15 Twitter Hashtags That Every Writer Should Know About

This post, by Joel Lee, originally appeared on makeuseof on 3/16/12.

Are you late to the social networking party? No worries. It took me a long time to get into the whole social networking thing, but I’m glad I did. It’s definitely been a beneficial experience.

Although Facebook continues to defend its position as the most popular social networking platform, you shouldn’t focus all of your attention there. As they say, don’t keep all your eggs in one basket. Where else can you go? Twitter! Twitter is a great resource for social networking, but especially so for writers. By taking advantage of hashtags, you can separate the useless and boring tweets from the ones that are interesting and pertinent.

 

What Are Hashtags?

Have you ever seen a tweet include a word or phrase preceded by a pound sign? For example, a few months ago, Charlie Sheen’s #winning hashtag went viral. It’s called a hashtag because the ‘#’ is sometimes called a ‘hash,’ and using hashtags is a way for you to insert searchable tags and keywords into your tweets.

There are thousands of different hashtags floating around the Twitterverse. Many of them are important and useful, and many more of them are absolutely meaningless. Why? Because anyone can make up a hashtag. A hashtag only becomes meaningful when a large number of Twitter users give it meaning.

If you ever encounter a hashtag that you’ve never seen before, use TagDef to look it up. You’ll likely find a definition posted there unless the hashtag is obscure. In that case, you probably won’t even want to know what it means.

Twitter Hashtags For Writers

#amwriting / #amediting – Of all the Twitter hashtags that could possibly be relevant for writers, these two blow every other out of the water. Both #amwriting and #amediting are Twitter “chat” hashtags and you’re welcome to join in at any time. These two tags have grown so popular that there is even a web community over at AmWriting.org.

 

Read the rest of the post, which includes descriptions of 8 more writer-relevant hashtags, on makeuseof.

Pinterest: The Hottest New Social Site – Should Authors Join?

Everyone’s buzzing about Pinterest, a rapidly growing social site that’s all about creating and sharing collections of images (photos or illustrations) that you find around the Web or create yourself.

Pinterest calls itself a “Virtual Pin Board’ and members can use it to share their favorite artwork and books, organize recipes, plan weddings, post travel photos, and more.

The site is basically a giant online bulletin board that people pin images to. As a user, you create "boards" geared to different topics or interests.

As you’re cruising around the Web, you see an image that you’d like to share with others and you "pin" it to one of your "boards."  When someone clicks on the image, they can be directed back to the website that the image came from. You can also upload images from your computer.

You can post images related to your personal interests or hobbies, as well as images related to your book. You can also "follow" other people or boards, "like" or comment on images, and "re-pin" other images on the site to your own boards.

To the left is an example of a book cover that someone posted on a board called "Must Reads". You can see that it has attracted 218 likes and 113 comments, and it’s been re-pinned 5,393 times.

Pinterest can be integrated into your Facebook timeline, and you can add a “Follow Me on Pinterest” button on your website and cross promote the site through your other social networks.

After an incredible growth spurt in late 2011, Pinterest is now attracting nearly 12 million monthly unique visitors and generating a lot of buzz. Shareaholic recently reported that Pinterest is driving more referral traffic to websites than Google Plus, LinkedIn and YouTube combined. (Referral traffic is defined as visitors who land on a website through a link from another website.)

Naturally, many businesses are taking advantage of this new way to promote their brand and their products visually. But it’s easy for authors and other entrepreneurs to get caught up in "shiny object syndrome," chasing after each new thing that comes along and losing focus on what’s most important in their business.

Should you join Pinterest? Here are some things to consider:

    * How well does your book topic lend itself to sharing relevant images? Travel guides, cookbooks, and gardening books would be a natural, but authors in many other topics can probably find relevant images to share. Novelists could share images related to the storyline or setting of their book. Children’s authors can share images from their books. All authors can share their book covers and images from their blog posts.

    * Is Pinterest a good use of your time? The good news is that Pinterest doesn’t require as much time as other social sites like Facebook.

    * Is Pinterest something that you would enjoy doing for fun, to share images with friends and family or others you meet on the site? I have found that people pin a lot of beautiful artwork and photos and it’s fun to browse the site.

If you think you may want to use Pinterest, I recommend signing up right away so that you can secure the user name of your choice.

Right now, you have to be "invited" to join Pinterest. You can ask someone who’s already a member to send you an invitation, or click the red "Request an Invite" button at www.Pinterest.com.

To help you get up to speed fast, I have created the Pinterest Guide for Authors. This 35-page ebook contains numerous screenshots, so it’s a quick and easy read. 

 

This is a reprint from Dana Lynn Smith‘s The Savvy Book Marketer.

Thirteen O’Clock Australian Dark Fiction News and Reviews – Launched

I’m very happy to be able to officially announce this new venture. Myself and writers Andrew McKiernan and Felicity Dowker have put together a new website, to fill a void in the Australian dark and weird fiction scene. Since the untimely demise of Horrorscope, there’s been a gap where good dark and weird fiction can be reviewed and reported. We’re hoping to fill that gap with Thirteen O’Clock. And, after all, you can’t have too many sources of news and reviews in this game. Here are the relevant links:

Thirteen O’Clock website.

Thirteen O’Clock on Facebook.

Thirteen O’Clock on Twitter.

All the details are in the official press release, here.

