protagonist

Getting to Know Your Protagonist

by

How much time do you spend getting to know your protagonist? While reading this post, I was inspired to go back to a character I had written quite a few words about but never really felt I got her motivations and perceptions quite right. I am inspired to go back now and take the time to fill out the character a little more and then rework my story.

Getting to Know Your Protagonist

Today’s guest post is by Steven-John Tait.

If you’ve ever struggled to get under the skin of your protagonist, don’t lose hope. This post tells how mine went from a protagonist I couldn’t relate to to someone so real to me that I felt guilty about finishing the novel and therefore his existence.

Here’s my experience from initial inspiration to the creative processes I used, and my eventual breakthrough and tips you can apply to your own work.

On vacation in a town in North Brazil, I was drinking a beer at one of many beachside bars, when I noticed a haggard man walking between the tables and chairs trying to catch anyone’s eye. It was obvious he was looking for someone to take advantage of. Nobody returned his gaze except me.

He sat down across from me and asked the waiter for a beer and a cachaça. The waiter looked to me for approval because we both knew that I’d be the one paying. I couldn’t understand much of what my guest said because my Portuguese hardly gets me from A to B, but he interested me, as did the faded tattoos over his arms and the white lines he’d drawn on himself using acid from cashew nut shells.

Here I was on the other side of the world, drinking beer with someone I’d never otherwise have met. I’d been looking for this since I set the goal of writing a novel. Here was my protagonist, and this town would be the setting. From then on I couldn’t think of one without the other.

I returned home, and having found the initial spark sat down to write the novel, but I had a problem: my protagonist.

Read the full story on Live Write Thrive!

Quick Link: How to Add Depth to Your Protagonist by Angela Ackerman

by

Quick links, bringing you great articles on writing from all over the web.

Even though this article by Angela Ackerman is from Romance University, it’s wise words are for every genre of writer. After all who doesn’t need more depth to their characters. Check it out!

~ * ~

How to Add Depth to Your Protagonist by Angela Ackerman

by Angela Ackerman

I love it when a story idea grips me. Often, it starts with one small thing…a sound, or an image flash in my brain. Sometimes I’ll get both. The experience is so utterly sensory the real world is momentarily forgotten. Maybe I’ll see and hear the ominous flutter of a plastic grocery bag caught in a tree branch on a windy day. Immediately I’ll start to “know” things: there’s water nearby. A dead body lays in the reeds, a teenage girl. A boy will find her, one who has lost the ability to speak. Snippets trickle in, clues of the story ahead. Excitement builds. I’m sure it’s a similar process for many of you.

For me there’s always the temptation to rush down the rabbit hole and write the first scene: one where the mute boy discovers the girl’s body. I want to leap in, describe it all—how the light dapples the water, the warmth of the sun, the paleness of flesh devoid of life.

But the truth is, I’m not ready to write. I shouldn’t write.

Because even if I know exactly how the scene will go, how he will drag the body onto the bank, praying the girl is alive, wishing he had a voice to call for help, I don’t know anything yet about who he really is.

Read the full post on Romance University!

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

Quick Link: Deepen The Protagonist to Readers By Challenging His or Her Moral Beliefs

by

Quick links, bringing you great articles on writing from all over the web.

Want readers to invest in your main character? Make them interesting. How? Give them depth and reasons, show why they do the things they do. Nothing is more boring than a perfect character who always knows the right thing to do and does it. Challenge their morality. Push them to the edge and see what happens. That is what Angela Ackerman over at Writiers Helping Writers helps us to learn this week.

~ * ~

Deepen The Protagonist to Readers By Challenging His or Her Moral Beliefs

May 28, 2016

by Angela Ackerman

This is what I found when I searched for "perfect" and the title, I kid you not is "The Perfect male body". Someone totally needs more depth.
This is what I found when I searched for “perfect” and the title, I kid you not is “The Perfect male body”. Someone totally needs more depth.

