New Barnes and Noble CEO Will Kill NooK

This post by Michael Kozlowski originally appeared on GoodEreader on 7/3/15.

Barnes and Noble has lost over one billion dollars on trying to make the Nook brand into a viable business model. Since 2009 the largest bookseller in the US has gone through two CEO’s and has just announced they have hired their third, Ron Boire, who starts this September. It looks like the Nook brand is in seriously jeopardy.

Boire—who has only been CEO of the faltering Sears Canada department store chain for the last ten months has kept the store in business by closing retail locations and axing thousands of job will be the new CEO of Barnes and Noble. His number one priority with the company is to stem the blood loss from the ailing Nook division. Last week Barnes and Noble announced that Nook hardware and e-books sales fell 40% in the three months ending May 2 and declined 48% year on year.

 

Read the full post on GoodEreader.

 

How Indie Authors Can Make Two Categories Count On Amazon

This post by Cate Baum originally appeared on Self-Publishing Review on 5/20/15.

Amazon made a decision sometime in the last two months or so to cut off new indie books to the five plus two categories allowed to all indie/self-published authors who had both paperback and Kindle formats on Amazon. Why could this decision have been made, and how can authors make the most of the measly two categories now allowed when publishing on Kindle?

Spoiling It For The Rest Of Us

What happened? Maybe the mounting problems for authors who had trad-published, or had genre books in the last couple of years with categories forced a change. Publishing companies and indie authors on imprints and small presses with money riding on book campaigns were being drowned in self-publishers categorizing their books too loosely in ways to get seen – especially in the erotica genre. I talked about this as being a problem I foresaw Amazon reacting to, and was only two pitchforks from being burned at the stake for mentioning anything that could cause a vibration through the “freedom for writers everywhere” faction.

But hey, it happened as predicted, and very quietly, too.

While some authors were releasing up to eight books of erotica at the same time to flood book charts with their ‘brand,’ and categorized them as “Westerns” when their lover boy rode a horse, or “Crime Fiction” when the book featured a gangster type doing the bedding, Amazon was flooded with books that used to stay in their own little (adult) area – it became nigh impossible to even enter the YA Sci-Fi section of Amazon without a bevvy of bare chests and chiffoned thighs gracing the listing pages.

So the greedy few seemed to have spoiled it for the rest of us. Well done, kids!

 

Finding “The Two”

 

Read the full post on Self-Publishing Review.

 

Kindle Scout

This post by Polly Iyer originally appeared on The Blood-Red Pencil on 5/20/15.

My book, Indiscretion, has been on Amazon’s Kindle Scout program for an entire week as of today. It’s been on and off the “Hot and Trending” list, which I guess is natural. This is measured by how many people read the sample and nominate my book during a thirty-day period. I’ve done some promotion, but there’s a fine line between promo and overkill. I try to be cognizant of where that line is. That said, self-promotion has never been an easy fit for me.

So what is Kindle Scout, you ask? This is from the Kindle Scout website:

“Kindle Scout is reader-powered publishing for new, never-before-published books. It’s a place where readers help decide if a book gets published. Selected books will be published by Kindle Press and receive 5-year renewable terms, a $1,500 advance, 50% eBook royalty rate, easy rights reversions and featured Amazon marketing.”

Bloggers have debated the pros and cons of the program. From my point of view, the answer depends on where you are in the publishing world. I’ve self-published seven books with Amazon. The difference with Kindle Scout, besides the nice advance, unheard of for an indie writer, is the strength of Amazon’s marketing that I wouldn’t get otherwise.

 

Read the full post on The Blood-Red Pencil.

 

How to Price Your Work on Amazon

This post originally appeared on Writer’s Circle.

So you’ve decided to publish a book on Amazon (and hopefully read our helpful guide for doing so). Before those pages hit the presses – or the Kindles – you’ll need to price your work on Amazon, and we’re here with a bit of advice on finding the right price for your readers.

