libraries

Support your local library but don’t worry, they are doing OK thanks to Millennials

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I love librarians and each one I have met has been a fierce treasure. So even though we are now in a digital era, the smart libraries have been keeping up making changes to continue to have an important space in communities.  When I am traveling and need to do some work, I will hang out in a public library. They have free wifi, lots of tables and quiet places, and available plugs to keep your tools charged! Ben Franklin would be proud!

Check out the article at The Christian Science Monitor for more info – https://www.csmonitor.com/USA/Society/2017/0814/Libraries-obsolete-No-way-say-Millennials

For Fun! 5 Libraries That Should Have Been Cast in Beauty and the Beast

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http://bookriot.com/2016/06/21/5-libraries-that-should-have-been-cast-in-beauty-and-the-beast/

In The News: Timberland libraries now offer access to self-published books

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Libraries get more offerings for their patrons, authors get more exposure.
Libraries get more offerings for their patrons, authors get more exposure.

In The News – Articles Of Interest For Authors

While this is a local news item, I am sharing for the information on Self-e.  Self-e is a free program for authors and small publishers to get their books into local libraries. The Olympian is just one news organization that is highlighting the opportunities this presents for authors.  Anyone out there tried Self-e? If so let us know your results.

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Timberland libraries now offer access to self-published books

By Ben Muir bmuir@theolympian.com

  • SELF-e is a website that lets libraries distribute the work of independent authors
  • It helps authors who don’t have publishing houses increase their visibility
  • It increases the library’s offerings for patrons

There are two ways to publish a book these days.

The first is through the six prominent publishing companies that are still the recommended route to maximum exposure.

The other is through independent publishing, an approach authors take when they haven’t signed with an agent or a publishing house, but still want their work to be read.

And there was no middle ground until SELF-e became the compromise.

SELF-e is a website that lets libraries distribute the work of independent authors, and offer an array of genres and content for subscribing patrons.

The Timberland Regional Library system has joined thousands of other libraries across the country in providing SELF-e offerings, said Timberland public relations specialist R.J. Burt.

“One of the barriers for writers is being recognized enough to be picked up by a large publishing house,” Burt said. “Libraries have broken down that barrier for writers, so they should certainly use it.”

How it helps local authors

Publishing on SELF-e is not only free but effortless, said Kim Storbeck, a library collections development specialist. After authors upload a book to SELF-e, there is a vetting process that takes roughly a week.

Read the full post on The Olympian

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

In The News: Cory Doctorow: Peace In Our Time

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In The News – Articles Of Interest For Authors

Are writer’s groups and libraries at crossroads with publishers over eBooks? Cory Doctorow, author and man about the web, believes so. He also believes he has some answers to help us all just get along in this article from Locus Online.

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Cory Doctorow: Peace In Our Time

Closeup portrait of a male hand with two fingers up in the peace or victory symbol 4 May 2016

E-books are game-changers, but not in the way we all thought they would be. Far from taking over print, e-book sales have stagnated at less than a quarter of print sales and show every sign of staying there or declining for the foreseeable future.

But e-books continue to be a source of bitter controversy that divides publishers from two of their most potentially useful allies: writers’ groups and libraries.

Below, I’ll present two thought experiments for how libraries and writers’ groups could find common cause with the Big Five publishers, using tech projects that would make a better world for writers, readers, literature, and culture.

First up, libraries. Libraries are understandably exercised about the high prices they’re expected to pay for their e-books – as much as 500% more than you and I pay on the major online services. To add insult to injury, HarperCollins makes libraries delete any e-book that has circulated 26 times, on the bizarre grounds that:

a) Its print books are allegedly so badly bound that they disintegrate after 26 readings (this is not actually true); and

b) This defect in the robustness of physical books is a feature, not a bug, and should be im­ported into the digital realm.

Libraries have tried to shame the publishers into offering better deals, through the Fair Pric­ing for Libraries campaign, fairpricingforlibraries.org. It’s had some limited success there, with Random Penguin, the largest of the Big Five, offering ‘‘flexible’’ prices that are a substantial improvement, but still far from perfect.

The libraries’ fight is hamstrung by their lack of leverage. Library patrons want e-books, publishers are the only source of the e-books patrons want, and libraries have to give their patrons what they want.

Read the full post on Locus Online

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If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

WorldCat Service Lets You Search Over 10,000 Libraries Around The World

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This post by April Hamilton originally appeared on her Digital Media Mom site on 9/16/15. It’s included here because, combined with inter-library loans, this free service is an extremely valuable research tool for authors.

 

The very useful and totally FREE WorldCat site and mobile app let users search a global network of libraries for books, CDs, articles and more: pretty much anything you’d find in physical form in a public library.

 

 

Sign Up For A FREE User Account, Or Not…
It’s free to sign up for a user account, and having an account gives users the ability to create lists, bibliographies and reviews. But you don’t have to sign up to use the site’s search functionality. For example, look at this search results page I got for a specific book without having a user account (tap or click on images to view an enlarged version in a new tab or window):

 

 

Notice that the site used my location information, probably based on my IP address, to tell me where I could find libraries close to me (red arrow). Scrolling down, I can find a listing of libraries in my general area that currently have this book in their collections:

 

 

Read the full post on Digital Media Mom.

 

Ebooks For Libraries

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This post by JA Konrath originally appeared on his A Newbie’s Guide To Publishing site on 3/31/15.

TL;DR

I want to help authors get their ebooks into libraries.

