Think

Opinion pieces offering commentary on various aspects of book culture, publishing and self-publishing.

Why Your Character’s Goal Needs to Be 1 of These 5 Things

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This post by K.M. Weiland originally appeared on her Helping Writers Become Authors site on 10/24/14.

Every story comes down to just one thing. Know what it is? Conflict’s a good guess (“no conflict, no story” and all that), but before a story can offer conflict, it has to first offer something else: desire. In short, story is always going to be about a character’s goal.

In previous posts, we’ve talked about your character’s two conflicting goals, based on the Thing He Needs and the Thing He Wants. Between them, these two desires drive your entire story, pushing and pulling your protagonist and the people around him until they end up in a completely different place from that in which they began the story.

But here’s another question for you: Does it matter what your character wants?

Obviously, a character’s goal has to tie into the plot in a logical way. But there’s more. In order to resonate deeply with your very human audience, your character’s goal needs to be one of five specific things.

 

Maslow’s Hierarchy of Needs and Why It Matters to Authors

 

Read the full post on Helping Writers Become Authors.

 

Worlds Without End – Interview With Ursula K. Le Guin

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This article by Sue Zalokar originally appeared on Real Change News on 11/5/14.

Sci-fi legend Ursula K. Le Guin discusses the limitless power of imagination

Ursula K. Le Guin started writing when she was 5 and has been publishing her work since the 1960s. Throughout her career, she has delved into some of the most insightful, political, ecological and socially important topics of our time. She has created utopian worlds and societies. She boldly challenged gender barriers by simply doing what she was born to do: Write.

Her first major work of science fiction, “The Left Hand of Darkness,” opened a new era in the field for its radical investigation of gender roles and its moral and literary complexity. At a time when women were barely represented in the writing world, specifically in the genre of science fiction, Le Guin was taking top honors for her novels. Three of Le Guin’s books have been finalists for the American Book Award and the Pulitzer Prize, and among the many honors she has earned, her writing has received a National Book Award, five Hugo Awards and five Nebula Awards.

In Paris in 1953 she married Charles A. Le Guin, an historian, and since 1958 they have lived in Portland. They have three children and four grandchildren.

After some correspondence, Le Guin invited me to her home to talk. I arrived bearing fresh-picked berries from Sauvie Island. She took me into her study and showed me the view she had of the eruption of Mount St. Helens in 1980.

Urusula K. Le Guin: It was the biggest thing I’ve ever seen, and I don’t want to see anything that big again. It was just inconceivable.

 

Read the full interview on Real Change News.

 

Why Worrying about Genre is Holding You Back

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This post by Nick Stephenson originally appeared on his site on 10/29/14.

I get a lot of emails from other authors who are struggling to gain momentum on their titles. Some of these authors have dozens of books out for sale (one industrious chap even had 70+) but sales aren’t where they’d like them. The main reasons I hear about?

“My book is in an unpopular genre.” Or, “Advice about book marketing doesn’t apply to my books. They’re too obscure.”

I get it, I really do. You’ve written something totally outside of the traditional idea of BISAC codes (the genre categories the ISBN companies use) and you’re not sure there’s a market. You’re more interested in writing for yourself first. And that’s cool. But it doesn’t mean there’s no audience.

Hell, if you can get ONE person to read your book, there’s nothing stopping you from getting a thousand. Or ten thousand. Or a million. I’m yet to see a genre of book that doesn’t have an audience large enough to sustain a decent income. But you’ve got to make it easy for readers to find out about your work. And this is where the 80/20 principle comes in. Here’s what I mean:

The 80/20 rule in a nutshell: what’s the 20% of effort that leads to 80% of results? What’s the 80% of effort that leads to 20% of the results? The exact percentages are flexible, but you get the point. Here’s an example:

 

Read the full post on Nick Stephenson’s site.

 

The War of the Words

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This article by Pete Gessen originally appeared in Vanity Fair‘s December 2014 issue.