Think about your motive. This is a great tip from Publishers Weekly, which advises writers to think about the purpose of their book: readership or revenue? Ideally, of course, you could get both, but a lower price will likely earn more readers (e.g. people will be more willing to try a new e-book author when the price tag is only a buck or two) while a higher price could earn you more revenue. The latter is true, of course, especially if you already have an established fan base – but many new authors prefer to price on the lower side to attract new readers.

Consider paperback vs. e-book. E-books should not cost as much as paperback books, for two reasons: Firstly because fewer resources are needed to publish the work, and secondly because research shows that expensive e-books don’t sell well, according to Mill City Press. While paperbacks can easily find success priced above $10, e-books do best when priced between $2.99 and $9.99 – in fact, PBS says $3.99 seems to do really well.

 

Read the full post on Writer’s Circle.

 

Which eBook Publishing Platform is Best?

This post by Kristen Eckstein originally appeared on The Future of Ink on 3/13/15.

Before we get too deep into answering this question, know upfront this is like asking a mother of three which child is her favorite. Each platform comes with unique benefits and drawbacks.

Digital publishing is a huge all-encompassing world of everything from e-books and Kindle to video and teleseminars. For the purposes of this article’s length and my own personal expertise, we’ll stay focused on ebook publishing platforms. There are three primary platforms to publish an ebook: Amazon’s Kindle, Barnes and Noble’s Nook and Apple’s iBooks (iPad).

 

Amazon’s Kindle

Kindle is the granddaddy (though still quite young to be a grandpap) of e-bookdom. To this day, the Kindle Store still holds the record for e-book sales—67% of the e-book buying market. While this number has fallen to Nook over the past couple of years (it was closer to 99%), it’s still a good chunk of the market share. When Amazon came out with the Kindle, it did a lot of things right:

 

Read the full post on The Future of Ink.

 

Announcing Pre-order for KDP

An email Amazon sent to KDP authors today:

We’re excited to announce that you can now make your new books available for pre-order in Kindle Stores worldwide. With a few quick and easy steps you can create a pre-order page up to 90 days in advance of your book’s release date–your pre-order product page will be created within 24 hours. When you make your book available for pre-order, customers can order the book anytime leading up to the release date you set. We will deliver it to them on that date.

One advantage of using pre-order is that you can start promoting your Kindle book pre-order page on Author Central, Goodreads, your personal website, and other places ahead of its release to help build excitement for your book. Also, pre-orders will contribute toward sales rank and other Kindle Store merchandising ahead of release, which can help more readers discover your book.

Visit your KDP Bookshelf to set up your new book for pre-order.

Best regards,
The Kindle Direct Publishing Team

Questions? Learn more about pre-order on our Help page.

 

Kindle Book Pricing and How the Big Guys Don’t Get It.

This post by Dennis Blanchard originally appeared on the K1YPP blog on 7/10/14.

I love to read. For some reason, as a young reader, I missed many of the classics. I’ve made up for lost time over the years by “catching up.” Books like The Catcher In The Rye, Of Mice And Men, White Fang and On The Road have been books that I’ve only read in the last twenty years or so. The same goes for movies, I’ve caught up on The African Queen, Casablanca, The Godfather and others in the last few years. How did I miss them? I don’t know, perhaps I just spent so much time outside when I was younger, I just missed them. That is a subject for another time.

Yesterday, I read a news piece on CNN about an author that was gored running with the bulls in Pamplona. Bill Hillmann, author of “Fiesta, How To Survive The Bulls Of  Pamplona.” How ironic. It occurred to me that I had not read anything much by Hemingway recently, so I decided to take a look online and see if I could find his book, “The Sun Also Rises.” I figured that, surely, by now, it must be on Kindle for an inexpensive price, or perhaps, even free. Surely.

 

Click here to read the full post on the K1YPP blog.

 

7 Things the Most-Highlighted Kindle Passages Tell Us About American Readers

This post by Jospeh Stromberg originally appeared on Vox on 5/30/14.

Conventionally, the most common way of gauging the most popular books in America has been looking at the New York Times’ bestsellers list.

But as we shift from reading on paper to screens, there’s an interesting new option: Amazon’s lists of the most-highlighted passages and most-highlighted books on Kindles around the world.