 

This is a reprint from Alan Baxter‘s The Word.

Marketing Direct To Kindle Readers. On Advertising And KDP Select.

 

If you want to sell books, you need to find readers. Although there are a lot of ebook vendors out there, Amazon is currently the dominant player and there are a lot of readers who own Amazon Kindles/Fires and who shop on the Amazon store. I am one of them.

There are a few things you can do to market direct to these people, and you don’t need an existing platform to do it. You don’t need a blog or a twitter presence and you can still get thousands of sales or downloads of your book.

Direct Advertising

I believe you need a budget for your business as an independent author.

You need to use some of this budget for professional editing and cover design, and some of it can be used for promotional activity. There are a number of sites that specialize in promoting books to avid Kindle readers. These sites have lists with tens of thousands of readers on them so they can be a powerful way to boost sales and get your book moving on the Amazon charts.

In 2010, I used Kindle Nation Daily to promote Pentecost and it shot me up the charts. Pentecost reached #1 on Movers & Shakers, #4 in Religious Fiction and #93 in Thrillers. This year I decided to use PixelofInk.com as KND had increased in price and also had little availability for the time period I wanted.

Direct Advertising Results

The promo is a 1 day event with lots of other books also promoted that day. I paid US$250 for the promo of Pentecost, again counting on the first in the series dragging Prophecy up with it.

Copies of Pentecost sold: 800 @35c = US$280

Copies of Prophecy sold: 57 @$2 = US$114

Total income: US$394.

Given the cost was US$250, financially, this was worth the promotion.

But the impact on the Rankings was also fantastic. Pentecost reached #5 in the Action Adventure charts and Prophecy reached #88, so both books were ranking together, and Prophecy debuted in the charts above Lee Child. Awesome! Pentecost also reached #82 in the entire Amazon.com Kindle store. We still don’t know how the Amazon algorithm works but rankings, sales and reviews definitely play a part.

Will I do it again? Absolutely. (But remember, every book is different so don’t assume that what works for me will also work for your book. It’s all experimentation!)

My tips for getting the most out of the experience:

  • Have a great cover and back blurb
  • Have 10+ reviews of 4 stars or more on the sales page already – this social proof will help people to buy
  • Use great pricing. 99c will get you into the bargain area which will elicit more sales, although clearly higher pricing will result in more revenue for less sales.
  • You can find out more in the Author’s Corner on PixelofInk

KDP Select

If you’re not aware yet, KDP Select is an Amazon Kindle opportunity that allows you to put your book into the Amazon Prime lending program and receive a percentage of lending income from a fixed monthly pot. It also allows authors 5 days in a 3 month period where they can price the book for free. Previously, the only way to do this was to ‘game’ Amazon by setting the price to zero on Smashwords and waiting for their algorithm to pick it up. But now there is control over the period of time so you can coordinate your promotional period.

Free is basically a marketing activity. The aim is to get eyeballs on your book and to pick up data from the Amazon algorithm that may help your book when it goes back to paid. Most authors have experimented with some form of free but it works best when you have multiple books. Here’s NY Times bestselling author CJ Lyons on how free worked for her, and this was before KDP Select.

In order to be in the program, you have to put your book exclusively with Amazon for that 3 month period. You can then choose to renew or opt out again.

There have been some prominent indies in both the For and Against camps for KDP Select but I wanted to try it for myself in order to give a more informed opinion. Obviously the results will be different for every book so this is hardly the last word on the subject, but it is my experience.

How I used KDP Select

As part of the launch for Prophecy which is $2.99, I included Pentecost in KDP Select, hoping that people would get the first in the series for free and then buy the 2nd since the price is also pretty good for that. Given that Pentecost had already sold over 17,000 copies prior to this promotion, I figured I would get new readers.

I initially set the promo for 3 days but increased it to 5 once I got to the top of the Action Adventure charts in order to maximize the impact and downloads. I shared the fact it was free on Twitter and Facebook but that was about it. I know there are a number of sites that promote books as being free and also people who watch the lists, so no extra promo was really needed.

I did have to remove Pentecost from Smashwords in order to do this which meant the book wasn’t available on the other ebook stores.

Results from KDP Select

I started the promo on Sat 5 Feb and very quickly I was on the top free listing for Action Adventure. On Mon 6th Feb Pentecost reached #1 on Free for Action Adventure on Amazon.com and #2 in the UK. It stayed there until the promo finished.

Total downloads of Pentecost over the 5 days: 10,836

Total sales of Prophecy over the 5 days: 294

Was it worth it?

For me, I don’t think so. The uptick in Prophecy sales was quite small and I think a lot of people who get free books just get a lot of free books. They don’t necessarily need to buy books anymore as so many are free. How many of those 10,000 new readers will convert to fans of my fiction? It will certainly be a small percentage but perhaps the same number who would have bought the book over that period anyway, as I have quite consistent sales every month.

On the lending aspect, only 20 copies of my books have been lent in the last month. That’s not significant data at all but it does show that lending doesn’t work for all books as an income or promotional activity.

I also had to remove my books from the other platforms. I now have to republish them so I may have missed out on sales during that period as well. As much as I personally love Amazon as a reader and an author, I actually don’t like being exclusive to their store. Even though I buy there exclusively, it doesn’t mean other people do and I want to be available everywhere.