Amazon’s war with publishing giant Hachette over e-book pricing has earned it a black eye in the media, with the likes of Philip Roth, James Patterson, and Stephen Colbert demanding that the online mega-store stand down. How did Amazon—which was once seen as the book industry’s savior—end up as Literary Enemy Number One? And how much of this fight is even about money? Keith Gessen reports.

 

I. Discovery

Otis Chandler is a tall, serious, bespectacled man in his mid-30s whose grandfather, also named Otis Chandler, used to own the Los Angeles Times. Chandler grew up in Los Angeles, attended boarding school near Pomona, and then, like his father and grandfather, went to Stanford. Upon graduation he entered the computer field. Because it was the turn of the millennium, that meant working at a start-up: Chandler found a job at Tickle.com, which was an early venture in social networking. At Tickle, Chandler eventually became a project manager, starting a dating site called LoveHappens.com. It did O.K. In 2004, Tickle was acquired by Monster Worldwide, parent company of Monster.com, the huge job-posting site, and about a year and a half later, Chandler left.

He started to think about what he should do with himself. One day, while visiting a bookish friend, he had what he calls an epiphany. “He had one of those bookshelves in his apartment,” Chandler told me when I met him in San Francisco. “You know what I mean, the bookshelf when you walk into someone’s house, the one where they keep all their favorite books. I walked into his living room and started checking out his shelf and just grilling him, like, ‘That looks cool. What’d you think of it? What’d you think of that?’ ” He left his friend’s place with 10 good books. “I was like, if I could go to all my friends’ living rooms and grill them about what books they like, I would never lack for a good book again. But instead of doing that, why don’t I just build a site where everybody puts their shelves in their profiles?”

 

Read the full article on Vanity Fair.

 

Odds In Our Favour: Race in The Hunger Games

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This post by Alice Nuttall originally appeared on For Books’ Sake on 6/25/14.

With popularity comes controversy, and The Hunger Games is no exception…

There have been questions around the franchise’s use in advertising, and  positive and negative reactions to the casting of the curvy Jennifer Lawrence as Katniss. However, the biggest controversy has been around race in The Hunger Games, and its portrayal of racial diversity.

The Hunger Games isn’t the only series to have sparked this debate. Walter Dean Myers and Soraya Chemaly have questioned the lack of racial diversity in YA literature, and Victoria Law wrote a two-month blog series inspired by her struggle to find YA dystopian novels with POC protagonists.

None of the characters in The Hunger Games novels are explicitly described as black, white, or of any other racial background. Although her race is ambiguous, readers like blogger Alexiel have read the black-haired, olive-skinned Katniss as a woman of colour.

Like Harry Potter’s Dean Thomas and Angelina Johnson, Rue’s blackness is only implied, but her ‘dark brown skin’ means that it is a rather strong implication. The fact that Rue is African American is obvious – or so one would assume.

 

Read the full post on For Books’ Sake.

 

The Perks, Pitfalls, and Paradoxes of Amazon Publishing

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This article by Nina Shapiro originally appeared on Seattle Weekly on 11/4/14.

Amid a boycott and bicoastal culture clash, Amazon has created a new model of publishing. Where does that leave authors?

One day in 2012, Megan Chance, a historical-fiction writer from the Kitsap Peninsula, arrived at Amazon.com’s South Lake Union headquarters for a meeting. The retail giant’s sleek new campus was bustling with software engineers of various nationalities, marketing mavens, and MBAs. The floor Chance visited, though, was practically empty. “There were, like, four people there,” Chance recalls. “It was bizarre.”

The two-decade-old online retailer was still getting a relatively new and little-understood division going—one devoted not only to selling books on the vast digital platform it had created, but also to publishing them. With the frenetic speed of a start-up, Amazon Publishing had in a few years launched a series of imprints devoted to different niches: mystery, romance, historical fiction, science fiction, and more. Now, the company’s fledgling imprint devoted to her genre, Lake Union Publishing, wanted to publish Chance’s latest work, Bone River, a novel about a 19th-century ethnologist who develops a mystical connection to a mummy.

