Why Copyblogger Is Killing Its Facebook Page

This post by Erika Napoletano originally appeared on Copyblogger on 10/17/15.

Have you ever stared at something, knowing you’re doing everything right, but it still won’t … freaking … work?

That’s how Copyblogger has felt about its Facebook page for quite some time.

As of today, the page has 38,000 “fans,” but Copyblogger’s presence on Facebook has not been beneficial for the brand or its audience.

Just over three months ago, Brian Clark reached out to me for some extra help on the page.

He thought that, given the success I have with my own Facebook page, several others I’ve managed for clients over the years, and the rapidly growing Your Boulder Facebook page I manage for him, maybe I’d be able to bring some life to Copyblogger’s Facebook presence.

Yep, I said. Let me at it.

Well, today I’m here to tell you that we’re deleting the account. This is the last day you’ll see the Copyblogger Facebook page.

If you’ve ever been frustrated with an aspect of your social brand presence, you’ll want to keep reading — because there are countless reasons why Copyblogger is killing its Facebook page.

 

Read the full post on Copyblogger.

 

Chris Jane On The Power Of Gender In An Author’s Name: Right, Like a Man

This post by Chris Jane originally appeared on Read Her Like An Open Book on 1/11/15.

I prefer the way I write when, while writing, I imagine being read as a man.

There’s an immediate freedom to not be apologetic. To do as we were taught in high school English and eliminate the self-conscious “I think…” from the writing.

I’m not sure when it happened, the shift into having to pretend.

My father, a single parent, never gave my sister or me the impression that being female was considered a weakness or would limit us in any way. Now and then we’d have to fetch him things, and we were tasked with decorating and undecorating the Christmas tree, but that was because we were his kids. It had nothing to do with being girls. That I was a “girl” was so separate from my identity that I would sometimes be confused about why I didn’t feel more like one. Females my dad’s age who had soft, styled hair and wore perfume and nail polish were curiosities. I wanted to ask them questions about womanhood. I wanted them to somehow infuse me with the kind of femininity I saw blooming in the girls my age who wore clanking bracelets and pink lipstick.

That absence of innate femininity combined with being raised by a man contributed to my being comfortable with – and preferring to be one of – the boys. I didn’t fear them and hadn’t been raised to defer to them. We were friends, and we were equals. It never occurred to me that their thoughts, perspectives, experiences, or opinions were (or should be) more valid than mine. I was pretty sure I was even as strong as they were.

 

Read the full post on Read Her Like An Open Book.

 

Increasing the “Look Inside” Preview on Amazon

This post by Melinda Clayton originally appeared on Indies Unlimited on 1/12/14.

One of the best marketing tools self-published authors have is the “Look Inside” feature on Amazon. If things go well, your title, cover, and book description will catch the attention of a reader who eagerly clicks “Look Inside” to read a sample of your writing, and they see…

…nothing more than your copyright page and table of contents? Well, that’s not very helpful, is it? I’ve honestly never known anyone to buy a book based on the “Look Inside” preview of a copyright page. This is especially problematic if you’re hoping to send your book out for reviews or list it on a site that vets books for quality (ahem…IU, anyone?). From formatting to tone, to grammar usage and typos, the first pages of your story show it all. But what if they aren’t displayed?

Kindle Direct Publishing sets the “Look Inside” feature at 10 percent. For a novella, short story, or children’s book, that typically isn’t enough to see much, if any, of the actual story.

 

Read the full post, which includes a detailed how-to with screenshots, on Indies Unlimited.

 

The Self-Publishing Sky is Not Falling

This post by James Scott Bell originally appeared on The Kill Zone on 1/11/15.

Toward the end of last year a meme started to develop, asserting that the salad days of self-publishing are over. Only spotty hors d’oeuvres remain. One blogger put it this way:

I’ve been luckier than many Indie writers. I heard the complaints about falling sales, but for a time I hung in there, made more money every month than I had the previous month. But then the other shoe dropped and my royalties, rankings and readership tanked. New readers are not discovering me as they’ve done for years. I can’t ignore reality. Things might pick up, but I doubt it. And I’m not taking any chances.

Much of this despair was drummed up because of what many authors experienced in the Kindle Unlimited program. Indie superstar H. M. Ward had this to say:

Ok, some of you already know, but I had my serials in [KU] for 60 days and lost approx 75% of my income. That’s counting borrows and bonuses. My sales dropped like a stone. The number of borrows was higher than sales. They didn’t compliment each other, as expected.

