Quick Link: 10 Tips for Self-Published Authors

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Here are some good pointers from author for writers who are thinking of becoming self-published. Head on over to Fantasy Faction for the full post.

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10 Tips for Self-Published Authors

by Duncan M. Hamilton

In publishing there are outliers who release a book straight to the top of the charts, but they are few and far between. Happily, you don’t need this to happen to be able to make a full time living from writing—the slow build to a solid platform is equally viable, albeit longer in the making. With that in mind, I’ve put together ten pointers that I hope will help anyone considering going down the self-pub route avoid some of the pitfalls and hard lessons waiting along the way.

1. Writers’ Cafe on the KBoards Forum

Every day for me starts with a few minutes there. It has a vast amount of information relating to pretty much everything you could encounter as a writer. It’s up to date, with discussions on new developments in the industry usually starting up within minutes of the announcement being made. There’s also ongoing discussion on what marketing methods are working, and those that aren’t. As always, you’ll need to exercise personal judgement in separating the wheat from the chaff, but this will become easier with a little time spent reading up. There are some very experienced and successful writers hanging out there, and more often than not they are very generous with their advice and in sharing their knowledge.

Read the full post on Fantasy Faction

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Give what you promise.

I just finished a book, one I won’t name because I don’t want to be mean. The problem is that the book was really good, at least for the first half.  You could tell where the writer either had a deadline or just gave up. I hate that.

It happens sometimes when I play an online game or even in some movies where they changed directors/programmers or hit a deadline and shoved the product out the door. The 1999 remake of the classic 1963 horror movie The Haunting is a perfect example. The original is very suspenseful and keeps you wondering what is going on and who you can trust. The remake started off really good, but if you have seen the 1999 version there is a very clear moment when you can tell they said f’this and decided to go with special effects gimmicks. Too sad, as it ruined the movie! Nothing against special effects, I love a good effects movie and sometimes really bad ones. The thing is to give what you promise.

We have a contract with the people who buy our writing or our services. With writing, you either need to keep the pace or increase the pace, especially because it is hard enough to get people to do nice things and write good reviews. But nothing motivates a reader to write a bad review faster than being disappointed because you didn’t deliver what you promised.

What about you? Have you found any stories or movies where you can tell when someone gave up? Share!

Have a great day!

Paula

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Getting to know your world

One of the things I love to do is go shopping at specialty markets, and Los Angeles has so many great places. The Mexican grocery store down the street carries real bologna, the kind with the red strip around it. My great aunt in Newfoundland used to fry pieces up for breakfast, so being able to do the same for my kids shares wonderful memories.  They also have a fantastic deli and bakery. Today I am going to a Chinese market and can’t wait to see what I find there.

Even if you live in a place where you don’t have many multicultural opportunities I bet there are still corners of your world that you haven’t seen, or people with interesting stories. Sometimes it is all about looking at the world with fresh eyes.

I love to explore and one of my favorite ways is to drive with a friend and take a couple of quarters and flip them to decide if I should take a left, right, or continue on my path at intersections. A lot of the time you end up in circles. But the best is when you end up someplace you never knew before. Kind of an analogy for life.

And that is the point. How can you write if you don’t have any life experiences? You don’t have to be a superhero, or travel beyond your town. It is all about appreciating the wonders around you and growing as a person. So today try looking at your world with new eyes and let me know what you see!

Have a great day!

Paula

Quick Link: Stupid Advice I Have Taken about Writing

Quick links, bringing you great articles on writing from all over the web.

That’s the danger of reading advice on the web, you have to be careful about the quality. Even really good writers can give conflicting suggestions. But there are some words of wisdom that you would have been better off never reading. At Writer UnBoxed, author Louie Cronin shares some of rules he wishes he never followed.

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Stupid Advice I Have Taken about Writing

by Louie Cronin

When I was 31, I retired from a “good” job as an audio engineer at ABC in San Francisco to write a novel. (“Good” for an engineer, hell for a writer.) I was the first engineer across the US to take ABC’s seemingly generous offer: one year’s salary to get lost. How could any writer turn that down? How could it take longer than a year to write a novel?

Right after I retired, I got on a plane to Boston. (The novel could wait; first I had to visit my parents.) The shaggy-haired, famous-looking, cigarillo-smoking man seated next to me asked what I did for a living. (Funny how men were so interested in my career back then.)

“I just quit my job to write a novel,” I said, beaming.

He raised an eyebrow. “Really?” Turns out he had connections in the writing world. Lucky me! I was so excited I forgot to press him for details.