Chance, in her early 50s, was at a low point in her career. She had spent two decades writing books that languished on bookstore shelves, caught in what she believed was a “vicious cycle” common to the publishing world. She had sold her first book to Hachette, which saw enough promise in the work to give her a big advance. The book sold poorly, though, and the publisher paid for a smaller print run the next time around, according to Chance. Those numbers weren’t great either. After that, she says, Hachette “was done.” She moved on to another publisher, where the downward spiral continued.

She was ready again for a new publisher with Bone River, but the New York publishers she approached didn’t bite. “Come back to us when you have better numbers,” she recalls being told.

 

Read the full article on Seattle Weekly.

 

Pacing: Capturing the Rhythm of Your Story

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This post by Sue Coletta originally appeared on Venture Galleries on 11/4/14.

PACING IS THE RHYTHM of the novel, of the chapters and scenes and paragraphs and sentences. It is also the rate at which the reader reads and the speed at which the events unfold. By using specific word choices and sentence structure– scene, sequel, chapter, novel structure– we can tap the emotions of the reader so that the reader feels what the writer wants them to feel at any given point in the story.

Pacing is especially important in crime writing.

Almost everything you read on the internet deals with picking up the pace, because so many new writers pace their novels too slowly. But what if you’re like me, someone who writes at break-neck speed, never giving the reader a break from the action? I know when I’m doing it too. I’m literally on the edge of my seat, feeling like I just drank forty cups of caffeine.

Why would too fast be a problem? People want to curl-up with a good book and be entertained. They do not want to wipe the sweat from their brow, the action happening so fast they feel like they’re on a never-ending roller coaster, and they need to unwind after reading your story. Honestly, sometimes when I’m writing my first drafts I feel wired– sweaty, hot, the muscles in my shoulders knotted into balls of pure stress. If that’s how my story makes ME feel imagine what I’m doing to my reader.

 

Read the full post on Venture Galleries.

 

Trouble With Your Latest Story? 10 Ways to Reinvent Your Writing Style

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This post by Steve Aedy originally appeared on K.M. Weiland‘s Helping Writers Become Authors on 10/24/14.

Stuck in the writing doldrums? Has your prose become lackluster and stale? If so, it might be time to change up your writing style and infuse some fresh life into your words and stories.

Every writer has his own writing style–a particular combination of skills, techniques, characteristics, and practices that develops into his unique voice. But, what happens if your style becomes clichéd and predictable, tired and trite?

If it’s time to give your writing style a makeover, consider the following tips for a new approach and greater results.

 

1. Change Your Pacing, Change Your Writing Style

Enter the scene late and leave it early.

This screenwriting tip from author and screenwriter William Goldman’s Adventures in the Screen Trade applies as much to novels as to scripts. But what does it mean “to enter the scene late and leave it early”? It means preventing the pace of your setup from bogging down in unnecessary introductions that establish how the characters arrived in the scene.

Try changing the pace by cutting the first paragraph in each chapter and reworking the second one. This will help compact your information into fewer words and thrust the storyline forward.

Similarly, if the last paragraph is mostly filler, cut it and reword the one before it to tighten up the delivery of information critical to the scene’s conclusion.

 

2. Don’t Edit While You Write

 

Read the full post on Helping Writers Become Authors.

 

Have You Ever Had a Relationship End Because of a Book?

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This post by Zoë Heller and Anna Holmes originally appeared on The New York Times on 10/28/14.

Each week in Bookends, two writers take on questions about the world of books. This week, Zoë Heller and Anna Holmes discuss the havoc books can wreak on relationships.

By Zoë Heller:

Do you want to be one of those dreary couples who are always delivering their identical cultural opinions in the first person plural?

Many years ago, when I was in my 20s, I went on vacation with a boyfriend to a remote Scottish island. We spent the days going on long, wet hikes and drinking in the pub. At night, we huddled in our freezing house and read aloud to each other. Neither one of us, it turned out, cared much for the other’s choice of book. I had come with “A Legacy,” by Sybille Bedford, which my boyfriend found mannered and pretentious. He had brought “Fear and Loathing in Las Vegas,” by Hunter S. Thompson, which I thought was tiresome and unfunny.