When we sit down to brainstorm a character, we think about possible qualities, flaws, quirks, habits, likes and dislikes that they might have. Then to dig deeper, we assemble their backstory, plotting out who influenced them, what experiences shaped them (both good and bad) and which emotional wounds pulse beneath the surface. All of these things help us gain a clearer sense of who our characters are, what motivates them, and ultimately, how they will behave in the story.

But how often do we think about our protagonist’s morality? It’s easy to just make the assumption that he or she is “good” and leave it at that.

And, for the most part, the protagonist is good–that’s why he or she is the star of the show. The protagonist’s moral code dictates which positive traits are the most prominent (attributes like loyalty, kindness, tolerance, being honorable or honest, to name a few) and how these will in turn influence every action and decision.

In real life, most people want to believe they know right from wrong, and that when push comes to shove, they’ll make the correct (moral) choice. People are generally good, and unless you’re a sociopath, no one wants to go through life hurting people. Sometimes it can’t be avoided, but most try to add, not take away, from their interactions and relationships.

In real life, most people want to believe they know right from wrong, and that when push comes to shove, they’ll make the correct (moral) choice. People are generally good, and unless you’re a sociopath, no one wants to go through life hurting people. Sometimes it can’t be avoided, but most try to add, not take away, from their interactions and relationships.

To feel fully fleshed, our characters should mimic real life, meaning they too have strong beliefs, and like us, think their moral code is unshakable. But while it might seem it, morality is not black and white. It exists in the mists of grey.

~ * ~

If you liked this article, please share. If you have suggestions for further articles, articles you would like to submit, or just general comments, please contact me at paula@publetariat.com or leave a message below.

What Personality Features Do Heroes And Psychopaths Have In Common?

by

This post by Scott McGreal originally appeared on Eye on Psych on 6/28/15.

A recent research paper attempts to answer the question: “Are psychopaths and heroes twigs off the same branch?” Psychopathy is usually thought of as one of the most malevolent manifestations of a disturbed personality structure as it is associated with selfishness, callousness, and lack of concern for others. In spite of this, in recent times people have begun to look for a positive face to psychopathy, or at the very least, to some of its component traits. The evidence for this is rather mixed, but there does seem to be a connection of sorts between at least some traits and behavior loosely associated with psychopathy and heroic actions that help others. Bold, fearless traits are associated with heroic behavior, but callous traits such as meanness and coldness are not. More puzzling is that people with a history of antisocial behavior are more likely to engage in heroic acts to help others.

Psychopathy is composed of a cluster of several different component traits that interact with each other to produce a disturbing whole. According to the triarchic model, psychopathy comprises a combination of three main traits: boldness, meanness, and disinhibition (Patrick, Fowles, & Krueger, 2009).

 

Read the full post on Eye on Psych.

 

Write Relatable Characters

by

This post by Ksenia Anske originally appeared on her site on 6/25/14.

Why? Is the first question you ask. Why should I write characters that are relatable? What about villains? The bad guys? The killers? The perverts? The awful awful people that do bad bad things? Well, here is the deal. Even the awfulest people are human. And by human I mean, we all simply want to be loved and to love. We may have a ton of shit piled up from the past, a ton of fear and anger, to the point when we want to kill somebody. Still. Killers feel too. They kill because they feel. Pain. A tremendous amount of pain. So much pain that they don’t know it’s pain anymore. They’re human, not robots. They have feelings. Think about the last book you read with a really evil character. Somebody so horrible, you couldn’t possibly root, but you did. I can tell you one. I read AMERICAN PSYCHO and even though I should’ve felt hate and disgust, I rooted for Patrick Bateman. Why? Because he was human. He doubted himself, he tried to find love and beauty in things, albeit, the wrong way, but you could feel it, see it, identify with it, perhaps think about that time you squished a bug to see what’s inside and realizing you killed it and feeling bad and sorry and…you know. All of us had these moments.

Because the characters are relatable.

 

Click here to read the full post on Ksenia Anske’s site.