Will I do it again? Probably not, for fiction anyway. I might experiment with non-fiction. That doesn’t mean it’s not good for your book/s, but it’s my own experience. I have a guest post coming soon from an author who totally loves KDP Select, so we all have different experiences.

Have you tried direct advertising or KDP Select? How has it worked for you?

Want more tips on how to sell more fiction?

I have now been selling my fiction for over a year and I’ve experimented with a lot of different strategies and tactics. I have also changed my mind on a lot of things and believe that selling fiction is quite different to selling non-fiction.

I share my findings in this recent webinar recording: How to promote your novel: 21 ways to sell more books online. It’s just US$21 and has some rave reviews. Click here to read more about it.

 

 

This is a reprint from Joanna Penn‘s The Creative Penn.

Pimping Your Book, Indie or Traditional

This post, by Holly Robinson, originally appeared on The Huffington Post on 2/28/12.

Now that I’ve got feet in both camps, I have a unique perspective on the good, the bad and the mysterious truths about book marketing. My memoir, The Gerbil Farmer’s Daughter, was published by Random House. I leaped into the indie world when I self-published my first novel, Sleeping Tigers, a couple of months ago. My second novel, The Wishing Hill, will be published by Penguin in spring 2013.

These experiences have taught me a lot about book publicity, but I’m still learning new things every day. There are some differences in how traditional and indie books are publicized, but those differences are shrinking by the nanosecond. The truest thing I can tell you is that, no matter how your book makes it into the world, you’ll need to take an active part in the publicity. Here are a few tips to get you started.

Mine the Free Resources

The Internet is a wonderful tutor. There are more free resources out there about marketing your book than you’ll ever have time to read. Google anything from "picking a book cover" to "social media for authors," and you’ll get enough hits to last through a few thermoses of coffee each time you do it. Make good use of these resources. One of my favorites is Novel Publicity’s "Free Advice Blog."

Prepare Your Platform

No matter who you talk to in publishing — agent, editor, publicist, or sales team — they’ll tell you that their ideal is a good book written by an author with a "solid platform." Basically, that means that they want you to be famous before you even give them a manuscript — or they want some hook, like you chewed off your arm during a battle with a grizzly bear. (Even then, they hope you’ve been blogging about it.) One easy way to start building your platform is by crafting a virtual identity. Social media tools are free and easy to use. Start a blog, create an author Facebook page, get a Twitter account, and set up a Goodreads page. Give people useful information — don’t just pimp your book. If you know how to do something — anything from fly fishing to quilting — blog about that, guest post on other people’s blogs, and people will start following you. Yes, it’s time-consuming, but it’s also incredibly fun to connect with people. If you’re trying traditional publishing avenues, it will help your editor sell your book to the publisher if she can prove that you have an active presence online. Indie or traditional, you’re cultivating a loyal readership.

A Publicist Is Just Part of the Picture

 

Read the rest of the post on The Huffington Post.

Print Is Dead! Long Live Print?

This article, by Jordan Kurzweil, originally appeared on TechCrunch on 2/25/12.

[TechCrunch] Editor’s note: Jordan Kurzweil is Co-CEO of Independent Content, an agency that helps media companies launch new digital products and businesses. Prior to starting Independent Content Jordan worked at AOL running original programming, and News Corp bringing its traditional brands to digital. You can follow him on Twitter @jordankurzweil.

It’s been said before, but it needs saying again (and again and again): PRINT IS DEAD. Across the publishing industry, year-over-year declines in revenue, subscriptions and circulation, are well documented. Yes, there have been a few quarters of blood-stanching flatness (yay!), but – you heard it here first (or few weeks ago from The Annenberg School, or over the summer from Clay Shirky) – print periodicals are going to go away – forced out of this world by the march of technology and changing tastes, and replaced by new powerhouse brands – TMZ, Buzzfeed and HuffPo to name a few — which are poised to own the future, because they know how to adapt to (and even anticipate!) evolving user behavior. As John Paton, CEO of one of the largest newspaper companies in the U.S., put it recently “‘You’re gonna miss us when we’re gone’ is not much of a business model.”

Just this week, Gannett gave us a stunning reminder of just how little it understands the world it lives (and dies) in, and how myopically it views its business when it announced its $100M bet on establishing paywalls in all 80 of its local newspaper markets. A gambit predicated on “the public’s strong desire for local news and in readers’ longtime trust in Gannett’s papers,” according to Gannett’s CEO Gracia Martore. Oh my. The paywall, whether for Gannett or other publishers, is a finger in the dyke, a cover-up for tectonic shifts in their businesses. For Gannett, local paper audiences are old (that’s what “longtime trust” means), and may well age out of relevance before Gannett’s gosh-darned paywall gets erected. And where’s the proof that the public wants local news? Readership is declining, local news website traffic is infinitesimal, and even pure digital plays like Patch can’t seem to find readers or revenue. The fact is, the thirst for local news can be sated by a single hometown blog, run pretty much by a single entrepreneurial blogger (granted they’d be very busy – and underpaid).

What can Old Print do to survive?

To use a trite metaphor (or two) – stop rearranging the deck chairs on the Titanic, grow a pair, and change your businesses. Pivot out of the corner and reclaim your heavyweight title. RUMBLE, Old Man, RUMBLE:

1. Face reality:

– The audiences of traditional print brands on paper and pixel are aging.

– Digital upstarts are capturing the new audiences, and stealing your least loyal current readers.