When you read on a Kindle, you can highlight passages, the same way you might highlight text in a physical book. The passages you highlight are all collected in one place, accessible either on the reader or a computer.

But Amazon also collects data on what its readers highlight most. The resulting most-highlighted lists are a fascinating record of reading as a whole.

There are some limitations to the data: it’s only for people who read on Kindles, and use them for highlighting. The data is extremely heavily skewed towards American readers (Amazon isn’t saying whether they include international data, but it looks like they don’t). And some books don’t lend themselves to highlighting quite as much, which is why many of even Amazon’s bestsellers don’t appear on the lists.

But it’s also true that some books get bought and end up on bestseller lists, but aren’t actually read — whereas these lists are a terrific record of what we might nowadays call reader engagement. They reveal not just what books are read, but what part of books are read — and even tell us a little about what people are thinking about as they do their highlighting.

Here are seven things the lists tell us about Americans reading today.

 

Click here to read the full post on Vox.

 

Amazon vs. Hachette: What It’s About And Why I’m Rooting For Amazon

This post by Publetariat founder and Editor in Chief April L. Hamilton originally appeared on her Digital Media Mom site on 5/24/14.

As you may have heard, or read, or discovered while browsing Kindle books on the Amazon site, Amazon is currently in the middle of a battle with “Big 5″ publisher Hachette. The beef is over reseller wholesale contract terms (the publisher’s ‘cut’ on every ebook of theirs sold by Amazon), and Amazon has been using some strongarm tactics to remind Hachette that Amazon doesn’t HAVE to sell Hachette books at all if the parties can’t come to an agreement.

 

First, a little background is needed.

Back when the Kindle was new and ebooks were just starting to become a thing, say 2008 or so, Amazon established wholesale terms with publishers on ebooks based on the “fixed price” (usually known as a “suggested retail price” in other industries, for other products) which was set by the publishers. Amazon could discount the actual sales price of ebooks to whatever they wanted, or even offer them for free, so long as they paid the publisher the wholesale rate that was based on the publisher’s fixed price.

For example, if the publisher’s fixed price was $15 (seriously, that’s the average of the fixed prices the Big 5 publishers were setting; on some ebooks they wanted to go as high as $18) and the publisher’s wholesale cut was 40%, Amazon would have to pay the publisher $5.60 for every copy sold or given away on Amazon. Whether the ebook ultimately sold for $10, $6, or was given away for free, Amazon owed the publisher $5.60 for every copy distributed to Amazon customers. As a result, Amazon was (and still is) actually LOSING money on many ebook sales, but they were willing to take the hit to establish their Kindle line as dominant among ereaders.

 

A couple years down the road, publishers started to get nervous.

In 2010 publishers decided they didn’t want Amazon to have the right to set its own prices on their ebooks anymore, even though Amazon’s retail pricing didn’t affect their wholesale cut AT ALL. They feared that if Amazon were allowed to establish $9.99 in the minds of consumers as a standard price point for frontlist ebooks (new release ebooks the publisher expects to sell well), they would never succeed in rolling out their own, much higher fixed prices. And they were probably right about that, but only because the fixed prices they had in mind for frontlist ebooks were ridiculously high to begin with.

 

Click here to read the full post on Digital Media Mom.

 

May 2014 Author Earnings Report

This post originally appeared on Author Earnings on 5/19/14.

Three months ago, we released our first full report on Amazon e-book sales and author earnings. Our goal was to look at unit sales and earnings by various publishing paths in order to help authors make informed decisions in this rapidly changing publishing environment. The results were eye-opening, but it was merely our first data point. Our long term goal has been to pull data every quarter to see if we can spot developing trends.

A quick recap on our methodology: Using a custom software spider, we can crawl every Amazon bestseller list and pull info from each book’s product page html. This data goes into a spreadsheet, which gives us the price, ranking, average review, and much more for every ranked e-book on Amazon. Using established ranking-to-sales data from numerous bestselling authors (including our own works), we are able to present author earnings by title and publishing type. As with our past reports, all the data has been anonymized and is available for download at the end of this report. And just like with past reports, any reasonable numbers entered for the power curve of the product rank-to-sales ratio reveals the same overall picture. That is, our conclusions are not dependent on our estimates but are borne out of the freely available data.