“Have you written anything before?” he asked.

“In high school,” I said. “And a little in college.”

“Ever published?”

“Uh, no.”

“Do you write every day?”

Read the full post on Writer UnBoxed

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Quick Link: 4 Ways To Develop The Unique Voice Of Your Character

Quick links, bringing you great articles on writing from all over the web.

Once you get your own voice as a writer down, you need to then work on the voices of your characters. Their voice helps to define their personality in the reader’s mind. at The Creative Penn has some great tips on how to do this.

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4 Ways To Develop The Unique Voice Of Your Character

Think about some of your favorite series – either books or TV shows. Why do you keep going back for more? 

It’s most likely to be about the characters because people are interested in people. We experience life vicariously through the experiences of others, real or fictional, and that’s why we love character-driven story. 

In today’s article, science fiction author Don Foxe outlines some ways to develop your character voice. 

For a character to become believable, they must present a unique voice.

When a reader believes this person could be real, you then have the opportunity to entertain with what they actually say. Their voice is not what they say, but how they talk. A lyricist may produce a beautiful message, but if the singer is off-key, we never hang around to hear the essence of the song.

Read the full post on The Creative Penn

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Quick Link: From an Engineer to an Author, I Find These Writing Tips Really Helpful

Quick links, bringing you great articles on writing from all over the web.

Hey, another engineer who transition to being an author! , who is the Founder and CEO of Lifehack, shares his tips on how to hack your writing skills. There is hope for me yet!

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From an Engineer to an Author, I Find These Writing Tips Really Helpful

 

But I’m here to tell you that, as a fan of life hacks, I believe anyone can become a great writer with the right knowledge.

Making the transition from engineer to writer over the past 10 years, I’ve come across many of the common issues people encounter when they write and discovered the writing tips to allow them to write 10 times better.

We Aren’t Really Taught How to Write Well in School

Don’t feel disheartened if writing doesn’t come naturally to you. In this online age, more of us have the opportunity to put our ideas out there but struggle to know where to start when we sit down to do it.

One reason is we aren’t really taught how to write well in school. Much of the emphasis is put on grammar rules and fluency instead of developing the ability to write appealing and influential work.

Read the full post on Lifehack

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Quick Link: Keeping Organized as a Writer

Quick links, bringing you great articles on writing from all over the web.

Being a pantser comes very easily for me. Finding a story to write and filling out a general plot is never hard. But all the rest of the structure and details and the finer points that make a story worth sharing is a lot harder. Part of that is being organized, cause you don’t need much organization for a basic story you just spit out. Elizabeth Spann Craig has been gracious enough to share how she keeps organized. What is your organizational secret?

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Keeping Organized as a Writer

by Elizabeth S. Craig, @elizabethscraig

Not my car.

Being a writer can involve a lot of clutter.

And I don’t even print things out. I’ve trained myself by this time to work as well on the computer as I used to on paper (that way I don’t have the time-consuming process of transferring notes or manuscript text to the computer later).  But there’s a lot of computer clutter.

I’ve found if I can keep my files organized, it helps me to write a lot faster. That’s because I can quickly access the information I need and keep writing my story without getting distracted by something else on my computer (hello, internet).

Here’s my (current) method, using Word.  I’ve gone through a bunch of different iterations and I’d be interested in hearing how you’ve set your own files up.

Read the full post on Elizabeth Spann Craig

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Quick Link: How to Fix Any Plot Hole Like a Pro

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I hate plot holes. My day job requires me to be very logical and I try not to drive everyone around me nuts with it. But no matter how much I love a story, a plot hole will keep wispering in my mind not allowing me to fully enjoy the story. What is even worse is when I write one, especially a big one!  at Inks and Quills helps us to patch those plot holes up like they never even existed!

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How to Fix Any Plot Hole Like a Pro

Once, I spent a good three hours trying to fix a plot hole involving a parrot while writing my novella, These Savage Bones.

I wish I was kidding.

There’s nothing that can make a writer want to tear their hair out quite like a plot hole. They can be hard to spot and even harder to patch up. And in the case of a particular species of parrot, which turned out to be extinct during the time period my story was set, they can make you question your sanity.

Argh, headaches for days!

Are there pesky plot holes hiding in your story right now? Let’s take a look at the different forms plot holes can take, how they can be accidentally introduced into a story, and how to rid your novel of them for good.

What is a Plot Hole?