– The cost structures of Old Print companies are out of whack with the times.

– New technology is further commoditizing content, and fragmenting audience.

– In-house digital innovation at Old Print companies is largely non-existent, stymied by outmoded, editorial-first ego at the top, and fearful protectionism of current revenue sources: print subscriptions, ad pages and banner impressions.

2. Start thinking like startups.

Read the rest of the article, which includes 7 more pieces of advice for publishers, on TechCrunch.

Is Free A Price We Can Pay?

This article, by Chuck Wendig, originally appeared on his terribleminds site on 2/13/12.

It seems that every book these days — or, at least, every self-published book — is popping up free for a short period of time, an act driven by inclusion in the exclusive Amazon KDP Select program.

I did it with SHOTGUN GRAVY, as you may have seen. To report back on the experiment, the novella has once more gone back to its two or three sales a day mark. The sales basically went like this: after going free for just over a day, the novella moved around 5200 copies. Then, after the promo ended, I sold (daily): 70, 4, 89, 48, 36, 13, then it we’re back to the two or three sales per day. During the time SG spiked, my other e-books mysteriously dipped for a couple days but then raged back strong thereafter. During that stretch, it netted be about 20 new reviews. So, I’m willing to call it a success.

 

And I’m not yet sure if that’s a good thing or a bad thing.

The results were a good thing. But it’s the ramifications of those results that has me feeling wibbly-wobbly.

Here’s where I’m a bit troubled.

First, the fact we’re now seeing a new type of authorial self-promotion (my book is free! hurry up and not pay for it!) is troubling if only because I fear we’re just contributing to the overall noise — and it’s noise that spreads an intrinsic notion about the value of our work, which is to say, it maybe ain’t worth that much. This noise also helps to set up expectation: “If I wait around long enough, this book might just show up free for a couple days.” So, where before readers were becoming trained to wait for a sale — “Oh, now the book is $2.99 instead of $4.99, or now just a buck” — they’re instead waiting for it to cost them absolutely zero.

Second, the boost in sales that comes out of this process is effectively a cheat. It’s an exploit like you’d find in a multiplayer game. It’s not based on human word-of-mouth, it’s based on a programmatic exploitation of Amazon’s recommendation system — a system that is inscrutable and unpredictable. Amazon may intend for it to work that way so, in this sense it’s not strictly an exploit — but my point is that it’s based on an algorithm of recommendations rather than actual recommendations. Moreover, if that algorithm becomes dominated by this mode of juggling books to the top, then those books that are not participating may have a harder time finding a place in that already-unknowable and potentially-overcrowded recommendation system. Right? So, not only is this “free product exploit to boost sales” trick creating a potential ecosystem of lowered expectations in a story’s value (because a buck wasn’t cheap enough!), it’s also enforcing a programmatic ecosystem where if your book does not participate, it doesn’t get to play in the Reindeer Games with all the other once-free books.

 

Read the rest of the article on Chuck Wendig‘s terribleminds – and if you’ve benefitted from any of Mr. Wendig’s sage advice and opinion over the past year, consider picking up his new compilation ebook.

Book Marketing Roundup

From Savvy Book Marketer Dana Lynn Smith:

Welcome to my roundup of book marketing tips and resources for authors and indie publishers. 

[Publetariat Editor’s Note: in addition to this periodic roundup feature, Dana provides a wealth of free book marketing tips and resources on her site, including numerous articles on the topics of Amazon Marketing Strategies, Article Marketing for Authors, Audio & Video Promotions, Blogs & Websites and Book Marketing Strategy. See Dana’s Learn How to Market Your Book and Yourself page for many more links like these.]

I’m excited about hosting Joanna Penn’s How to Promote Your Novel webinar on February 9! There isn’t much training that’s specifically geared to helping authors sell fiction, and I know we will all learn a lot from Joanna’s tremendous success in selling her own novels. 

If you’re a Nook owner or publish your ebooks in Nook format, check out the new Nook Lovers site, featuring free or inexpensive ebooks for the Nook ebook reader. See this page to learn how to get your ebook listed on this site, which was created by authors Stephanie Dray and Eliza Knight. Other places to learn about free and bargain Nook books include the free Nook book page on the B&N website and the Nook Facebook page.

If you are an iPad owner, check out Macworld’s review of the new "iBooks Author" ebook publishing platform from Apple. 

Have you set up a customized vanity URL for your Amazon Author Central Page yet? Check out this article to learn how.  

Here’s an interesting article from the Huffington Post about the factors that tend to limit the success of indie authors. And check out this article from Carolyn McCray on Digital Book World about how to increase your Kindle sales on Amazon.

That’s all the news for now. For more book marketing advice and resources, be sure to subscribe to this blog so you don’t miss any posts, and sign up for my book marketing newsletter

 

This is a reprint from Dana Lynn Smith‘s The Savvy Book Marketer.

Should You Publish Your Novel To Build Your Platform?

This post, by Roz Morris, originally appeared on her Nail Your Novel site on 2/12/12.

Here’s a phrase I’m hearing alarmingly often: ‘I’m going to self-publish my novel and use it to build my platform’.

Sorry, but that’s the wrong way round.

Except in a very few cases, it doesn’t work.

 

Non-fiction

You can build a platform with a non-fiction book. If you’re offering expertise, it’s easy to find the people who need it. If you write about a life experience, you can connect with readers who seek similar support. And there are far fewer of you – and more room to be heard.