The exciting thing about pulling this data is that we have no idea what we’re going to find. Our conclusions since the last report might need rethinking. Our advice on what an author might want to do with a manuscript today could very well change as the publishing industry takes another swerve. My partner and I debated what we expected to see from this second round of data. We both predicted no more than a 2%-3% swing from any one publishing path to the other over such a short period of time. I wagered we’d see a 2% drop in self-publishing titles, offset by an increase in Amazon imprints, as the latter continues to snatch up high performing e-books and put more marketing muscle behind their own authors. My partner thought we’d see a 2% hike in self-publishing at the expense of traditional publishing. We bet a dollar on the outcome.

 

Click here to read the full post on Author Earnings.

 

Will Barnes & Noble be gone by New Year's?

This editorial by Michael Levin originally appeared on The Contra Costa Times News on 5/2/14.

If anyone gives you a Barnes & Noble gift card, be sure to cash it in by the end of the year.

This may be the last year that Barnes & Noble bookstores remain open.

It’s bad news for people who love books. It’s worse news for the next generation of readers, who may never experience buying a book in a bookstore.

B&N has been closing about 20 stores per year since 2012 and has said it will continue to do so for the next several years. But its financial position is bleak.

This follows a decades-long period of expansion, moving into neighborhoods where privately-owned bookstores thrived, destroying those stores with cut-price best-sellers, and all but owning the book business.

Borders collapsed because of poor choices — weak locations, an overemphasis on music, and, worst of all, selling off its online bookstore to Amazon for $20 million in the 1990s. Chump change, by today’s standards.

So why is B&N on the ropes, if it has virtually no competition today from chains or privately owned bookstores?

 

Click here to read the full editorial on The Contra Costa Times News.

 

Europe Says No To Proprietary eBook Formats

This post by Mike Cane originally appeared on his Mike Cane’s xBlog on 4/1/14.

L’Europe va mettre fin aux formats propriétaires pour les livres numériques

Europe will put an end to proprietary formats for digital books

While the European Parliament will be renewed in May, the European Commission, which will also be fully reconstructed by the end of the year, embarks on a surprising activism: she finally grabs the file interoperability digital books, with the aim of forcing retailers using proprietary formats to end these systems.

Amazon and Apple, the two market leaders, are directly targeted. Currently, a digital book bought on Amazon.fr can only be read on the Kindle, the e-tailer reading lamp, or one of its applications. Reading lamp which does not accept the open format ePub. It is the same with the iBook Store, Apple’s digital library, which does not allow the reading on the terminals of the Apple brand.

Assuming this isn’t an April Fool’s item, what will happen?

 

After Amazon and Apple fail with their bribes lobbying, I think:

 

Click here to read the rest of the post on Mike Cane’s xBlog.

 

Is Kindle Countdown the new Free? Keeping Books Visible in 2014

This post by M. Louisa Locke originally appeared on her blog on 2/25/14.

For the past year there has been a good deal of hand-wringing over the question of KDP Select free promotions. Have they de-valued fiction, do they attract negative reviews, do they even work anymore? As anyone who regularly reads my blog posts knows, I have been a strong proponent of offering ebooks free for promotional purposes, and free promotions have been very good to me in terms of increasing my reviews and keeping my books visible and selling.

However, I also believe one of the distinct advantages we have as indie authors is our ability to use our own sales data to respond innovatively to changes in the marketing environment. As a result, in the past year I followed a number of different strategies to keep the books in my Victorian San Francisco Mystery series visible, including beginning to experiment with the new promotional tool, the Kindle Countdown, that has been introduced as part of KDP Select.

In this post I am going to:

A. Review how successful the strategies I pursued last year were for selling books in 2013.

B. Address whether or not Free is failing as a strategy.

C. Compare the Kindle Countdown promotions to Free promotions.

D. Assess whether or not Kindle Countdown promotions can replace free-book promotions as my primary promotional strategy for 2014.