I want to help libraries acquire indie ebooks.

To do this, I started a business called EAF – EbooksAreForever.com.

I want to sell your ebooks to libraries.

 

What’s going on with libraries and ebooks?

There are 120,000 libraries in the US. These libraries, and their patrons, are eager for popular ebooks. Many libraries have a budget they must spend, or they risk having that budget cut.

Currently, libraries have no allies in the ebook market. They aren’t happy with the restrictions and costs of the current leader in supplying libraries with ebook content, Overdrive. Through Overdrive, many publishers charge high prices for ebooks, some higher than $80 a title. They also require yearly license renewals, and may force libraries to re-buy licenses after a certain arbitrary number of borrows.

Just one example of the perils of this approach for America’s libraries is that a library must pay for extensions of time-limited licenses of old ebooks and purchases of licenses for new ones. All kinds of sustainability and predictability issues arise. And that’s true even if the budget remains the same, rather than declining, as many have in recent years. It will be harder than ever for libraries to grow their collection, whether the licenses are time-limited or come with limits on the number of times a library can loan a book.

So libraries are spending a fortune and don’t even own the content they’re spending that fortune on. In many cases, if they stop paying the fees, they lose the content they bought. This has been dubbed “digital decay”, and it’s a money grab, pure and simple.

What’s going on with indie authors and ebooks?

Some indies are on Overdrive and 3M. I’ve been on Overdrive for a few years. My last quarterly check was about $60, and I have a large catalog. This is small money, not just for me, but for any writer. And I was fortunate enough to have been invited into Overdrive. Many authors are not.

The vast majority of libraries don’t have access to many of the ebooks that readers are seeking. The latest AuthorEarnings.com report showed that 33% of all ebooks sold on Amazon are from indie authors. Libraries are missing out on 1/3 of available titles, because they have no way easy way to acquire them.

 

Read the full post on A Newbie’s Guide To Publishing.

 

Smashwords and OverDrive to Bring 200,000+ Indie Ebooks to 20,000+ Public Libraries

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This post by Mark Coker originally appeared on the Smashwords blog on 5/20/14.

Imagine if your indie ebook was purchasable by thousands of public libraries around the globe. Now imagine no more.

Smashwords today announced an agreement to supply more than 200,000 titles to OverDrive, the world’s largest library ebook platform.

OverDrive powers the ebook procurement and checkout systems for 20,000 public libraries around the world, including 90% of US public libraries.

This agreement marks a watershed moment for indie authors, libraries and library patrons around the world.

It’s also a big deal for thousands of small independent presses around the globe who now have a convenient onramp into the OverDrive network.

Millions of library patrons will now have access to the amazing diversity and quality of the Smashwords catalog.

At a time when many large publishers are charging libraries high prices for ebooks (front list ebooks from Big 5 publishers can cost libraries $80, and even backlist ebooks can cost libraries $20-40), Smashwords authors and publishers are stepping in to supply thousands of affordably priced, library-friendly ebooks. Faced with the option of purchasing a single James Patterson novel for around $40.00, or ten thrillers from today’s most popular indie authors at $4.00 each, libraries now have exciting new options to build patron-pleasing ebook collections.

To help librarians streamline collection development, in the weeks ahead OverDrive and Smashwords will create curated buy-lists lists libraries can use to purchase the most popular indie authors and titles. Libraries will soon have the option, for example, to purchase the top 100 YA fantasy novels (approximate price: ~$400), or the top 1,000 most popular contemporary romances (~$4,000) or top 200 complete series across multiple categories (~$2,000), or the top 200 thrillers, mysteries, epic fantasies or memoirs. With most of our bestsellers priced priced at or under $4.00, you can do the math to appreciate how incredibly affordable these collections will be. We’re going to have fun slicing and dicing.

Our lists will measure title popularity by aggregating sales data from across the Smashwords distribution network. Indie authors: If you needed yet another reason to fully distribute all your titles to all retailers via the Smashwords distribution network, now you have it. Stand up and have your sales counted because we want to help libraries purchase the greatest diversity of high-quality ebooks across multiple genres and categories.

Here are a couple additional stats to help you appreciate the massive scale of the OverDrive network:

 

Click here to read the full post on the Smashwords blog.

 

Save Our Stacks

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This post by Rebecca Schuman originally appeared on Slate on 5/12/14.

It’s not about the books. It’s about the books representing the last place on campus where intellectual contemplation thrives.

If a college library moves 170,000 of its books to storage, to make room for sumptuous new administrative offices—which is happening at Maine’s Colby College—does it still count as a library? Or, as an impassioned open letter from concerned faculty attests, is it no longer “a place for reflection and deep thought, research and scholarship,” but rather merely “a waiting room” sans books and a reference librarian, and surrounded by temples to the new gods of the American university?

The Colby administration argues that the renovations are there to help the students, providing them with more study space. The student newspaper is less convinced, headlining an op-ed “Sorry, Your New Library Still Sucks.”

The Colby case is but one example of a widespread move to re-appropriate library space in the age of digitization. From the University of Nebraska to the University of Edinburgh, from the University of Nevada–Las Vegas to Kent State, knowledge repositories the world over may soon have to change their names, because the liber will be increasingly hard to come by. In fact, the only major library to “resist” this trend—the New York Public Library—did so only reluctantly, and out of capitulation to a passionate, organized, grass-roots campaign.

 

Click here to read the full article on Slate.