding senior citizens’ population, what is an elder to do when suddenly faced with a violent confrontation? Spear’s DVD/Training Manual program, Senior Citizens’ Self Defense, explains the dangers of the streets and the simplest, most effective ways to counter these threats which can be done by anyone, even the handicapped.

Spear uses true stories to illustrate his program. One describes a confrontation an 83-year-old woman experienced in her rental-assistance apartment in Leavenworth with a night time intruder. He tells about how she used a screwdriver and her common sense to survive the ordeal. Spear says such illustrations are meant to entertain and give confidence to his readers and viewers that they are not helpless.

Bob Spear, a 67-year-old retired martial artist, holds an 8th Degree Black Belt in the Korean art of Hapkido. An American pioneer in this battlefield defense system, Bob was the first American to obtain a 3rd Degree Black Belt and Instructor’s Certification in Korea. He has trained over 11,000 students throughout the world and eight people are known to have been saved from death or serious injury by his instructions, videos, and books. Now a physically handicapped elder, he understands the concerns of older people and how there are still things they can do to protect themselves.

This timely training package is available at The Book Barn at 410 Delaware, Leavenworth, KS 66048.

###

I hope you find these tools helpful. 

 

 

This is a cross-posting from Bob Spear‘s Book Trends Blog.

Publetariat Site Maintenance

We’re not posting new content tonight, as we’re using this evening to perform some server maintenance tasks. The site will remain online during this time, and we’ll be back with new content tomorrow evening, 9/10/12, at 6pm Pacific Time. Thanks for your patience and support.  (no need to click through – this is the end of the post)

Book Release – Kids Have Ups and Downs Too!

Journal Books from Fertile Ground Creations are fun illustrated stories from me, Clyde Heath – author, international speaker and yoyo professional. I have encouraged over one million kids worldwide, how many more can I reach through my series of books?

The Real Reason What John Locke Did is So Appalling

This post, by Stant Litore, originally appeared on the New Wave Authors blog on 8/31/12.

Since The New York Times revealed that million-book-seller John Locke scammed the system to get his sales (afterward, he also had the balls and utter lack of conscience to turn around and write a fake guidebook for other writers), there has been outcry across the Internet. Most eloquently from horror writer Lee Goldberg, who summed up the issue as follows in a customer review of Locke’s How I Sold a Million Ebooks:

 

There is a key piece of advice crucial to his success that he left out of this book: pay readers to leave fake reviews. In an interview with Locke in today’s New York Times, he admitted that he paid for 300 reviewers to heap praise on his books, a sleazy promotional technique that seems to have worked for him. Locke admits to buying reviews because "Reviews are the smallest piece of being successful, but it’s a lot easier to buy them than cultivating an audience." I have some advice for Locke on a more honest and ethical approach he might want to try: Actually write good books. That’s how to build an audience. You do not gain readers, or recognition, by swindling readers into buying your books with fake praise. It’s unethical and shows a startling lack of respect for your reader. 

Scifi writer Rob Kroese adds in a recent blog post that because of the way Amazon’s algorithms use reviews and ratings to determine which books end up going out in promotional emails to potential readers, Locke’s duplicity with reviews shot his book sky-high in sales.

Besides everything that Lee and Rob have said so eloquently, what is also truly appalling about this is that it’s a betrayal — ultimately, a personal betrayal — of the author/reader relationship.

Look, books aren’t just a product.

Yes, you sell them, you promote them, you consume them, yes, but they are not a hairbrush or a car or a vacuum cleaner. They are stories. They change your soul, they show you new ways to grow, they allow you to meet imaginary people and be affected by what happens in their imaginary lives. You will laugh with these people, yearn with them, weep with them. 

 

Read the rest of the post on the New Wave Authors blog.

Using Real People in Stories: Part 3 of 3, By A Copyright Law Attorney

This guest post originally appeared on Beth Barany‘s Writer’s Fun Zone site on 8/31/12.