 

Click here to read the full post on M. Louisa Locke’s blog.

 

Cheap Words: Amazon Is Good For Customers, But Is It Good For Books?

This article by George Packer originally appeared on The New Yorker site for its 2/17/14 print issue.

Amazon is a global superstore, like Walmart. It’s also a hardware manufacturer, like Apple, and a utility, like Con Edison, and a video distributor, like Netflix, and a book publisher, like Random House, and a production studio, like Paramount, and a literary magazine, like The Paris Review, and a grocery deliverer, like FreshDirect, and someday it might be a package service, like U.P.S. Its founder and chief executive, Jeff Bezos, also owns a major newspaper, the Washington Post. All these streams and tributaries make Amazon something radically new in the history of American business. Sam Walton wanted merely to be the world’s biggest retailer. After Apple launched the iPod, Steve Jobs didn’t sign up pop stars for recording contracts. A.T. & T. doesn’t build transmission towers and rent them to smaller phone companies, the way Amazon Web Services provides server infrastructure for startups (not to mention the C.I.A.). Amazon’s identity and goals are never clear and always fluid, which makes the company destabilizing and intimidating.

Bezos originally thought of calling his company Relentless.com—that U.R.L. still takes you to Amazon’s site—before adopting the name of the world’s largest river by volume. (If Bezos were a reader of classic American fiction, he might have hit upon Octopus.com.) Amazon’s shape-shifting, engulfing quality, its tentacles extending in all directions, makes it unusual even in the tech industry, where rapid growth, not profitability, is the measure of success. Amazon is not just the “Everything Store,” to quote the title of Brad Stone’s rich chronicle of Bezos and his company; it’s more like the Everything. What remains constant is ambition, and the search for new things to be ambitious about.

It seems preposterous now, but Amazon began as a bookstore. In 1994, at the age of thirty, Bezos, a Princeton graduate, quit his job at a Manhattan hedge fund and moved to Seattle to found a company that could ride the exponential growth of the early commercial Internet. (Bezos calculated that, in 1993, usage climbed by two hundred and thirty thousand per cent.) His wife, MacKenzie, is a novelist who studied under Toni Morrison at Princeton; according to Stone, Bezos’s favorite novel is Kazuo Ishiguro’s “The Remains of the Day,” which is on the suggested reading list for Amazon executives. All the other titles, including “Sam Walton, Made in America: My Story,” are business books, and even Ishiguro’s novel—about a self-erasing English butler who realizes that he has missed his chance at happiness in love—offers what Bezos calls a “regret-minimization framework”: how not to end up like the butler. Bezos is, above all things, pragmatic. (He declined to be interviewed for this article.)

 

Click here to read the full article on The New Yorker site.

Barnes & Noble's Nook Nightmare Stars Amazon and the DOJ

This article by Brad Stone originally appeared on Bloomberg Businessweek on 1/9/14. It’s a worthy read for authors or publishers releasing books for the Nook platform.

Let’s boil down Barnes & Noble’s (BKS) Nook nightmare into a handy juxtaposition concerning the price of the digital version of Donna Tartt’s gripping new novel, The Goldfinch.

Amazon’s (AMZN) Kindle price: $7.50.

Barnes & Noble’s Nook price: $14.99.

There are plenty of reasons for the stunning decline of the once-promising Nook. Barnes & Noble has found itself unable to compete with the likes of Apple (AAPL) and Amazon in the broader arena of multipurposed tablets. The New York-based retailer has also been undermined by the continuing migration of its customers from physical stores to online book-buying and by the desire of its risk-averse institutional shareholders to support deep, profit-draining, long-term investments in new frontiers.

Even that doesn’t completely account for the dramatic upending of its Nook business. Barnes & Noble today reported gruesome numbers—a 60 percent drop in its digital division, to $125 million, from its sales in last year’s holiday period. (Sales in its physical stores fell 6.6 percent from the previous year.)

 

Click here to read the full article on Bloomberg Businessweek.