Quick Link: Fast-Draft Writing for NaNoWriMo and Every Other Month

Quick links, bringing you great articles on writing from all over the web.

Less that two weeks until NaNoWriMo! So here is another prepping article from the folks at Writers Helping Writers!

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Fast-Draft Writing for NaNoWriMo and Every Other Month

by Writing Coach

I am an advocate of intentional writing, which almost always means slow writing, but sometimes it makes sense to write a fast draft of a book – if, for example, you are participating in NaNoWriMo, have a chunk of time with few distractions, or have a fast-approaching deadline you are motivated to meet.

Writing fast still requires intentionality. You still need a plan – a clear idea of the point you wish your story to make and a grasp of the best narrative structure to get you there. That is to say, you need to know what you want your reader to walk away feeling after they read your novel and what they will walk away believing about the world or human nature. You also need to know where the story starts and ends and what the reader will be tracking along the way.

Let’s assume that you know all those fundamental elements and you’re ready to write. How do you write fast?

Read the full post on Writers Helping Writers!

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Quick Link: 5 Tips for Organizing Subplots

Quick links, bringing you great articles on writing from all over the web.

Plots are of course the main point about your book. But the thing about plots is that there is usually a lot of other stuff going on at the same time, otherwise, your book would be as simple as a young child’s.  Subplots help with creating the other stuff and K.M. Weiland has a great post on her site Helping Writers Become Authors to help out.

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5 Tips for Organizing Subplots

by

Imagine you walk into a candy shop, but what you discover inside, instead of candy, is display after display of subplots. Enough to make any writer’s mouth water, right? Writers love the idea of subplots. They’re rich, juicy, complex, and full of opportunities for taking your story to the next level. But organizing subplots, or even just figuring out what your subplots are? That can sometimes be trickier.

I’m often asked about subplots, but it’s one of those subjects (like POV) that is bigger than just a simple answer. This is because subplots, when done right, are all but camouflaged within the larger story. Good subplots integrate with the main plot to the point they’re inextricable from the story’s bigger picture.

In short: you can’t master the art of organizing subplots without mastering the art of plotting itself.

 

Read the full post on Helping Writers Become Authors

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Quick Link: How You Can Avoid Making Structural Mistakes in Your Novel

Quick links, bringing you great articles on writing from all over the web.

At Live Write Thrive, C.S. Lakin always has great tips. With NaNoWriMo coming up I thought this would be a great help.

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How You Can Avoid Making Structural Mistakes in Your Novel

by C.S. Lakin

I’ve spent more than three decades writing novels. And at first I had no clue what I was doing.

Like many people, I think it would be a cinch to write a novel. I read voraciously, so why wouldn’t I just intuitively know how to construct a novel?

This is what a whole lot of people think. But perhaps you know the truth by now: writing a terrific novel is complex, like building a house. You have to have the “big picture” in mind the while time you are plotting and writing. And that’s like spinning a dozen plates at one time.

It’s doable, but it does take practice.

So after spending three decades dropping a lot of plates, I spent a ton of time tearing the novel-writing process apart. During those years I attended plenty of writing conferences and retreats and workshops. I read lots of books on the craft, and when the Internet became part of daily life, I started reading blog posts and listening to podcasts and doing all I could to get novel construction under my belt.
Did I make a lot of mistakes? Heck yeah.

I spent years doing things wrong. I didn’t get scene structure—or novel structure, for that matter. Mostly because I didn’t get that there were some basic rules or principles to structure.

I hated the thought of following a formula. I didn’t want to write like everyone else. I wanted to be unique.

And if you get only one thing from today’s post, make it this:

 

Read the full post on Live Write Thrive.

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