Read the full post on Inks and Quills

 

Quick Link: What It’s Actually Like to Work With a Book Editor

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Hopefully if you have already published you know the answer to this question, but if you have never worked with a book editor at The Write Life shares his experiences.

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What It’s Actually Like to Work With a Book Editor

Quick Link: 5 Steps To Naming Your Characters Effectively

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Ugh, I don’t know about you but I spend waaaaay too much time messing with my characters names, more than I spent worrying about my children’s names!  Thank goodness for MS search and replace!  Writer’s Edit has a great post on finding character names that fit your genre and story. Check it out!

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5 Steps To Naming Your Characters Effectively

Names are powerful. And naming a character is not a decision to be taken lightly. It can even be more important than a character’s carefully-crafted appearance.

Good names help both writers and readers move through a story smoothly.” — Dan Schmidt

But it’s no easy task to find the right name for your character. Whether a background character,  protagonist, or even villain, these five steps will help you nail your characters’ names.

Inigo Montoya. You killed my father. Prepare to die.”

1. Check your genre

Each genre has its own naming conventions, or traditions. You may have noticed them while reading, or you may need to start being aware when you next pick up a book.

While there are no rules in writing, following your genre’s naming conventions will help you when you can’t find names that are ‘right’ for your story.

In a category romance, you’re not likely to find a name like fantasy author Tolkien’s creation, ‘Galadriel’.” — Bridget McNulty

Be sure to take note of sub-genres, and remember your target audience’s age. While naming conventions can usually work across all sub-genres and ages, you may find some interesting ideas.

For example, Marissa Meyer, author of fantasy/dystopian YA series The Lunar Chronicles, named some characters from nouns, such as ‘Scarlet’, ‘Thorne’ and ‘Crescent’. Such names add an interesting balance to the unfamiliar world that the characters live in.

Read the full post on Writer’s Edit

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Quick Link: How Do You Know When To Start and End a Scene?

Quick links, bringing you great articles on writing from all over the web.

How do you decide when a scene begins and ends? I just finished a story that was written well so that even though the story wasn’t the greatest, I kept having to read the next chapter because I wanted to know what happened next. That is talent. Randy Ingermanson, owner of Advanced Fiction Writing, shares his tips on how to find the best places to define a scene. What are your tips?

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How Do You Know When To Start and End a Scene?

How do you know when to start a new scene in your story? And how do you know when to end it? What’s the reasoning you use?

Yvonne posted this question on my “Ask A Question For My Blog” page:

when writing a scene in fiction, how do you know when to move to a new scene? Time, place, pov, deleted or added characters, and what, are the reasons for a scene change?

Randy sez: This is a question that vexes most beginning writers, and rightly so, because it’s a hard question.

The key thing is to understand what a scene is, and what a scene is supposed to do.

How Scenes Work—A Review

A scene is the smallest unit of fiction. It’s a story in its own right. The ability to write excellent scenes is arguably your most important skill as a novelist. By that, I mean that if you can write great scenes, you can get away with a mediocre premise, a mediocre plot, a mediocre setting, and mediocre characters.

Read the full post on Advanced Fiction Writing

Quick Link: When to stop learning and start writing

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Just a quick post from Jodi Gibson, but sometimes great things come in little packages. Jodi’s post is for all us perfectionist and procrastinator who use the excuse that we don’t know enough, or are not ready, and look at the people who are better than us and think we aren’t like them. Totally me. Time to use stop using learning as an excuse and just start writing.

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When to stop learning and start writing

As a writer with no formal qualifications, i.e. no tertiary degree in writing, I have looked for other ways to learn about the craft of writing.

I’ve done many short courses, read a trove of online articles and websites, and discussed everything from dialogue to point of view with fellow writers. But how much is too much? When is it time to stop learning and start trusting your own knowledge and ability?

I’m not sure if there is a definitive answer that is the same for every writer. I think the answer for each individual lies somewhere between when the penny drops and when you know it’s time. Or maybe, when you’re told it’s time.

At the wrap up of Fiona McIntosh’s masterclass, she said something to us that struck a chord with me. ‘You don’t need anymore knowledge, you just need to go and write.’

She wasn’t saying that her knowledge and wisdom is everything, she was simply saying it was time to go and put everything you know into practice.

With so much information out there on the craft of writing – books, articles, websites, courses – it can be confusing. And the worst part is, there’s a lot of conflicting information. One person will tell you one thing, and then another will tell you the opposite.