Kristine Kathryn Rusch, one of the more astute observers of the writing biz, wrote that the “gold rush” is over, and that 2014 became “The Year of the Quitter.”

 

Read the full post on The Kill Zone.

 

An Author's Field Guide To Internet Trolls

This post by Publetariat founder and Editor in Chief April L. Hamilton originally appeared on her Indie Author blog on 6/8/09 and is reprinted here in full with her permission.

‘Author Platform’ is the buzzphrase of the moment. If you’re doing a good job of creating and maintaining that all-important communication channel between yourself and the public, it’s only a matter of time before the web trolls descend upon you to ruin things for everyone. Herewith, I present a relevant excerpt from Ms. Gertrude Strumpf-Hollingsworth’s “Encyclopedia of Annoyances, Bothers and Frustrations”, which provides a valuable natural history lesson in the identification and management of the species most likely to darken an author’s virtual doorstep.

Introduction
The Internet Troll (webicus infuriatum) is a hardy, highly adaptable family of parasites with established populations all over the web. Most leading Techno-Naturalists classify it as a viral organism due the fact that it reproduces by infecting members of targeted populations. Once exposed to webicus, susceptible individuals soon display the aggression, vitriol and boorishness which are the identifying hallmarks of all Trolls.

Hiding behind a pseudonym, webicus will quickly become the dominant element in any online ecosystem which provides it with a steady supply of attention and argument. In fact, webicus is so skilled in monopolizing these resources that it frequently drives off larger, but more peaceable, local populations. While all Trolls are destructive, there are perhaps none so pernicious as the subspecies which target author websites and online writer communities. Armed with a voluble nature and much larger vocabularies than other Trolls, these are particularly troublesome.

 

The Queen Bee/King Drone (lordicus cliqueium)

Behavior: Lordicus begins by befriending charter members and site owner/administrators alike with its initial friendliness and offers of assistance. With favors banked and loyalties established, lordicus reveals its true nature when another community member voices a dissenting view, or becomes as well-liked as lordicus. In either case, lordicus and its followers close ranks to attack or freeze out the other member, claiming to speak on behalf of the entire community.

Control: The only effective method of lordicus control is a strongly-worded email from the site owner or administrator. Lordicus’ response is invariably a dramatic, martyred leave-taking from the site, after which it will continue to lurk and foment dissention among other members via off-site communications.

Identifying Call: A shrill, “Who do you think you are?”, sometimes followed by a low-pitched, “Nobody cares what you think, anyway.”

 

The Puffed Pedant (self-importantia verbosia)

Behavior: Self-importantia is known for its lengthy, patronizing deconstructions of other members’ writing, in which it takes great pleasure in pointing out every broken rule of grammar, plotting, characterization and the like, regardless of whether or not said rules were broken intentionally, as a stylistic choice. Given that s.i. is never a published author in its own right, one might expect other community members to routinely disregard its remarks. However, s.i. posts with such smug conviction that it effects a sort of Jedi Mind Trick on the least experienced and most gullible members of the community.

Control: Since s.i. doesn’t technically overstep a site’s Terms of Service, there’s little the site owner/admin can do to put a stop to its antics. It was once thought that exposing the Pedant to the works of Kurt Vonnegut or Anthony Burgess would humble and silence the creature, but field studies have proven it will merely label such works “the exception that proves the rule” and emerge both unscathed and uneducated by the experience. Depriving s.i. of the attention, argument, and writing samples it craves usually proves more effective.

Identifying Call: A repetitive, clucking, “Do your homework.”

 

The Prickly Recluse (hypersensitivium rex)

Behavior: This species is known for its uncanny ability to incorrectly interpret the tone or meaning of any other member posts, regardless of how innocuous those posts may be, invariably choosing the most negative or insulting meaning possible and taking that meaning entirely personally. From there, hypersensitivium will repeat and repost its incorrect interpretation in an effort to rally support and sympathy for itself.

Control: First-time victims generally interpret the Recluse’s behavior as innocent misunderstanding, and will usually attempt to resolve the matter with an apologetic, clarifying post. However, since hypersensitivium will misinterpret the palliative post as well, such efforts are destined to fail. A warning post or email from the site administrator will generate one last, self-pitying post from the Recluse, followed by several weeks of absence from the site. It is from this latter behavior that the Recluse gets its name.

Identifying Call: A sharp, striking, “How dare you!”