But novels?

Before you use your novel to launch your platform, go and look at Facebook. Goodreads. Twitter. Everyone is waving a novel.

The number of people you will reach by starting this way is negligible.

Successful self-publishers

There are many examples, of course, of successful self-published fiction authors. Everyone has their favourites to brandish. I’m going to talk about Joanna Penn. She didn’t start with a novel. She started with a blog – The Creative Penn  – and built a loyal following while she taught herself about the writing and publishing world. By the time she launched her first novel, Pentecost, she had a great relationship with a lot of people.

Relationships rock

 

Read the rest of the post on Nail Your Novel.

The Blood, Sweat and Tears of Getting Publicity for Personal & Professional Branding

This is a guest post from Paul Krupin, of Direct Contact PR.

To me, getting publicity is like making candy – it’s a tasty recipe backed by art and science, psychology, and specific tactics that come into play. It’s a persuasive communications process that one has to go through. It has a very narrow set of requirements that many people simply do not understand.

The blood sweat and tears of getting publicity is always in the writing of the news release. It contains your pitch. The news release is the crucial document that you create and transmit to media. Then you watch and wait to see what happens. It’s a very important document. Your pitch is basically a proposal. A publishing proposal.

When it’s successful, it can be real magic, like lightning in a bottle. Phenomenal things can really happen. Careers and fortunes can be created. Millions of people can potentially see your message and be influenced by your writing and thinking.

But if it’s not, very little will happen, in fact, it can be a painful economic and pride-felt loss.

The hardest part that I find is that people don’t realize that getting publicity is not like marketing. When you market, you try to persuade to sell product or services.

When you seek publicity you are talking to a publisher or a producer and asking them to publish what you wrote, or write about what you say or do.

When you write a news release you are in effect you are communicating a very specific message:

‘esteemed and honored fellow publisher (or producer or host), please give me space in your publication (or on your show).’

This distinctive purpose of this message is one of the most difficult things I have to teach and get people to understand when I work with clients. Many an otherwise brilliant and successful author, marketer and promoter has great difficulty with this concept. Basically they write an ad and expect media to publish it. They are terribly surprised and hurt when it gets rejected. In fact, their failure at this point often times results in them ceasing the whole writing and creative or business development process. How
tragic to come so far and then stop over the failure to be successful at this point.

So heed the words of this publicist, and I truly believe if you grok this deeply, you’ll reduce the pain you go through as you learn what it takes to get publicity. It will make both our lives a lot easier. You’ll give me better more newsworthy information, it will take us less time to write a good news release, you’ll get more publicity when we do send it out, and I’ll get to spend more time fishing.

So here goes. I’ll share with you what I know.

First, understand that media are generally averse to giving anyone free advertising. They charge for advertising. That’s how they make their money. So if when you write a news release and are perceived as asking for free advertising, for a commercial enterprise, the likely outcome is a call or email from the sales advertising manager at the media. So please do not be surprised if and when this happens.

Second, media only publish three basic things:

News
Entertainment
Education

That’s it. There is no more, except for the paid advertising that is.

Don’t believe me? Look at any media publication. Look at a newspaper, look at a magazine. Identify what you see. Do this article by article. Analyze the media. Learn and try to grasp what they do.  Pick up any publication and classify every inch of space into one of these four classifications: news, entertainment, education, or paid advertising.  Prove it to yourself.

Do you get this yet?

And realize that if you want to be published, this is what you need to give the media people you are pitching to and be quick about it.

Now there’s a special psychology you need to really get down about what you are doing when you pitch to a media person.

The real key is to give media what they want. The hard part is in figuring out what that is. It’s crucial to remember we are writing to a publisher and asking for them to publish something about our topic, featuring us. BTW, if you do a good job on the news release, you’ll get some media responses even if you use the free services. But you’ll get greater penetration and quantity and quality response with services that send to custom targeted media lists matched to the message.

There are lots of issues that enter into a media decision to respond to a news release favorably: content, timeliness, quality of thinking, how many people in the audience will be interested, what’s in it for the audience, cost and effort needed to use it, prior and competing coverage of the topic, downstream issues, and the likely audience response.

These are among the many factors that go through an editor’s or a producer’s mind. You find this out when you speak to them, and also when you watch what they select, and of course, by what they publish every day. In fact, this is the greatest source of guidance you can find, and it’s available to you everyday.

What I find is that very simply, if they see what they like, they use it. They may not use all of it, and they may change it, but it gets some coverage if it fits their readership and editorial needs. Media people make decisions based on how it will likely affect their bottom line, which is revenue based on subscriptions, advertising, and market share.

To you and me, it’s a gauntlet of sorts, and we try our best to learn, create appropriate material, present it as best we can, and act
persuasively.

Once you understand this psychology and positioning, then you can get to work, and it’s really not that hard.

So how do you decide what do you put into a news release so that you maximize your publishing success?

Here’s a link to an article I wrote that explains this in more detail:

The Hot Button Theory: Maximizing Media Response to Your News Releases

Here are the basics.

Do you want to see your media response improve dramatically? Send a news release that pushes the media’s hot buttons. I’ve developed a little set of criteria from having sent out thousands of news releases for clients over the past two decades, and the common set of factors that produce the maximum success.