These differences of opinion did not strike me as a big deal. It was mildly disappointing, perhaps, that my boyfriend should be impressed by the drug-brag of Hunter Thompson and oblivious to the genius of Sybille Bedford. But it wasn’t as if I was auditioning him to be my literary adviser. Chacun à son goût, I thought.

 

Read the full post on The New York Times.

 

Bad Advice for Writers! NaNoWriMo Edition

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This post by G. Doucette originally appeared on The Huffington Post on 10/28/14.

We at Bad Advice for Writers have thus far only concentrated on the act of writing, ignoring important things to like how to behave like a writer and the importance of not understanding how social media works.

Today, on the eve of NaNoWriMo*, we will focus on bad advice for the novelist. We feel we should make this distinction insofar as some of this advice might actually not be bad advice if you are planning on a work of non-fiction.

(*NaNoWriMo is short for National Novel Writing Month. It takes place in November because that is a month that everyone celebrates for the fact that it is indeed a month long.)

 

Advice #1: Start notifying people about it before you’ve written it

Before writing a great novel, it’s always a good idea to alert important people in the publishing industry, so they’re prepared to read it when it’s finished. You may receive requests to see it before it’s even done!

Our advice is to craft an email blast and send it to everyone involved in publishing, even if that someone is the security guard at the Time/Life building. Remember: selling is all about networking! And networking is something we read about somewhere!

 

Read the full post on The Huffington Post.

 

5 Tips for NaNoWriMo: Getting Started

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This post by Nathan Bransford originally appeared on NaNoWriMo.

Nathan Bransford is an author and former publishing professional. Today, he offers five tips to getting your novel started. (This post is adapted from How to Write a Novel: 47 Rules for Writing a Stupendously Awesome Novel That You Will Love Forever.)

Writing a novel is hard. So hard, in fact, that some people are intimidated by how large the task looms. But do not fear! You can do this. Here are 5 tips for getting started:

 

NUMBER ONE: Think of an idea you love enough to neglect everything else you enjoy in life.

When you’re choosing an idea for a novel, you’re choosing something you are going to be spending more time with than many of your best friends and your most demanding family members. You’re choosing an idea that will render your bathing habits irregular and your sanity patchy.

In other words, it can’t be an idea you merely like. Liking an idea will get you to page fifty. It will give you an initial burst of enthusiasm—a dawning feeling of “Hemingway’s daiquiri, I can do this!”—before you inevitably lose interest, your attention wanders, and you find yourself with an unfinished novel that you feel vaguely embarrassed about.

Open yourself up to the world so that the right plot hook or character will flow into you. Prime yourself for inspiration.

 

NUMBER TWO: Flesh out a vague idea.

 

Read the full post on NaNoWriMo.

 

I Buy Your Book, You Owe Me A Good Read

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This post by Ally Machate originally appeared on Shelf Pleasure on 2/17/13.

It’s so easy to download an inexpensive ebook that I’ve become much more willing to try self-published titles than when I had to pay $14, $15, or even upwards of $20 for the print version. Digital technology has broadened the possibilities for people to express themselves and for us, as readers, to find more books to enjoy. The downside, however, is that this new marketplace has created a troublesome reality for all book lovers: Almost anybody who wants to publish a book can. And frankly, too many of these books aren’t ready for public consumption.

I sat down one Saturday with my Kindle and my coffee, envisioning a lovely relaxing morning read. But here’s how it went: I started and stopped four books in about an hour. With a couple, I only read a few pages, but the other two I gave more of a chance. I knew the author of one and I’d read something good about the other in a blog roundup.

And yet, with all four of these books, the authors had not polished their skills, nor had they sufficiently polished their manuscripts. I’m not just talking about misplaced punctuation or bad spelling, either. I’m talking about basic plot holes; two-dimensional, clichéd characters and situations; unnatural and awkward dialogue; and unbelievable, contrived scenarios that didn’t arise naturally out of the events of the story.