 

The PubPro Mimic (wannabeum knowitallia)

Behavior: This type of Troll masquerades as a publishing industry professional with many years of relevant experience, yet never offers any proof of its claims and simply ignores all requests for such. Nevertheless, using its supposed trove of expertise as bait, wannabeum easily attracts a cadre of insecure writers looking for a “secret handshake” or other insider knowledge that might give them an edge in getting published. Since wannabeum lacks the expertise to which it lays claim, its haughty assertions about writing, getting an agent, publishing and bookselling are largely false. Even so, any attempt to correct the Mimic directly, or even to merely post an alternative viewpoint, will backfire in a firestorm of belittling recriminations from the Mimic, which will rely on its claimed expertise as all the support or proof its posts require.

Control: Catching wannabeum in a resumé lie will cause it to immediately vacate a site, but this is nearly impossible since wannabeum never posts under its real name and is careful to keep the identifying details of its claimed career experience vague.

Identifying Call: “If you’d worked in the publishing business for as many years as I have, you’d know how ridiculous you sound.”

 

The Equalizer (evenus stevenus)

Behavior: Evenus is the self-appointed score keeper and referee of any community it inhabits. Evenus keeps constant track of who has shared good or bad news, who has posted congratulations or sympathy, and whether or not such congratulations or sympathies are adequately effusive and timely. Anyone failing to pass the Equalizer’s test is subjected to the same kind of freeze-out favored by the Queen Bee / King Drone, but unlike that species, the Equalizer keeps the impetus behind its attack secret for as long as possible. Often, Evenus deprives its victims of this information for so long that another member of Evenus’ circle is ultimately the one to reveal it.

Control: As with the Puffed Pedant, since Evenus doesn’t technically break any site’s Terms of Service, little can be done to discourage it. One can either ignore Evenus or strive to steer clear of it.

Identifying Call: frosty silence.

 

The Sock Puppet Master (bittera duplicator)

Behavior: Perhaps the most pathetic of all the Troll species which favor author communities and websites, bittera creates its own support network by setting up multiple user accounts. It uses these accounts to create negative or attacking posts about others and their work, then uses its other accounts to second its own opinions in a masturbatory fashion.

Control: No specific action is necessary. Bittera will eventually reveal itself as a fraud by losing track of its various aliases, posting in the tone or style of one persona while logged in as another. Once exposed, this Troll will immediately delete all of its past posts, close its many accounts and move on to a new site. It may reappear months later to set up a new collection of accounts and aliases, but only when it’s sure its past activities have been forgotten.

Identifying Call: mockingbird-like repetition of, and agreement with, anything posted under any of its many aliases.

 

The Fake Friendly (condescendiosa passive-aggressivium)

Behavior: This Troll openly attacks and insults authors and their work, and when called to account for its unacceptable behavior, claims its remarks have been misinterpreted and it meant no offense. For example, in a thread about the merits of giving away free ebook copies as a promotional gambit, following the post of a member extolling the virtues of free ebook copies, it may post, “If your book was any good, you wouldn’t have to give it away.” When the other member responds with understandable anger and offense, the Fake Friendly will defend itself by retreating behind a response along the lines of, “I didn’t say your book actually is no good, I’m just saying that you deserve to be paid for quality work.”

Condescendiosa can keep this back-and-forth dance of insults and re-interpretation going indefinitely, but its most maddening behavior is its penchant for claiming the moral high ground by recasting its abuse as simple, well-meaning honesty, which it says others can’t tolerate on account of being overly sensitive.

Control: Much like the Sock Puppet Master, this type of Troll is always the cause of its own undoing. As it slashes and burns its way through the community, systematically training its disingenuous focus on member after member, condescendiosa eventually finds it has more enemies than cohorts and vacates the premises.

Identifying Call: “You’ll never make it as a writer if you don’t develop a thicker skin,” and “I don’t know what you’re so upset about.”

 

15+ Ways to Create New Content from Old Content

This post by Kim Garst originally appeared on Boom Social on 12/5/14.

As a busy business owner, you likely don’t have time to create new content at the rate at which your audience demands it. Yet, with content marketing now being the #1 driver of search rankings, you can’t afford not to be constantly publishing new content.

Fortunately, there are ways you can take your existing content and feed it to the content marketing beast. With a little bit of elbow grease and some creativity, you can edit and re-use what you already have, and turn it into something your audience can’t get enough of!

 

1. Create a ‘Best Of’ blog post:
This one is great, both as a way to repurpose old content and as a way to boost your search engine rankings. Create a blog post that lists all your other blog posts or articles on a particular topic. Name it “The Ultimate List of _________ Resources”.