Welcome to our regular column on literary law. Today we focus on the thorny issue of using real people in our stories, part 3 of 3 — from our monthly guest columnist, Kelley Way, a lawyer specializing in literary law. If you have general questions for Kelley on contracts or other aspects of literary law, be sure to comment [on the original post]. Thanks!

PS. A list of books on literary law can be found here.

PPS. For more on copyright, visit the U.S. Copyright Office.

And now for a bit of necessary legalese:  Please note that this article does not constitute legal advice, and that an attorney-client relationship is not formed by reading the article or by commenting thereon.

***

In Parts 1 and 2, we covered defamation and privacy rights, and how they applied to literary law. Today we turn to the right of publicity, which is a favorite among celebrities.

The right of publicity is actually an offshoot of the right of appropriation, which we covered in Part 2.

It even has the same definition: the use of a person’s name, image, or other identifying characteristic for a commercial purpose.

Don’t worry if you’re confused; some courts still haven’t figured out the difference, and mix up the names for them, creating some murky case law. The key difference is this: appropriation is about protecting your privacy, while the right of publicity is about protecting the commercial value of your identity.

Let’s go back to some examples. In Part 2, John was suing you for appropriation after you used pictures of him for the cover of your novel. The idea there was that you invaded his privacy, causing him embarrassment and distress. Now let’s say that John is a studly movie actor, and you used a picture you cut out of a magazine instead of camera-stalking him. He’s in the public eye, so he can’t say his privacy was invaded, and he’s hardly going to be embarrassed to have his picture all over the place, even if it is on the cover of a romance novel. No, he’s upset because first, someone’s making money off his face and it’s not him; and second, now everyone will think he endorses romance novels, or at least can be paid to model for them, which could quite possibly damage his reputation and/or affect current and future contracts. These are grounds for a right of publicity lawsuit, rather than right of appropriation.

 

 

Read the rest of the post on Beth Barany’s Writer’s Fun Zone.

How a Traditional Publisher Could Harm a Writer's Career

This post, by author and Smashwords founder Mark Coker, originally appeared on the Smashwords blog on 7/25/12.

Follow the ebook numbers.  Unit numbers, that is.  A close look at the numbers indicates that those authors who continue to publish via traditional publishers might be harming their long term career prospects.

Most ebook market watchers fixate on dollar sales, which, while important, mask the true tectonic shift now underway in book publishing.

In 2012, ebooks in the US will likely approach 30% of trade book sales measured in dollars, up from about 20% in 2011, 8% in 2010, 3% in 2009, 1% in 2008, and 1/2 of 1% in 2007.

These numbers understate the unit market share of what people are downloading and reading, because ebooks are priced lower than print.  At Smashwords, the average unit price (not counting free downloads) of customer purchases is $2.99.

Back in April at the RT Booklovers convention in Chicago, I presented data (click here to access the presentation deck) that examined how price influences unit downloads and overall earnings for indie authors.  It wasn’t a surprise that free books generated the most downloads, and lower priced books sold more units than higher priced books.

One surprise, however, was that we found $2.99 books, on average, netted the authors more earnings (profit per unit, multiplied by units sold) than books priced at $6.99 and above.  When we look at the $2.99 price point compared to $9.99, $2.99 earns the author slightly more, yet gains the author about four times as many readers.  $2.99 ebooks earned the authors six times as many readers than books priced over $10.

If an author can earn the same or greater income selling lower cost books, yet reach significantly more readers, then, drum roll please, it means the authors who are selling higher priced books through traditional publishers are at an extreme disadvantage to indie authors in terms of long term platform building. The lower-priced books are building author brand faster.  Never mind that an indie author earns more per $2.99 unit sold ($1.80-$2.10) than a traditionally published author earns at $9.99 ($1.25-$1.75).

 

 

Read the rest of the post on the Smashwords blog.