Here’s what you need to do:

Tell me story (a short, bed time story), give me a local news angle (of interest to my particular audience), hit me in the pocket book (make me or save me money), teach me something I didn’t know before (educate me), amaze me or astound me (like in WOW!), make my stomach churn (in horror or fear), or turn me on (yes, sex sizzles).

Your news release needs to do this in 30 seconds or less.

Let’s look at it again from a slightly different perspective.

I’ve studied what the media actually publish for decades now and I believe you can boil it all down to one simple formula. Look at almost every article in USA Today or any other newspaper or magazine or any TV show and try to identify the common key elements that pop out at you. You’ll see it immediately once I tell it to you.

Here it is:

DPAA+H

These letters stand for "Dramatic Personal Achievement in the Face of Adversity plus a little Humor."

If you look at almost every media around you, from the front page of USA Today to the Olympics to the evening news to the sitcoms on TV, you’ll see this is what the American public wants, desires, and craves.

DPAA+H

As a culture, we crave to see the human spirit triumph in matters of the heart, and in trials of hardship and tragedy. We ask to be uplifted right out of the humdrum of our everyday reality into the exhilaration and extreme emotional states of those who are living life on the edge.

It galvanizes our attention. It rivets us to our seats. It captures our attention and our hearts.

It drives us to pay for newspaper subscriptions, to movie theatres for entertainment, to rent videos for fun or education, to bookstores for a good read. This is what energizes and drives the very core of numerous key economic systems and is what creates and maintains the very infrastructure of the publishing, news, and entertainment industries.

And this is what the media seeks to provide. This is what works. Human interest stories with

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You will see these elements everywhere you look in varying degrees. It is a rare media feature that doesn’t contain most of these items. The media uses technology to increase the assault on our senses, enhance the effect, and make our experience ever more compelling and memorable.

And if you are writing a news release to get publicity for yourself or for a client, what you have to do to maximize your chances is recognize this desire and need, and then cater to it as best you can.

If you want to put your best foot forward and take a crack at writing a news release that does this, here is what I suggest:

For any particular publicity project you have in mind, study your target publications (the ones you really want to be in), identify articles that you want to achieve similar success, review prior and existing media coverage of your subject, and then make a list of the top ten things (ideas and actions) that you can write or talk about.

You can use News Search Engines (e.g., Google News) to evaluate media coverage of your topic and to identify articles that you can use as models. Then you can actually put pen to paper.

My 3-I technique is really useful at this point. Identify your success story, Imitate What You See, Innovate with your own information. Learn more about this technique here: http://www.directcontactpr.com/free-articles/article.src?ID=52

Just remember – you need to hit people’s hot buttons and galvanize attention. To do this you need to focus on developing some very special ideas.

One of the most successful types of news releases to use is the problem solving tips article or advice article or entertainment article.

Pretend that you are going to speak to 20 people and you wanted to inspire, motivate and impress the hell out of them, but only had exactly three minutes.

What are the very best eight to ten pieces of advice would you give them? You must identify the topic that will interest the maximum number of people. You must also then present the very best advice or analysis and recommendations, best stories, best insights, or best humor you are capable of to address the problem or the subject you identified. These must be ideas or actions they can take or implement that will produce highly desirable benefits in their life right now.

The reason is that these ideas are just like candy. Candy produces such pleasurable sensations that it results in chemical memory. People always remember where they got good candy. And that’s what you need to make. Good intellectual property candy.

The goal here is to galvanize them into action, so that when you are done, they jump up and open their wallets, and hand you their business card, and say "call me, I need your services".

It is not just to sell your book. It is to sell people on YOU. You are the candy. It is professional branding at it’s best that we seek here, so that people are so enamored with you that they buy everything you have available for sale.

So if you’ve done your homework, and studied what your target media are publishing, you’ll see that this is what is being published day in day out in media of all types.

It is also a pathway that you can probably follow pretty easily if you set your mind to it.

So think about this relatively easy assignment and then start writing. If you do this, I’d like to see what you create. You can send it to me anytime and I’ll be happy to give you comments and recommendations on what to do with it to help you get to where you want to be.

Just remember this: If you give the media what they really want, they’ll give you what you want – free publicity.

Paul J. Krupin, Direct Contact PR
Reach the Right Media in the Right Market with the Right Message
http://www.DirectContactPR.com  Paul@DirectContactPR.com
Blog.DirectContactPR.com
Free eBook download:
http://www.directcontactpr.com/files/files/TrashProof2010.pdf

Taleist 2012 Self-Publishing Survey

Steven Lewis‘s Taleist is administering a self-publisher survey. The results will be informative and helpful to self-publishers everywhere, and can be viewed immediately upon completing the survey, so please consider participating. From the site:

How are you doing as a self-publisher? It’s a hard question to answer isn’t it? What are you measuring against?

We’re taking a professional snapshot of the self-publishing industry.
 

There are self-publishing authors like JA Konrath, Amanda Hocking,  John Locke and (on a smaller but perfectly formed scale) Joanna Penn who are generous with their figures but they’re selling books from the tens of thousands to the millions. So does that mean you’re a failure if your figures are more modest? Or are you actually doing better than most? What is the average royalty earning for self-publishing authors? How long does it take for a self-published book to reach peak sales?

What are the most successful authors doing to market their books?