 

2. Turn a blog post into a Slideshare:
Take key points from a popular blog post and convert them into a powerpoint presentation or PDFs. Upload to Slideshare for free and potentially reach a whole new audience! “15 Ways To Create New Content from Old Content” for example !

 

3. Quote yourself on social media:

 

Read the full post on Boom Social.

 

Smashwords Year in Review 2014 and Plans for 2015

This post by Mark Coker originally appeared on the Smashwords blog on 12/31/14.

Each year I provide Smashwords authors and publishers a review of our progress in the year as well as hints of our plans for the coming year. So here goes.

2014 marked another exciting year for Smashwords as we create new ebook distribution tools and capabilities that give our authors and publishers a competitive advantage in the marketplace.

If you’re new to Smashwords, a brief introduction to Smashwords is in order.

I founded Smashwords in 2008 to empower writers to become professional self-publishers. I wanted to transfer the power of publishing from publishers to authors. Back in 2008, large publishers controlled the printing press, the knowledge of professional publishing, and the all-important access to retail distribution. Publishers had the power to determine your fate as an author. No more. I wanted to make authors the captains of their own destiny.

Over the last six going on seven years, Smashwords introduced our free ebook printing press, Meatgrinder, which made it possible for any writer anywhere to publish an ebook in minutes; we opened distribution for the first time to major retailers and library partners that were previously inaccessible to self-published authors; we developed sophisticated yet easy-to-use publishing tools that help writers and small indie presses publish with pride and professionalism; we worked to actively educate our authors and publishers how to leverage best practices to publish with greater success; and we’ve been fierce (but friendly!) advocates for the rights and long term interests of the indie author community.

We exist to serve our authors and publishers, and we serve you by developing tools and relationships that help you publish faster, smarter and more effectively. Our time-saving tools help you spend more time writing and producing and less time managing multiple upload platforms.

In the years since we launched, Smashwords has grown to become the world’s largest distributor of self-published books. To the extent we’ve been successful is entirely thanks to the continued support of the authors, publishers and retailers we serve. You’re running a business, and we realize you work with Smashwords by choice, not by necessity. Through continuous improvement of everything we do, we will always work to earn and deserve your continued business, trust and partnership.

So let’s take a look at our progress for the year.

 

Read the full post on the Smashwords blog.

 

Business Musings: Things Indie Writers Learned in 2014

This post by Kristine Kathryn Rusch originally appeared on her site on 12/23/14.

I’d love to say nothing, but that’s not true—if we’re discussing indie writers who have remained in the business for several years. There will always be new indie writers who know very little, and there will always be those with “experience” who turn a year or two worth of sales into a know-it-all platform.

However, those indie writers who’ve been at this since the beginning of the self-publishing revolution in 2009 have learned a lot in 2014. Like last week’s piece, “What Traditional Publishing Learned in 2014,” this week’s will be my opinion. Next week, I’ll examine what I learned (or relearned) in 2014, before moving to brand-new topics.

A few bits of organizational business: Unlike my previous two blog series, The Freelancer’s Survival Guide  and The Business Rusch, Business Musings will appear irregularly. Sometimes it’ll show up in the old Thursday slot like last week’s, and sometimes it’ll show up on a different day like this week’s. Sometimes it’ll be long (like this week), sometimes there will be two or three posts in a week, and sometimes there will be none. If you worry that you might miss one, check back and look at the tab Business Musings under either the Business Resources or Writer Resources in the header.

Also, please note that, as in the past, I’ll be using “indie writer” instead of “self-published writer,” following the music model. I’ll also talk about “indie publishing” instead of “self publishing,” because so many writers who are not with traditional publishers have started their own presses. It’s not accurate to lump all writers who are not following the traditional route into the self-publishing basket any longer, if it ever was.

So, back to the topic at hand. What did indie writers learn in 2014? I wish they all learned the same things simultaneously, but they didn’t (and won’t). I also wish that there were indie writer financial statements, like there are financial statements for the big traditional publishers (which is what I based much of last week’s piece on).

Even if indie writers have formed corporations, those corporations are privately held, and therefore the quarterly financial reports are not public. Privately held companies do not need to list their earnings to anyone outside of the company (except the IRS), and therefore the smart ones do not.

So, in this blog post, I’m piecing together a lot of other people’s blog posts, anecdotal evidence, and just plain common sense. In other words, good old journalist me feels a bit uncomfortable, even though this is an opinion piece, because I don’t have as much quantifiable information as I’m used to for these blogs.

What have indie writers learned?