 

Read the full post on Shelf Pleasure.

 

10 of Literature’s Greatest Comeback Books

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This post by Emily Temple originally appeared on Flavorwire on 10/24/13.

Though Tom Wolfe’s last novel, 2004’s I Am Charlotte Simmons, fell flat for many readers and reviewers — Michiko Kakutani called it “disappointingly empty” — some critics are heralding his new effort, Back to Blood, which hit bookstores this week, as his comeback book. Only time will tell, of course, but the idea got us thinking about a few other important books that have pulled some of our favorite authors back from the brink of oblivion (or worse, bad reviews). After the jump, read about the many ways authors have dusted off and recharged their careers with a well-placed tome, and as always, add any we’ve missed in the comments [on the original post, here].

 

1. The Old Man and the Sea, Ernest Hemingway

The 1940s were not good for Hemingway. He described himself as being “out of business as a writer” from 1942 to 1945, and fell into a depression fueled by physical problems and the fact that many of his friends — Fitzgerald, Gertrude Stein, Max Perkins — were dying around him. In 1950, he published Across the River and Into the Trees, which was roundly panned. The following year, as if in furious revenge, he wrote The Old Man and the Sea, which was to be his last book, and some say his best — in any event, it won a Pulitzer and firmly re-established his literary reputation.

 

Read the full post on Flavorwire.

 

Where Do I Write? All Over The Damn Place

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This post by Elisa Albert originally appeared on Guernica on 10/30/14.

On community, urban sprawl, infant mortality, and the Albany food co-op.

1. Office at home

Set up your office and get to work, a friend instructed a few years back, when I complained about the novel, which had plateaued at halfway done and was now just sitting there. I half-heartedly poked at it a few times a week, but the momentum was gone. So I put down an old Ikea kilim, cleared out clutter per the Feng Shui guru, hung pink string lights and cute scrap flags someone sewed me as a gift and a photograph of a feral house in Detroit (which has a thing or two in common with downtown Albany). Suspended some tillasandia with twine. Now I had a nice quiet little room to sit in and contemplate the stalled novel.

Just doing the work is the whole battle, we always say: making contact. Sit with the novel, be in it. Turn off the internet so you have nowhere else to go. Only rarely is it satisfying. Rarely is there a great chunk you can point to at the end of a day and say, here is what I did today! More often there’s the vague fear you’ve made no progress at all. Where did those hours go? Where is your work? What is this adding up to? You have paid someone else to be with your child while you did this bullshit? The thing continues and continues to feel like a wreck. But it’s your wreck. And you are working on it, even when it seems like bullshit, eating your time and appearing none the better. No effort is wasted, says the Bhagavad Gita on a post-it I stuck to the bottom of the giant computer monitor. But God, some days are a slog.

 

2. Leaning against doorjamb while boy plays in the bath

 

Read the full post on Guernica.

 

The Amazon/Hachette Battle and Why It’s Great to Be a Self-Published Author

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This post by Miral Sattar originally appeared on PBS Mediashift on 6/3/14.

After a fantastic BEA (Book Expo America), I’ve been digesting the whole Amazon/Hachette battle. I’ve basically come to the conclusion that it’s an incredible time to be a self-published author.

The first thing that surprised me is that so much has been misreported about the Amazon/Hachette battle. Amazon and Hachette are negotiating their contract terms, and what normally should have been behind-the-door talks is turning into an all-out flame war in the media.

 
Myths:

a) Amazon increased publisher prices.

Amazon can’t increase prices. Amazon acts as a retailer of books. The publisher always sets the price of the books. Amazon only changes the amount of the discount similar to the way Walmart, Target or anyone else would.

b) Amazon removed buy buttons from Hachette titles.

No, Amazon didn’t remove any buy buttons. They just removed pre-order buttons from Hachette titles. Amazon doesn’t make pre-order buttons available to everyone and negotiates with each publisher individually. Readers can still buy their books albeit with delays as posted in the Amazon forums.

 

Read the full post on PBS Mediashift.