The Taleist 2012 Self-Publishing Survey will have the answers

I have partnered with Dave Cornford, an experienced consumer researcher and himself a self-publishing author. We’ve designed a survey that asks:

  • Who is self-publishing? (age, sex, background, experience)
  • How are we doing it? (full time, part time, on what platforms)
  • Why are we doing it? (can’t find a publisher, had a publisher but preferred to go indie, indie all the way!)
  • What’s working for us? (having more books for sale, marketing like a fiend, giving books away)
  • How are we doing? (sales and revenue)

Drawing on Dave’s experience we’re asking these questions in a way that we can follow all sorts of interesting threads, like looking for what successfully self-publishing authors have in common.

We need your help

There are 61 questions in the survey so it will take you a little time to complete it but just imagine how useful it will be to have a professional snapshot of what our “industry” looks like and whether you’re on the right path.

Our target is to reach 1,000 self-published authors to have a truly meaningful amount of data to work from. To do that we need your help.

We’re asking the self-publishing community to:

  1. Fill in the survey now!
  2. Share a link with your networks on Twitter, Facebook, Google Plus, word-of-mouth (e.g. by using the friendly icons below to link back to this post)
Let’s get to know ourselves better. Take the survey now!

Building Your Author Platform

You’ve worked very hard to write your book and submitted it to appropriate agents only to be told they and the publishers aren’t interested because nobody knows who you are. That quickly becomes a dog chasing his tail or a catch-22 problem. How can you become a known and admired author if no one will publish you? The fix for this is to develop a platform or a fan base. The larger your followership becomes, the more books you will sell. The publishers want to use this as a marketing guarantee. It makes their marketing efforts easier and makes them more money sooner. So, how do you build a platform?

It’s not easy but it is doable. Here are some suggestions you may find helpful.

Facebook, UTube, & Twitter—Social networks are a free, excellent way to become known to people who count. Seek relationships with readers, other authors, book publishers, agents, reviewers, genera bloggers, and anyone interested in whatever you write about.

Book Signings—Don’t expect many sales at the signings. Instead, seek positive relationships with owners, managers, and staff who will hand sell your book long after you’re gone.

Interviews—This is a potential treasure chest. Radio interviews are the best because you do them from phone wherever you want to. I did so many radio interviews, that I was eventually offered my own show, which did for two and a half years. TV is more difficult because you must do it from or through a studio. Newspaper interviews can be done from anywhere that is mutually convenient; however, they are getting more difficult to get because of the weakening newspaper industry. Seek a good media booking agent to help you make all these connections. Make the interviewer look good.

Book Fairs—These are good ways to meet the reading public. Some are expensive, so pick and choose wisely.

Industry Trade Shows— These worked very well for me. I would book a couple of adjoining booth spaces, fill them with tables, put colorful table clothes on them, and set up collapsible wire racks. I would fill them with my books and other good books in my genre. I would give speeches and/or workshops and provide my mobile bookstore. I became very well-known for this customer base.

Regional Bookseller Trade Shows— Yes, the Book Expo America is better known, but it’s huge and very expensive. It is worth attending for the networking opportunities and education. If you really want to sell your books, however, go to the regional trade shows. To learn about these, go to http://www.bookweb.org/resources/regionals.html

Book Reviews— These are useful to let book buyers know about you and your book. Even the largest review services have begun charging for their reviews, so use them wisely Reviews make for a good source of marketing blurbs. Never send a book in the blind and expect to get a review—huge waste of money. Be sure to check the reviewer’s submission guidelines and adhere to them.

Book Award Contests— These can get expensive, so be judicious as to how many you register for.

Email Campaigns to Bookstores— Check with the American Booksellers Association for mailing lists at http://bookweb.org/indiebound/indiessentials and at http://bookweb.org/membership/products .

Speaking Engagements— As I mentioned before, this is a wonderful way to become known and respected.

Book Clubs— I went to a mini-trade show for military books, linked up with the editor from Doubleday’s Military Book Club, and sold 25,000+ copies each of two of my titles. They also used my printer and allowed me to participate in their printings of my books at greatly reduced prices because of the economy of scale.

These are some platform enhancing venues I have used to good effect in the past. If you find only one or two that work for you, you’re ahead of the game. Remember, you’re competing against 500,000+ new books a year. You have to work hard to get seen in a crowd like that.

 

This is a reprint from Bob Spear‘s Book Trends blog.

Why Publishers Are About To Go Data Crazy

This post, by Sachin Kamdar, originally appeared on the PBS Mediashift site on 1/17/12.

The following is a guest post from Sachin Kamdar, the CEO and co-founder of Parse.ly. Currently in stealth, Parse.ly provides a new set of performance metrics, specifically tailored to publishers’ needs. Here, Kamdar explores the new age of data and how publishers will be a part of it.

We spend too much time talking about how publishers are adapting to the rise of the web, and very few moments trying to understand the unique challenges their businesses face.

Many pundits have criticized the industry’s inability to adapt their business models to a new web-first world. But it’s not the publishers that aren’t adapting — it’s their toolbelts that haven’t evolved to meet most acute needs.

The printing press is a great example of a technology that was quickly and widely adopted, and believe it or not, evolved rather quickly over the course of the last century. I’d argue that publishers are better at adapting to change than we give them credit for.

For example, we rarely ever acknowledge that Bloomberg and Thomson Reuters were into "big data" long before it became a buzzword.