 

Read the full, very lengthy (and very much worth reading in full) post, which goes into detail on 15 specific lessons learned, on Kristine Kathryn Rusch’s site.

 

Amazon Offers All-You-Can-Eat Books. Authors Turn Up Noses.

This article by David Streitfeld originally appeared on The New York Times on 12/27/14.

Authors are upset with Amazon. Again.

For much of the last year, mainstream novelists were furious that Amazon was discouraging the sale of some titles in its confrontation with the publisher Hachette over e-books.

Now self-published writers, who owe much of their audience to the retailer’s publishing platform, are unhappy.

One problem is too much competition. But a new complaint is about Kindle Unlimited, a new Amazon subscription service that offers access to 700,000 books — both self-published and traditionally published — for $9.99 a month.

It may bring in readers, but the writers say they earn less. And in interviews and online forums, they have voiced their complaints.

“Six months ago people were quitting their day job, convinced they could make a career out of writing,” said Bob Mayer, an e-book consultant and publisher who has written 50 books. “Now people are having to go back to that job or are scraping to get by. That’s how quickly things have changed.”

 

Read the full article on The New York Times.

 

The Making Of A Boxed Set

This post originally appeared on SFR Brigade on 11/13/14.

Boxed sets are a popular commodity at the moment. You see them everywhere, collections of stories by a variety of authors, grouped under some unifying label. But there’s a lot of work involved in putting a set like this together. That’s why we thought we’d share our experiences and lessons learned.

Earlier in the year, one of the members of the SFR Brigade asked for volunteers for an SFR boxed set. Eleven of us promptly banded together, and our Nebula Nights collection appeared in e-bookstores in record time. Since its release at the beginning of August, the set reached #1 on Kobo and All Romance, and charted as high as #3 on Amazon in science fiction romance. The book maintained an Amazon ranking above 10,000 for most of those three months. So you could say it did well. At the end of October, our contract with the publisher expired, so we decided to go it alone, since the set is still selling quite strongly. This article is a combination of what we did, and what we learned from our experience with the publisher.

Ready to go?

What’s your goal?
There’s no point in embarking on a project like this if you don’t know what you’re intending to achieve. In creating Nebula Nights, we wanted to showcase our genre, and encourage readers to purchase more of each author’s work. In quantifiable terms, we aimed at reaching one of the major lists, like the NYT or USA Today. It’s good to dream big!

 

Read the full post on SFR Brigade.

 

Build Relationships With Reviewers Well Before Your Book Launch

This post by Jennifer Mattern originally appeared on AllIndieWriters on 10/21/14.

When you try to land reviews for your new book, the last thing you want is to be just another random new author reviewers have never heard of. Yet it’s not uncommon for authors, and especially indie authors, to wait until the last minute to think about book reviews.

So for this week’s quick tip, let’s make sure you don’t fall into that group. Rather than waiting until your book is about to launch (or already has), build relationships with key book reviewers early. Put yourself in a position where, when you do contact them to request a book review, they already know your name and are already at least somewhat familiar with you.

Here are three ways you can start building relationships with potential reviewers even before your book is released.

1. Comment on their existing reviews.

 

Read the full post on AllIndieWriters.

 

Facebook's Like Affair With Brands Is Over

This post by Will Oremus originally appeared on Slate on 3/24/14.

Facebook is ending the free ride, wrote Valleywag’s Sam Biddle in a post that has been greeted with widespread alarm. No, it’s not forcing ordinary users to pay for its service or to share pictures of their babies. Rather, the claim is that it’s deliberately bringing an end to the era of free advertising for businesses via their Facebook pages.

Citing an anonymous source, Biddle reports that Facebook is in the process of slashing brands’ “organic page reach” to just 1 or 2 percent. That means only a tiny fraction of the people who have liked a business on Facebook will see each of its posts in their news feed, unless that company pays Facebook for wider promotion. The organic-reach squeeze would affect “all brands,” Biddle writes, from corporate behemoths like Nike to local merchants like New York’s Pies ‘n’ Thighs restaurant. He casts this as a cruel bait-and-switch on Facebook’s part:

Facebook pulled the best practical joke of the Internet age: the company convinced countless celebrities, bands, and “brands” that its service was the best way to reach people with eyeballs and money. Maybe it is! But now that companies have taken the bait, Facebook is holding the whole operation hostage.

That’s one way of looking at it.

Here’s another one: People don’t really like seeing a bunch of ads in their news feed.

 

Read the full post on Slate.

 

How To Revive A Stale Book For More Sales

This post by Penny Sansevieri originally appeared on The Future of Ink on 11/28/14.