Read the full post on Jodi Gibson

Quick Link: Your Characters Must Earn Their Way Out of Trouble

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Today’s post is from , from Kill Zone, because I don’t like to think too much when I exercise either. I look for exciting movies that can pull me in, and away from the treadmill. However, no matter how exciting the story is, there is a point where the credulity of the audience is strained beyond what they can stand. The tolerance levels differ for everyone, but there is a breaking point. So make your protagonist earn their way, instead of providing a miracle to save them.

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Your Characters Must Earn Their Way Out of Trouble

by James Scott Bell
@jamesscottbell

My treadmill movie the other day was Fast Five.

I don’t like to think too much when I exercise.

The movie, part of the wildly successful franchise, has two opening set pieces. In the first, Dominic Toretto (Vin Diesel) is rescued from a prison bus by his car-driving cohorts, led by Brian O’Conner (the late Paul Walker) and Dom’s sister Mia (Jordana Brewster). The three of them end up hiding out in Rio de Janeiro.

In the second set piece, Dom and his team set out to steal three cars off a moving train (why bother with a mere car dealership?) They need to pull this off without anybody on the train (including engineers, conductors, several DEA agents, and passengers with window seats) realizing that an off-road, tricked-out tow truck is tracking alongside as two guys use blow torches to peel off a large section of train car.

In other words, mindless fun.

Read the full post on Kill Zone

Quick Link: The Number One Enemy Of The Writer

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What do you think the number one enemy of a writer is? I bet you will be surprised when you read Dawn Field’s pick over at Bookbaby Blog but after reading her post I am going to have to agree with her. Read it and let me know if you agree too.

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The Number One Enemy Of The Writer

by Dawn Field

Unclear thinking is an enemy of the writer, and it’s most often about being lazy and not fully imagining your story. Write with clarity of purpose, and your writing comes alive.

What is the biggest hurdle for any writer? A lack of time? The blank page? Writer’s block? Having your ideas stolen? The absence of an agent or publisher?

Probably not.

You’ll make the time if you really want to, writer’s block will pass once you fill up again on ideas, and if your ideas are worth stealing, you’ll quickly get another better one. And today, you can self-publish easier than ever.

So, could the worst thing be poor grammar or an inability to spell? What about technophobia that makes dealing with computers a nightmare? Is it a fear of business and the social-media savvy required to promote and sell books? Is it the fierce competition of the book market?

Doubtful.

If you have a great story but just need help tidying up the mechanics, hire an editor, copy-editor, or proof-reader. Heck, you can even easily hire a ghost writer these days. If you are a technophobe, write long-hand. It worked for centuries. And while selling books is great, you took on this writing gig for personal satisfaction, right? So who cares about promotion and competition?

So, what is the number one enemy of the writer? Unclear thinking.

Read the full post on Bookbaby Blog

Quick Link: 4 Methods for Developing Any Idea Into a Great Story

Quick links, bringing you great articles on writing from all over the web.

Do you have a great story idea bouncing around your head but don’t know what to do with it? If you are like me, you probably have at least 5. , over at Jane Friedman has an excellent article on how to take those ideas and grow them into full-fledged stories!

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4 Methods for Developing Any Idea Into a Great Story

by

Today’s guest post is by Elizabeth Sims (@ESimsAuthor) and is excerpted from The Complete Handbook of Novel Writing, an anthology compiled by Writer’s Digest. (I’m a contributor to the anthology as well!)


A while ago I attended an inventors’ club meeting. Some of the members had already launched successful products and were working on more, while others were merely beginners with great ideas. The beginners were commiserating about how hard it is to deal with financing, raw materials, manufacturing, promotion, and all the rest, when one of the experienced inventors suddenly stood up. “Look,” he said impatiently, “ideas are a dime a dozen. It’s the development that puts you over the top. Do what you have to do to make it real and get it to market.”

I was surprised, because I’d always thought that a brilliant idea could make you a fortune. But I quickly realized my new friend was right: Idea is just the beginning.

Fiction writers have a lot in common with those inventors. It’s not hard to get inspired by a great concept, to take it to your table or toolshed or cellar and do some brainstorming, and even to start putting the story on paper—but eventually, many of us lose traction. Why? Because development doesn’t happen on its own. In fact, I’ve come to think that idea development is the number one skill an author should have.

How do great authors develop stunning narratives, break from tradition, and advance the form of their fiction? They take whatever basic ideas they’ve got, then move them away from the typical. No matter your starting point—a love story, buddy tale, mystery, quest—you can do like the great innovators do: Bend it. Amp it. Drive it. Strip it.

Read the full post on Jane Friedman