And while the advances in media consumption technology for readers have been rapid, the publisher side of web technology hasn’t kept up with the pace. Publishers have been running a marathon in a pair of shoes that are four sizes too small.  

2012 will be the year that publishers get access to sophisticated, innovative technologies that are purpose-built for their needs, and this is precisely what’s going to change in the next year. Rather than publishers having to make due with the innovations in consumer technology, the ecosystem of technology vendors will realize the huge opportunity to address publishers’ needs. The result will be great news for a publishing industry that has been stunted by poor tools for too long.  

Here’s what it’s going to look like.

Social Isn’t Just For Distribution

For as long as most of us can remember, publishers have been using the likes of Twitter and Facebook to grow readership, improve content reach, and build community. As they’ve gotten more sophisticated, it has also become apparent that they need more insight into the cause and effect of social sharing. They need to move beyond just looking the part and making nice conversation.

The social web is great for distribution, but it’s also good for measuring the performance of content. 

Unfortunately, traditional measurement and analytics tools are designed for radically different business models — typically B2B (business to business) and B2C (business to consumer) companies that sell physical goods or services. The resulting metrics are tracking for leads, or sheer volume, or purchase cause and effect. But content is an entirely different game.

After years of "one size fits all" social media measurement platforms, 2012 will be the year that publishers are going to be served with a variety of completely new offerings that are purpose-built for content-centric businesses (instead of bending an all-purpose tool to their will).

Publishers need to know what exactly caused an article to go viral — was it timely content that created a new trend? The guest author and her accompanying network? A particularly influential commenter? A confluence of factors?

Publishers generally already know what happened in the past. But what about the future?

 

 

Read the rest of the post on Mediashift.

4 Simple Steps to Creating a Vanity URL for Your Amazon Author Central Page

Amazon now allows authors to create a "vanity URL" or personalized web address that points to their Author Central page on Amazon.

Author Central is a great place to feature your bio, videos, and latest tweets and blog posts. It’s especially important for authors with more than one title for sale on Amazon, because it shows a summary of all of your books.

My vanity URL looks like this: https://www.amazon.com/author/danalynnsmith

Here are four simple steps to creating your own Amazon Author Central vanity URL:

1. Login to your Amazon Author Central account. If you don’t already have an Author Central account, you can create one at this same page:

https://authorcentral.amazon.com

2. Click on the Profile tab.

3. Click on the Add Link button at the top right of the page, next to Author Page URL.

4. Enter your preferred URL name and click Save. Most authors will probably use their author name in the URL, but give it some consideration first, because you can’t change it once it’s assigned.

[Publetariat Editor’s Note: don’t forget to update any links you may have pointing to your old Amazon author page URL, such as on your author website, blog, in your social media profiles, etc. etc. Creating a custom URL will break those links.]
 

AuthorCentralURL

Learn more about optimizing your presence on Amazon in my how-to guide, How to Sell More Books on Amazon.

 

 

This is a reprint from Dana Lynn Smith‘s The Savvy Book Marketer.

Amazon Select: We Are All Junkies Now

This post, by Libby Fischer Hellman, originally appeared on her Say The Word blog on 1/25/12. In it, she shares her experiences as an author in the KDP Select program, and the possibility that the program is training readers to wait until a book is free, rather than buy it at regular prices.

It’s been over a month since the Amazon KDP Select started, and we’re beginning to see the ramifications of the program. And although I’m making good money, I’m scared. 

For those of you who don’t know, Amazon created the KDP Select program to increase their base of Prime Customers (those who pay no shipping costs in return for an $80 annual fee — kind of an online Costco). The program allows customers to “borrow” one e-book per month free. Authors whose books are borrowed get a pretty nice royalty ($1.70 per borrow) if they enroll their books and give Amazon exclusive access to those books for 90 days.

But the real hook  for authors is the ability make their books free for 5 of those 90 days.  Free, you might ask? I thought you were supposed to pay for a book. True, but it’s widely believed that giving away a book for a limited time results in instant exposure. Theoretically, hundreds, if not thousands of people, will download your book, read it, fall in love with your writing, then buy all your other books.  Presto – you’re a best-seller (whatever that means in today’s environment). 

It sounded intriguing, so I decided to test the waters and enrolled a novella that wasn’t selling well at all. It went free on Christmas day, perhaps the biggest day  for Amazon downloads in the company’s history, and there were 8,000 downloads. Two days later, when it back to paid status, the sales and “borrows” rolled in, and this lovely little novella ended up making me a small fortune. 

A week later I entered my best-selling book and made it free for two days. There were over 16,000 downloads on the first day alone. I panicked and pulled it off free the next day (which I now understand was a taboo and for which I apologize.). Again, sales and borrows after it went back to paid were fantastic. 

I was hooked. And continue to be. The program has treated me well and has boosted sales of all my books, even those that aren’t enrolled. December was terrific, and it looks like January will be stellar. 

So, of course, I drank more Kool-Aid, entered 3 additional books, and made them free. The novel did well, with over 13,000 downloads, but my short story collection didn’t. For the first time, downloads were just okay, and I did not see any kind of bounce afterwards. I figured it was because short stories aren’t as popular and dismissed it. 

But then something happened.

 

Read the rest of the post to learn why Libby Fischer Hellman has concerns about the unintended consequences of KDP Select on Say The Word.