What if I told you that you could simply and easily revive an old or older book and start making sales on it again? Would you be game?

Most of us who have been writing for a while are sitting on a lot of content and a lot of older books that are taking up virtual shelf space on Amazon.

I was at an event a few weeks ago and an author there said that he had a science-fiction/fantasy book that had been out for a few years and it hadn’t done well. “I sure wish I knew then what I know now,” he said. And I realized that for him, it’s really not too late.

This is an issue a lot of authors face: a stale book that’s been out for a while and you feel like you’ve really exhausted your options. Book sales are sagging and you figure it’s over.

Well, it’s not. You have a ton of options now to revive, renew, and even re-release a book with minimal effort.

 

Read the full post on The Future of Ink.

 

Ebook Publishing Gets More Difficult from Here – Here's How to Succeed

This post by Mark Coker originally appeared on the Smashwords Blog on 11/19/14.

First the good news.

For indie (self-published) authors, there’s never been a better time to publish an ebook. Thanks to an ever-growing global market for your ebooks, your books are a couple clicks away from over one billion potential readers on smart phones, tablets and e-readers.

As a Smashwords author, you have access to tools, distribution and best practices knowledge to publish ebooks faster, smarter and less expensively than the large publishers can. In the world of ebooks, the playing field is tilted to the indie author’s advantage.

Now the bad news.

Everything gets more difficult from here. You face an uphill battle. With a couple exceptions – namely Scribd and Oyster – most major ebook retailers have suffered anemic or declining sales over the last 12-18 months.

The gravy train of exponential sales growth is over. Indies have hit a brick wall and are scrambling to make sense of it. In recent weeks, for example, I’ve heard a number of indie authors report that their sales at Amazon dropped significantly since July when Amazon launched Kindle Unlimited (I might write about Kindle Unlimited in a future blog post). Some authors are considering quitting. It’s heartbreaking to hear this, but I’m not surprised either. When authors hit hard times, sometimes the reasons to quit seem to outnumber the reasons to power on. Often these voices come from friends and family who admire our authorship but question the financial sensibility of it all.

The writer’s life is not an easy one, especially when you’re measuring your success in dollars. If you’re relying on your earnings to put food on your family’s table, a career as an indie author feels all the more precarious.

At times like this, it’s important for all writers to take a deep breath, find their grounding, remember why they became an author in the first place, and make important decisions about their future. It’s times like this that test an author.

Don’t fail the test.

Back in December, in my annual publishing predictions for 2014, I speculated that growth in the ebook market would stall out in 2014. I wrote that after a decade of exponential growth in ebooks with indies partying like it was 1999, growth was slowing.

I wrote that the hazard of fast-growing markets – the hazard of the rapid rise of ebooks – is that rapid growth can mask flaws in business models. It can cause players to misinterpret the reasons for their success, and the assumptions upon which they build and execute their publishing strategy. Who are these players? I’m talking about authors, publishers, retailers, distributors and service providers – all of us. It’s easy to succeed when everything’s growing like gangbusters. It’s when things slow down that your beliefs and underlying assumptions are tested.

I urged authors to embrace the coming shakeout rather than fear it. Let it spur you on to become a better, more competitive player in the months and years ahead. Players who survive shakeouts usually emerge stronger out the other end.

 

What’s causing the slowdown?

While every individual author’s results will differ from the aggregate, I think there are several drivers shaping the current environment.

 

Read the full, lengthy post, which includes further analysis and specific action items, on the Smashwords Blog.

 

I Am Not For Everyone (And Neither Are You)

This post by Jessica Lawlor originally appeared on her site on 11/17/14.

You know what can really hurt sometimes?

Getting negative feedback about something you’ve created. Losing followers online. Unsubscribes from your newsletter. Hearing that someone has said something mean or untrue about you.

Here’s an example: last week I crafted my first-ever Get Gutsy blog community survey. For the most part, the results have been fantastic. I’m learning A TON about what you want, what you enjoy and what could make the Get Gutsy experience even better for you.

However, on the flip side, there have been just a handful of comments that made me stop in my tracks and go “HUH?!” But after that initial sting and singing “Hater’s gonna hate, hate, hate” in my head a couple of times, I tell myself to get over it.

I remind myself of the following:

I am not for everyone.

As much as I’d love for everyone to like me and my blog, it’s simply not the case.

We cannot let the opinions of others’ define our worth.

You are not for everyone, too.

 

Read the full post on Jessica Lawlor’s site.